<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>2016 on Da Hip Hop Place</title><link>https://dahiphopplace.com/year/2016/</link><description>Recent content in 2016 on Da Hip Hop Place</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>Copyright © 2026 Da Hip Hop Place — All Rights Reserved</copyright><lastBuildDate>Fri, 30 Dec 2016 00:00:00 +0000</lastBuildDate><atom:link href="https://dahiphopplace.com/year/2016/index.xml" rel="self" type="application/rss+xml"/><item><title>Stop Requested</title><link>https://dahiphopplace.com/stop-requested/</link><pubDate>Fri, 30 Dec 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/stop-requested/</guid><description>&lt;p&gt;My name is Preston Boyd, a 26 year old Baltimore ,MD native who goes by the alias of Priest Mussolini. In response to our recent national plights of racial and political tension, I released my first solo single &amp;ldquo;Stop Requested&amp;rdquo; on my website PriestMussolini.com, VEVO, and Youtube. The goal was to spread conviction with truth and love while identifying with our present realities . My small internet attentive fan base of about 150+ ppl sent much praise and support before and after the release. The goal to reach as many as I can as continue my campaign for my solo project &amp;ldquo;Believe&amp;rdquo; which has a tentative release date.&lt;/p&gt;</description></item><item><title>Kelly McGrath - You and Me Today</title><link>https://dahiphopplace.com/kelly-mcgrath-you-and-me-today/</link><pubDate>Thu, 01 Dec 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kelly-mcgrath-you-and-me-today/</guid><description>&lt;p&gt;Kelly McGrath - You and Me Today &lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/Kellymcgrathmusic" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/Kellymcgrathmusic&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Kelly McGrath is a Nashville based songwriter whose talents defy easy categorization. Many listeners and merchants will label her as a member of the Americana genre, but her latest single demonstrates a singer, lyricist, and songwriter whose range is much wider than a narrow genre classification. There are similarities. There is no doubt of that. However, McGrath’s material has a much more personal slant than the genre’s usual assortment of pastoral invocations to worlds long gone or paeans to the simpler life. Her first three albums show a songwriter concerned with the same troubles plaguing us all, but able to express them in an unique, highly individual fashion. Those efforts reach their zenith so far with her latest single “You and Me Today”, an impassioned and quite musical confrontation with grief. Kelly McGrath does not flinch. She faces presumably the biggest loss of her life with wisdom beyond her years and talent that transcends any tragedy. &lt;/p&gt;</description></item><item><title>Christine Saadé - Get Together (Ft. Twisted Dee)</title><link>https://dahiphopplace.com/christine-saade-get-together/</link><pubDate>Tue, 29 Nov 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/christine-saade-get-together/</guid><description>&lt;p&gt;Christine Saadé - Get Together  (Ft. Twisted Dee)&lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/Christine.Saade.FB" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/Christine.Saade.FB&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Canadian born musician, vocalist and songwriter Christine Saadé has recorded and released a series of well-received singles illustrating her audaciousness and vitality in the electronic dance music scene. Her newest single “Get Together”, a cut from the forthcoming EP release HYSC? EP 1, ups the stylistic ante quite a bit. She delivers a dance pop anthem for the masses that doesn’t cut corners but, instead, gives listeners a pyrotechnic and fully-rounded musical experience. The song features the talents of DJ Twisted Dee, but even one hearing will convince anyone that Saadé maintains the largest presence in this song thanks to a showstopper vocal. The song runs a little under four minutes in length. This shouldn’t be confused for a bare bones approach to songwriting in this style. She packs the experience of three songs into this compact package and the result is explosive. &lt;/p&gt;</description></item><item><title>Souleye drops new single - Follow Your Heart</title><link>https://dahiphopplace.com/souleye-drops-new-single-follow-your-heart/</link><pubDate>Tue, 22 Nov 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/souleye-drops-new-single-follow-your-heart/</guid><description>&lt;p&gt;Souleye - Follow Your Heart &lt;/p&gt;
&lt;p&gt;INSTAGRAM: &lt;a href="https://www.instagram.com/souleyephotos/" target="_blank" rel="noreferrer"&gt;https://www.instagram.com/souleyephotos/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Southern California based hip-hop songwriter and performer Souleye has established himself as one of the brightest stars in his genre in a way few other artists ever dare approach. His newest single “Follow Your Heart” carries on the work he’s done with eight studio albums and numerous other works in promoting a different version of rap and hip hop that places an approachable sound and intelligent, positive lyrical content above the genre’s usual assortment of poses and clichés. This mode of working has proven an excellent fit for him and has ensured that his place in the history of the form is quite secure, but this isn’t an artist content to rest on his legacy or laurels. Instead, “Follow Your Heart” is infused with the same poetic and insightful lyrical energy that has defined all of his work and shows clear signs that he continues to grow and evolve. &lt;/p&gt;</description></item><item><title>Bunny Sigler - White Christmas</title><link>https://dahiphopplace.com/bunny-sigler-white-christmas/</link><pubDate>Thu, 10 Nov 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/bunny-sigler-white-christmas/</guid><description>&lt;p&gt;Bunny Sigler - White Christmas&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.bunnysigler.net/bio" target="_blank" rel="noreferrer"&gt;https://www.bunnysigler.net/bio&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Since his 1960’s debut, Bunny Sigler’s voice has been featured on an assortment of recordings, solo and otherwise, that stand today as classics of the R&amp;amp;B/soul genre. The Philadelphia native, nicknamed “Mr. Emotion” by admiring fans, exerts an influence that has extended deep into the 21st century long after many of his contemporaries have either died or disappeared into obscurity. His songwriting has been included on recent releases from Jay-Z while he’s continued to write new original solo material and record. His upcoming album When You’re In Love At Christmas Time is Sigler’s entry into a traditional sub-genre that he’s never turned his attention to until this point. “White Christmas” is the first single from this new release and, while Sigler pays due tribute to the song’s long history, he also takes the song for unique turns that many past interpreters have never felt compelled to pursue. This is a musical production fully realized – arrangement and vocalist alike are working in perfect accord towards an ultimate goal.&lt;/p&gt;</description></item><item><title>Project TO - The White Side, The Black Side</title><link>https://dahiphopplace.com/project-to-the-white-side-the-black-side/</link><pubDate>Thu, 10 Nov 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/project-to-the-white-side-the-black-side/</guid><description>&lt;p&gt;Project TO - The White Side, The Black Side &lt;/p&gt;
&lt;p&gt;MI2N: &lt;a href="https://mi2n.com/press.php3?press_nb=193642" target="_blank" rel="noreferrer"&gt;https://mi2n.com/press.php3?press_nb=193642&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;As conceptual efforts go, the debut release from Project-TO surely rates as one of the more all-encompassing examples of the form released in the last quarter century. The White Side, The Black Side is a twelve song opus with a grad over-arching design. The first six songs are intended to reflect the album’s “white” side and rely on the big beats and airy flair common to most techno and electronica while the “black” side are meant to be photographic negatives of those same songs, but cast in a distinctly different manner while sharing the same running time. Some might wonder if the second set of six songs are little more than remixes – nothing could be further from the truth. Instead, it is better to hear the second set of six songs as re-interpretations of the same material from a completely different mood. The “black” side, unsurprisingly, is darker and leaner than its white counterpart. The production is simply superb thanks to Project-TO member Riccardo Mazza’s judicious hand manning the boards.  &lt;/p&gt;</description></item><item><title>Sterling Witt – Satyagraha</title><link>https://dahiphopplace.com/sterling-witt-satyagraha/</link><pubDate>Tue, 25 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/sterling-witt-satyagraha/</guid><description>&lt;p&gt;Sterling Witt – Satyagraha&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.sterlingwitt.com/" target="_blank" rel="noreferrer"&gt;https://www.sterlingwitt.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Sterling Witt’s already strong reputation as one of the most engaging guitar playing songwriters working today will likely only be further burnished by his latest full length release Satyagraha. This thirteen song opus, recorded and mixed by famed producer Steve Albini, bristles with an intelligent, questioning spirit that never simply accepts reality as it is given to him, but it also rampages and struts with undeniable rock and roll grit. Witt takes the album title from a word Indian spiritual and political leader Mahatma Gandhi used to describe the transformative power of objective truth in a world that rarely places any sort of premium on honesty. As before, however, this overarching thematic conceit never bogs the album down in wordiness – much like his guitar playing and arranging, Witt never uses two words when simply one will do and the result is an intense and highly focused affair that also spills over the rim with melody upon melody.&lt;/p&gt;</description></item><item><title>Angie and the Deserters – You</title><link>https://dahiphopplace.com/angie-and-the-deserters-you/</link><pubDate>Thu, 20 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/angie-and-the-deserters-you/</guid><description>&lt;p&gt;Angie and the Deserters – You &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.angieandthedeserters.com/" target="_blank" rel="noreferrer"&gt;https://www.angieandthedeserters.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Angie and the Deserters’ third recording, a six song EP titled You, is a slight shift in gears from her previous release Blood Like Wine. There are no real barnburners in this release comparable to Blood Like Wine’s bruiser “Country Radio” and, instead, Angie Bruyere and her fellow musicians sound like an artistic unit intent on exploring a wider emotional array than before. The same clarity defining the production on her earlier releases continues with this new studio confection and it results in a group of songs that sound cut live on the floor mere minutes after they finalized their composition. This fresh quality captures the band seemingly in a state of constant inspiration and there’s no question Bruyere is there with every word of her vocals. This is bracing and physical music delivered from a place deep within and geared for broad-based audience appeal.  &lt;/p&gt;</description></item><item><title>Kathy Muir - Second Life</title><link>https://dahiphopplace.com/kathy-muir-second-life/</link><pubDate>Thu, 20 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kathy-muir-second-life/</guid><description>&lt;p&gt;Kathy Muir - Second Life &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.kathymuir.com/" target="_blank" rel="noreferrer"&gt;https://www.kathymuir.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;It is refreshing to hear an album so committed to presenting fully rounded material. Kathy Muir’s third album Second Life doesn’t just succeed on a musical level, but it scores big on a lyrical level as well. Muir’s lyrics are full of plain-spoken poetry and exquisite imagery in equal measure and never aspire to any sort of pseudo-poetic incomprehensibility. The musical qualities are abundant. Melodies abound and the instrumentation is beautifully tasteful without ever missing opportunities. The production gives the music a great sonic forum to reach the listener and the urgency of its sound keeps the songwriting sounding intimate from first song to the final track. This is an improvement over her two preceding albums, but the observation is no slight on those earlier efforts. Second Life is just that damn good.  &lt;/p&gt;</description></item><item><title>Juliet Huns - Behind the Scenes</title><link>https://dahiphopplace.com/juliet-huns-behind-the-scenes/</link><pubDate>Mon, 17 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/juliet-huns-behind-the-scenes/</guid><description>&lt;p&gt;Juliet Huns - Behind the Scenes &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.juliethuns.com/" target="_blank" rel="noreferrer"&gt;https://www.juliethuns.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;The EP Behind the Scenes, the first release from Kenyan born and now Los Angeles based singer Juliet Huns, is an impressive introduction to a artistic figure poised to garner considerable attention. The three songs included are definitely pop tracks, but they aren’t your typical offerings. There’s an evolved sensibility here that’s certainly a cut or more above what the mainstream gatekeepers prefer. Huns simply isn’t pigeonholed easily. Describing her songs and performances as pop is scarcely even half the story. Much of the time, Huns eyes song construction the way rock bands approach it – orchestrated to induce tension – and her voice carries off those moments without a hitch. She is a powerful, fluid singer who can move through a range of emotions without overexerting herself or turning the vocal in a heavy handed direction.  &lt;/p&gt;</description></item><item><title>Jokatech - Standing Still Symphony</title><link>https://dahiphopplace.com/jokatech-standing-still-symphony-2/</link><pubDate>Fri, 14 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jokatech-standing-still-symphony-2/</guid><description>&lt;p&gt;Jokatech - Standing Still Symphony&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://jokatech.webs.com/" target="_blank" rel="noreferrer"&gt;https://jokatech.webs.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The latest two songs from indie composer and New York City native Jokatech are further entries in a successful artistic career. While Jokatech may not enjoy the same marquee notoriety experienced by more commercial performers, there’s little question after listening to his music that this is a songwriter and performer of rare distinction. His lyrical constructions are full of fire, intelligence, sarcastic humor, and the preening self-confidence while he shows the phrasing of a three decade or more veteran when delivering his songs. He is, essentially, an one man band responsible for the lyrics, melodies, and backing track and the responsibilities do not seem to have negatively affected his creativity. Instead, he sounds positively inspired. This is an artist unafraid of entertaining his listeners, but moreover, he’s unafraid to plumb into the depths of his life and return to the surface with something that might resonate or otherwise enlighten you.&lt;/p&gt;</description></item><item><title>Downie - "Unavailable" Single</title><link>https://dahiphopplace.com/downie-unavailable-single/</link><pubDate>Fri, 30 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/downie-unavailable-single/</guid><description>&lt;p&gt;Downie - &amp;ldquo;Unavailable&amp;rdquo; Single&lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/pages/Downie/121552454596379" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/pages/Downie/121552454596379&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Downie has been singing in front of audiences since she was a very small girl. She began her formal vocal training as a young teenager performing classical , pop and jazz music. Whether in a recording studio or live, Downie is a seasoned vocalist with a wide range, able to execute all genre&amp;rsquo;s of music with emontial depth and creativity.&lt;/p&gt;
&lt;p&gt;Downie revieved rave reviews in Japan where for four years she performed to sell out crowds in the clubs and hotels. She also performed with on the Dennis Bono show Live In Las Vegas with Grammy winning singer, Crystal Gayle. Her latest single is called &amp;ldquo;Unavailable.&amp;rdquo; If you&amp;rsquo;ve ever been in the position Downie is singing about, you can pick right up on this single and enjoy it time and again. If you haven&amp;rsquo;t that&amp;rsquo;s okay because you don&amp;rsquo;t have to in order to like it. This isn&amp;rsquo;t the type of thing you turn off when it&amp;rsquo;s playing. There is really nothing bad you can say about it. It might be a little too short but it&amp;rsquo;s undeniably good. It will sit at the top of my playlist for weeks, I can already say that. If you like pop, country, jazz and Americana, then this is right up your alley. It will do the business and then some. But if the feather light sound that you hear doesn&amp;rsquo;t turn your ears on, I can only wonder what will. Put it altogether and to each their own, but I was glad to hear Downie like a new wind through the trees. More was the first thing that sprung to mind when I heard &amp;ldquo;Unbelievable,&amp;rdquo; so it&amp;rsquo;s only an entry level review concerning the artist. But as for the song I&amp;rsquo;m on board the train.&lt;/p&gt;</description></item><item><title>Stevie Pre Greatest Hits</title><link>https://dahiphopplace.com/stevie-pre-greatest-hits/</link><pubDate>Fri, 23 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/stevie-pre-greatest-hits/</guid><description>&lt;p&gt;Stevie Pre Greatest Hits&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://steviepre.com/" target="_blank" rel="noreferrer"&gt;https://steviepre.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;These past few years over in the UK and across Europe the music scene has seen this humongous surge of djing. With bands producing some the wickedest sounds falling under labels such as Dark ambient, Drone music, Breakbeat, Acid breaks, Baltimore club, Berlin School, Dubtronica, Ethnic electronica, French house, Funky house, Dubstep, Brostep, Chillstep, Acousmatic music, Musique concrète, Tribal house to only name a few, there seems to be an endless market of creativity to choose from. Djing has opened doors to many who never felt like they quite belonged in the structure of the triangle: lead, bass, drum in their raw forms. And now that this genre of wide open ability has filtered its way across the globe and is spinning the 21st Century of globalization to unify the masses music has certainly set her course of change. The age of electronics in multiple forms is here and it is here to stay. Integrated or on its own, this is the new millennium&amp;rsquo;s birth.&lt;/p&gt;</description></item><item><title>Jokatech – Standing Still Symphony</title><link>https://dahiphopplace.com/jokatech-standing-still-symphony/</link><pubDate>Wed, 21 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jokatech-standing-still-symphony/</guid><description>&lt;p&gt;Jokatech – Standing Still Symphony &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://jokatech.webs.com/" target="_blank" rel="noreferrer"&gt;https://jokatech.webs.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;The latest two songs from indie hip hop songwriter and New York City native Jokatech are further entries in a successful artistic career. While Jokatech may not enjoy the same marquee notoriety experienced by more commercial performers, there’s little question after listening to his music that this is a songwriter and performer of rare distinction. His lyrical constructions are full of fire, intelligence, sarcastic humor, and the preening self-confidence while he shows the phrasing of a three decade or more veteran when delivering his songs. He is, essentially, an one man band responsible for the lyrics, melodies, and backing track and the responsibilities do not seem to have negatively affected his creativity. Instead, he sounds positively inspired. This is an artist unafraid of entertaining his listeners, but moreover, he’s unafraid to plumb into the depths of his life and return to the surface with something that might resonate or otherwise enlighten you.  &lt;/p&gt;</description></item><item><title>The Retakes – Trash (EP)</title><link>https://dahiphopplace.com/the-retakes-trash-ep/</link><pubDate>Wed, 14 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-retakes-trash-ep/</guid><description>&lt;p&gt;The Retakes – Trash (EP)&lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/TheRetakes" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/TheRetakes&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Imagine if you will. A time. A place. A moment. A transcending space where The Pixies and Lou Reed along with Nico had a cataclysmic orgy and in the final spent climatic escapade a dying star that ejected itself from that climax soared across the milk way. It was along its projection that it spawned before its light extinguished. In that sanctimonious point in time a genesis of rebirth screamed in pain and a band called, The Retakes, oozed and crawled up from the primordial slime to deliver a second take.&lt;/p&gt;</description></item><item><title>Thomas Charlie Pedersen - Second Hand War</title><link>https://dahiphopplace.com/thomas-charlie-pedersen-second-hand-war/</link><pubDate>Tue, 13 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/thomas-charlie-pedersen-second-hand-war/</guid><description>&lt;p&gt;Thomas Charlie Pedersen - Second Hand War &lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/thomas.c.pedersen" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/thomas.c.pedersen&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Thomas Charlie Pedersen, on his first solo album Second Hand War, cannot be accused of attempting to remake the wheel. Instead, he relies on traditional folk music forms and a solid approach in the singer/songwriter vein to convey his deeply reflective, witheringly honest, and unflinching lyrical narratives. Much of his lyrical point of view is first person, but don’t let that suggest this is solely some exercise in self-pity or self-punishment. Pedersen writes just as convincingly about other characters in his song as he does about himself or his fictional narrators. The music is lean, cut down to the bone, and the stripped back setting allows a chance for Pedersen’s voice and words to shine as never before. The result is a fourteen song collection where no two songs sound exactly alike and everything beats with a massive, all-encompassing heart. Second Hand War is real music made by real people for real people. &lt;/p&gt;</description></item><item><title>Kim Vogels - Native</title><link>https://dahiphopplace.com/kim-vogels-native/</link><pubDate>Tue, 06 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kim-vogels-native/</guid><description>&lt;p&gt;Kim Vogels - Native&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.kimvogels.com/" target="_blank" rel="noreferrer"&gt;https://www.kimvogels.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Being brought up surrounded by so many different cultures, Kim Vogels was drawn to the power and energy of the original sound of those worlds i.e. Flamenco, Klezmer, Celtic, early Persian, Gypsy, Native American, Folk &amp;amp; Blues etc. Even though these musical styles are all quite different from each other, they hold a similarity in their powerful connection to their culture. “Native” is the EP which also includes a promo video for the track “Call Of The Wild.”&lt;/p&gt;</description></item><item><title>Porcelain People – Streetlights</title><link>https://dahiphopplace.com/porcelain-people-streetlights/</link><pubDate>Tue, 06 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/porcelain-people-streetlights/</guid><description>&lt;p&gt;Porcelain People – Streetlights &lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/PorcelainPeopleMusic/" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/PorcelainPeopleMusic/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;First releases, in any genre, are seldom this good. Porcelain People are a duo compromised of Josh Thornhill and Fred Kalil. They hail from southern Louisiana and are serving up a particular brand of electro pop quite a bit unlike anything offered by their peers. Thornhill’s profoundly melodic and flexible voice matches up well with Kalil’s expansive and varied electronic textures. Piano, synthesizer, and keyboards are recorded with equal clarity and blended in quite an impressive way. No one component takes precedence in the mix and, instead, the duo have mixed the individual parts into a seamless and forceful whole. There are many highpoints scattered among the album’s thirteen songs, but there’s also no filler dragging things down. These are fully realized songs with imagination and technique working together in concert to produce the desired results.  &lt;/p&gt;</description></item><item><title>Angie and the Deserters - Blood Like Wine</title><link>https://dahiphopplace.com/angie-and-the-deserters-blood-like-wine/</link><pubDate>Fri, 02 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/angie-and-the-deserters-blood-like-wine/</guid><description>&lt;p&gt;Angie and the Deserters - Blood Like Wine &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.angieandthedeserters.com/" target="_blank" rel="noreferrer"&gt;https://www.angieandthedeserters.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;This is rough and ready music for passionate people. Angie and the Deserters won’t let you set on the fence – they win listeners over with a rare combination of intelligence, torrid emotion, and outright musical virtuosity. The songwriting on their latest release, Blood Like Wine, is smart without ever flying over the head of its intended audience, but it also does an excellent job of capturing the intensity of the lives lived out in vocalist Angie Bruyere’s lyrical content. The band is obviously top shelf in every way, but much like the lyrical content, their obviously extensive skill set never gets in the way of their central mandate – communicating and moving their audiences in some small, but significant, way. Bruyere’s vocals are key to this and the production does an excellent job without ever losing the important musical adventure going on around her. It’s an EP and, naturally, a relatively brief collection, but it accomplishes much in a condensed amount of space.  &lt;/p&gt;</description></item><item><title>Bob Lien - Color of Sky</title><link>https://dahiphopplace.com/bob-lien-color-of-sky/</link><pubDate>Fri, 02 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/bob-lien-color-of-sky/</guid><description>&lt;p&gt;Bob Lien - Color of Sky &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.boblien.com/" target="_blank" rel="noreferrer"&gt;https://www.boblien.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Color of Sky is very much in the Americana tradition, but it reaches ambitiously beyond that for a synthesis of dreamy folk music coupled with vibrant string arrangements. The collision of styles creates truly imaginative musical fireworks but there isn’t a single component in any track keyed to overwhelm listeners. This tastefulness extending over the course of Color of Sky’s ten songs never wavers and is part and parcel of high level artistry reaching far beyond the purview of typical recordings in the folk song idiom. The production job courtesy of Cyrus Rhodes does a remarkable job of bringing all of these parts into seamless interplay with each other – nothing sounds disjointed or out of place and, instead, there is a consistency of sound and approach that complements the material and Lien’s bell-clear vocals. &lt;/p&gt;</description></item><item><title>Cody Webb - Self-Titled</title><link>https://dahiphopplace.com/cody-webb-self-titled/</link><pubDate>Fri, 02 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/cody-webb-self-titled/</guid><description>&lt;p&gt;Cody Webb - Self-Titled&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://codywebbcountry.com/music/" target="_blank" rel="noreferrer"&gt;https://codywebbcountry.com/music/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;There’s a major push behind one of Nashville’s latest bright talents, Cody Webb, and every bit of the hype is deserved. His self-titled six song debut EP is a vibrant and style-spanning collection with instrumental prowess to spare and an inspired attitude that cuts across genre with confidence and skill. Webb’s country leanings are peppered a great deal by rock and pop influences, but melody remains the critical element driving these songs. His capacity for invention is considerable and his instincts for weaving melody through his instrumental attack and presenting accessible, uncluttered musical landscapes. This is thoughtful music that, in turns, brings a smile to the face. Webb’s vocal tenor is that of a steady friend, someone listeners can count on to deliver the goods time after time. His growing experience as a live performer informs these songs with a practical aesthetic resisting even the faintest hint of self indulgence.&lt;/p&gt;</description></item><item><title>Jupiter in Velvet - The One in the Many</title><link>https://dahiphopplace.com/jupiter-in-velvet-the-one-in-the-many/</link><pubDate>Fri, 02 Sep 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jupiter-in-velvet-the-one-in-the-many/</guid><description>&lt;p&gt;Jupiter in Velvet - The One in the Many &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://jupiterinvelvet.com/" target="_blank" rel="noreferrer"&gt;https://jupiterinvelvet.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Iconoclasts stand out. In our world of cookie cutter pop stars with the shelf life of vegetable, the performer/songwriter who writes vibrant material referencing influences while still blazing its own path is increasingly a rarity. American born and UK based Jupiter in Velvet culls from a handful of influences to fashion a distinctive and varied musical attack with an unwavering melodic base. His guitar pyrotechnics seem inexhaustible – they spark, crackle, soar, and growl, but they never fail to find room to sing. His vocals are, likewise, always on the money. Jupiter in Velvet isn’t any sort of Pavarotti, but his voice has remarkable elasticity and inhabits each of the album’s ten songs with tremendous verve and personality. The production highlights each song’s individual strengths in thrilling ways and has undeniable warmth.  &lt;/p&gt;</description></item><item><title>Project Grand Slam - The Queen’s Carnival</title><link>https://dahiphopplace.com/project-grand-slam-the-queens-carnival/</link><pubDate>Wed, 31 Aug 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/project-grand-slam-the-queens-carnival/</guid><description>&lt;p&gt;Project Grand Slam - The Queen’s Carnival&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://projectgrandslam.com/" target="_blank" rel="noreferrer"&gt;https://projectgrandslam.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Typically operating as five piece, Project Grand Slam, led by bassist and composer Robert Miller, plays like a much larger band. They have somehow managed to balance a muscular sound while maintaining a firm control over the material and never pushing anything to an overwrought level. The production on their fourth album The Queen’s Carnival is every bit as immaculate as their preceding releases and captures a remarkably live sound despite the occasionally spontaneity crushing atmosphere of a recording studio. Like previous releases, Project Grand Slam maintains a primarily instrumental focus and the album’s eleven tracks never have a moment of filler or run too long. This is a masterfully composed work, never uncertain of itself, and has an overarching sense of construction not typically heard on works from its musical area. In some senses, it is a throwback to the way albums were written and recorded during Miller’s formative years, but Project Grand Slam’s music and presentation are thoroughly modern sounding in every way.&lt;/p&gt;</description></item><item><title>The Ann Wilson Thing - Focus #2 (EP)</title><link>https://dahiphopplace.com/the-ann-wilson-thing-focus-2-ep/</link><pubDate>Wed, 31 Aug 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-ann-wilson-thing-focus-2-ep/</guid><description>&lt;p&gt;The Ann Wilson Thing - Focus #2 (EP) &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.theannwilsonthing.com/" target="_blank" rel="noreferrer"&gt;https://www.theannwilsonthing.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;It’s bracing to hear artists from Ann Wilson’s generation who truly embody the phrase age is just a number. No talk here about Ann defying her age. The same passion and skill defining her career is in full effect on her latest solo release, an EP entitled Focus #2. Wilson is not bashful about acknowledging her influences and admiration for contemporaries. Focus #2 features a little of that with her covers of Jimi Hendrix and Peter Gabriel. Both are stellar, but the real attraction for long time Wilson fans likely lies in the two new original compositions featured on the release. The four tracks compromising Focus #2 are recorded with great care and the live songs, both of the covers, do fantastic jobs of capturing a wildly supportive live audience who Wilson and her band clearly feed off of. This is a release that doesn’t deserve to fly under your radar despite its relatively brief link – every song here is a home run.  &lt;/p&gt;</description></item><item><title>Fly High with SireCharlieMacFly</title><link>https://dahiphopplace.com/fly-high-with-sirecharliemacfly/</link><pubDate>Tue, 10 May 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/fly-high-with-sirecharliemacfly/</guid><description>&lt;p&gt;SireCharlieMacFly is a hip hop emcee who dabbles heavily in the soul of R&amp;amp;B. Starting out is &amp;ldquo;Gas I&amp;rsquo;m On.&amp;rdquo; It&amp;rsquo;s not the most hype track to start out with. It&amp;rsquo;s got this very relaxed feel to it, like a sensual rhyme fest. We find the life in &amp;ldquo;Tetris.&amp;rdquo; No games here, only a great track that still is chill, but you can groove to it. What listeners will like about it is the R&amp;amp;B influence in the musical components. A skit opens up &amp;ldquo;The Smokers Only,&amp;rdquo; and we get more of that R&amp;amp;B with this one&amp;rsquo;s sensuality. Lyrically, you could hear this being the soundtrack to a big time gangster in a blockbuster made about the likes of Suge Knight&amp;rsquo;s life. You can imagine the slow motion scenes featuring cars, cash and canoodling women. Looking high and low for a track to break the laid back feel, it comes by way of &amp;ldquo;Serve This Royalty.&amp;rdquo; However, it&amp;rsquo;s not like you&amp;rsquo;re getting a Lil Wayne, hype track here. This is an emcee who never goes ham with it. He takes his time with his rhymes and sounds like he&amp;rsquo;s in the same class as Fetty Wap. So if you&amp;rsquo;re into that rising star of 2015, check out the upcoming hitmaker of 2016, and get in touch with SireCharlieMacFly today. (&lt;a href="https://www.reverbnation.com/sirecharliemacfly" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/sirecharliemacfly&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Lexxica - “Hearts Collide”</title><link>https://dahiphopplace.com/lexxica-hearts-collide/</link><pubDate>Thu, 05 May 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/lexxica-hearts-collide/</guid><description>&lt;p&gt;Lexxica - “Hearts Collide” &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.lexxicamusic.com/" target="_blank" rel="noreferrer"&gt;https://www.lexxicamusic.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Inspired by artists like Demi Lovato and Ellie Goulding, Lexxica is a Los Angeles based singing and songwriting talent with one acclaimed EP under her belt and readying for the highly anticipated release of her second effort. The first single from that release, “Hearts Collide”, is a golden example of EDM music at its finest from an artist capable of exploring the entire spectrum of sounds in that particular genre. Since the release of that debut EP, Lexxica has demonstrated her unwavering commitment to personal development by pursing renowned vocal coach Kim Wood Sandusky. Sandusky has worked with major talents like Beyonce and her introduction into Lexxica’s artistic world has resulted in a quantum leap of her already considerable vocal power. The key addition as a collaborator may prove to be Grammy nominated producer Rusty Varenkamp. Varenkamp has become Lexxica’s chief songwriting partner and enhances things tremendously. &lt;/p&gt;</description></item><item><title>Deuces with G37boyz</title><link>https://dahiphopplace.com/deuces-with-g37boyz/</link><pubDate>Thu, 21 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/deuces-with-g37boyz/</guid><description>&lt;p&gt;G37boyz has a double dose for you today. First up, &amp;ldquo;Look at Them Haters.&amp;rdquo; This one comes out of the gate with a quick bounce and then gets raw with it. It transforms into this abrupt, in your face track. Its partner in crime is one that keeps that vibe alive and well. Out of the two, it&amp;rsquo;s the second one &amp;ldquo;Monsta&amp;rdquo; that could lead the pair to the top of the game. If you like that Atlanta style hip hop, check out G37boyz now. (&lt;a href="https://www.g37boyz.com/" target="_blank" rel="noreferrer"&gt;https://www.g37boyz.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get In Tune with Poppy P</title><link>https://dahiphopplace.com/get-in-tune-with-poppy-p/</link><pubDate>Thu, 21 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-in-tune-with-poppy-p/</guid><description>&lt;p&gt;We got a new emcee to introduce you to, Poppy P. The first track we&amp;rsquo;d like you to get to know is &amp;ldquo;Sex is Better&amp;hellip;&amp;rdquo; It&amp;rsquo;s hip hop with a R&amp;amp;B twist. He doesn&amp;rsquo;t bust out a vocal performance like Drake would, but the music does allow this one to flow with more soul. From an original to a tribute to the late, great BB King, Poppy P showcases his versatility. Even when he&amp;rsquo;s got his boy Jay Marq by his side and they&amp;rsquo;re looking for some love with &amp;ldquo;Tip Jar,&amp;rdquo; he shows that he&amp;rsquo;s not only a great emcee for a showman as well. He can control a crowd and pretty soon will be hitting stages left and right. Check out this rising star today! (&lt;a href="https://www.youtube.com/user/poppypmusic" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/user/poppypmusic&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Ridin' Low with El Cannon</title><link>https://dahiphopplace.com/ridin-low-with-el-cannon/</link><pubDate>Thu, 21 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/ridin-low-with-el-cannon/</guid><description>&lt;p&gt;Coming to you you straight out of Blackwood is El Cannon. &amp;ldquo;Gold&amp;rdquo; starts things off shining as you can hear his smooth take on delivery. In &amp;ldquo;Everyday&amp;rdquo; we continue to have the chilled way with words. He&amp;rsquo;s like a laid back Ice Cube as he demands attention with his words with a bit of attitude in his voice. We pick things up just a bit with &amp;lsquo;Ridin&amp;rsquo; Low.&amp;quot; The beat has a bounce to it and here we get some energy from the emcee. Whether he&amp;rsquo;s taking it slow, or going hard - one thing&amp;rsquo;s for sure, El Cannon is a pure talent. Check him out today and hear for yourself. (&lt;a href="https://soundcloud.com/elcannon" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/elcannon&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Hip Hop on Ice with Clifton Dukes</title><link>https://dahiphopplace.com/hip-hop-on-ice-with-clifton-dukes/</link><pubDate>Tue, 12 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/hip-hop-on-ice-with-clifton-dukes/</guid><description>&lt;p&gt;Born in Pennsylvania, Clifton Dukes started spitting rhymes as a career later on in San Antonio, Texas. Today he resides a ways away from there in Austin. No matter the place though, the talent remains the same. You can hear what he&amp;rsquo;s made of with just one track. Take &amp;ldquo;Black Butterfly&amp;rdquo; for example. You can tell he takes his time to construct not only the lyrics at hand, but the beat to make for a well composed package. He takes his time to get into it with &amp;ldquo;The Way I Like It,&amp;rdquo; but when he comes in, he does so smooth and it was well worth the quick wait. While he&amp;rsquo;s not as mild tempered as Common, he is near that style. Only in the way that he doesn&amp;rsquo;t deliver a hearty punch, but more of a smooth sailing sort of way with his rhymes. Perhaps he&amp;rsquo;s more like Lupe Fiasco in that way. You could hear his rhymes taking over college campuses if that&amp;rsquo;s the case. If you&amp;rsquo;re a fan of Fiasco, kick and push your way towards Clifton Dukes today. (&lt;a href="https://soundcloud.com/cliftondukes" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/cliftondukes&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Throwback Ways with GoHard Nard</title><link>https://dahiphopplace.com/throwback-ways-with-gohard-nard/</link><pubDate>Tue, 12 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/throwback-ways-with-gohard-nard/</guid><description>&lt;p&gt;Right away we have a good time on our hands with GoHard Nard&amp;rsquo;s &amp;ldquo;Right Now.&amp;rdquo; It has a great amount of energy and is reminiscent of what Nelly and his crew would do back in the early 00&amp;rsquo;s. We slow down the pace with &amp;ldquo;Everything I Love.&amp;rdquo; This one has a unique sound that flows more like a conversation rather than a track. It&amp;rsquo;s the hook that really makes it stick though. We&amp;rsquo;re taken back with &amp;ldquo;Boyz In The Hood&amp;rdquo; and it&amp;rsquo;s a nice throwback with a new spin that fans of N.W.A will respect. If you&amp;rsquo;re a fan of emcees that have a chilled way - check out GoHard Nard&amp;rsquo;s joints now. (&lt;a href="https://soundcloud.com/gohardnard" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/gohardnard&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Don't Forget Ozy Reigns</title><link>https://dahiphopplace.com/dont-forget-ozy-reigns/</link><pubDate>Mon, 11 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/dont-forget-ozy-reigns/</guid><description>&lt;p&gt;Ozy Reigns takes an alternative route to hip hop. More on the page of acts like Common, this LA rapper brings something new to the table with his latest, &amp;ldquo;Remember Me.&amp;rdquo; Sounding like something from the 70&amp;rsquo;s thanks to the music that accompanies the rhymes, it&amp;rsquo;s a great track to sit down and chill with. Before this track, we got a trio from him in February this year. From those three, &amp;ldquo;4U&amp;amp;I&amp;rdquo; comes in nice and slow from the start but then picks up to end on an energetic note. Out of those three though, &amp;ldquo;Out The Hole&amp;rdquo; showcases a more traditional take on hip hop, tossing it back to the beats that came up in the 80&amp;rsquo;s. If you&amp;rsquo;re a fan of throwback hip hop, check out LA&amp;rsquo;s own Ozy Reigns today. (&lt;a href="https://ozyreigns.net/" target="_blank" rel="noreferrer"&gt;https://ozyreigns.net/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Caught with Trap City Records</title><link>https://dahiphopplace.com/get-caught-with-trap-city-records/</link><pubDate>Mon, 11 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-caught-with-trap-city-records/</guid><description>&lt;p&gt;Trap City Records has a cascade of talent ready to be discovered. Young Fresh is first out the gate with Big Beautiful by his side with &amp;ldquo;Let&amp;rsquo;s Make a Move.&amp;rdquo; It has a fresh sound that blends hip hop and an urban take on pop that you&amp;rsquo;d hear from the likes of Chris Brown and Ne-Yo. The two team up again, but this time with Young Swagg  for &amp;ldquo;Go Getta.&amp;rdquo; This one has more of a sensual vibe as it starts off nice and slow, but has this slick bounce to it that makes you think of Ciara. Big Beautiful steps out with Ben Holland for &amp;ldquo;No Love&amp;rdquo; and we hear a more vocal performance here where the singing is center stage, and takes control of the situation. It&amp;rsquo;s clear Trap City Records has a lot of talent under their umbrella and it&amp;rsquo;s time the world took notice of this rising hip hop empire. (&lt;a href="https://soundcloud.com/big-beautiful30" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/big-beautiful30&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Serious with Jordy McFly</title><link>https://dahiphopplace.com/get-serious-with-jordy-mcfly/</link><pubDate>Mon, 11 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-serious-with-jordy-mcfly/</guid><description>&lt;p&gt;Jordy McFly doesn&amp;rsquo;t play around. &amp;ldquo;It&amp;rsquo;s Easier to Smile&amp;rdquo; is a chill track that doesn&amp;rsquo;t pop off at any point. It&amp;rsquo;s all about showcasing the rhymes instead of the beat and you can hear Jordy is a true emcee in control of the lines that spill from his lips. In &amp;ldquo;Concrete Jungle&amp;rdquo; we hear more of a an aggressive side of the rapper. He isn&amp;rsquo;t coming at you hard, but the words he&amp;rsquo;s delivering pack a punch. Listening on, we get this slick feel when &amp;ldquo;Look What You Left&amp;rdquo; and it continues the whole way through. This one really felt east coast to me. It had this pristine Brooklyn sound, something more modern like a Nas track. If you&amp;rsquo;re a fan of hip hop that doesn&amp;rsquo;t rely on tricks but thrives on talent, check out Jordy McFly today. (&lt;a href="https://tinyurl.com/hge3qd4" target="_blank" rel="noreferrer"&gt;https://tinyurl.com/hge3qd4&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Miami Gets Hotter with Fly</title><link>https://dahiphopplace.com/miami-gets-hotter-with-fly/</link><pubDate>Mon, 11 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/miami-gets-hotter-with-fly/</guid><description>&lt;p&gt;Coming to you from Miami we have Fly. First up we have &amp;ldquo;O.M.A,&amp;rdquo; a track that sets the tone for what&amp;rsquo;s to come. He&amp;rsquo;s stern and bringing you a hard take on hip hop. With &amp;ldquo;Make It Rain&amp;rdquo; you hear more of that attitude driven delivery but with a lighter feel thanks to the &amp;ldquo;stripper on the pole&amp;rdquo; element. When it comes to Miami, you have an array of sounds that can come through. It&amp;rsquo;s hot and heavy when it comes to the dance scene, but Fly is making sure hip hop also makes its presence known down in the Sunshine State. Check him and his sounds out now. (&lt;a href="https://soundcloud.com/theofficialfly" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/theofficialfly&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Racc Chassir's 2WIN</title><link>https://dahiphopplace.com/racc-chassirs-2win/</link><pubDate>Mon, 11 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/racc-chassirs-2win/</guid><description>&lt;p&gt;Racc Chassir is an independent company out in Minnesota that handles everything hip hop and R&amp;amp;B. Today we&amp;rsquo;re taking you inside what they&amp;rsquo;re working with and telling you why you should check out their artist 2WIN. First up, &amp;ldquo;The Struggle&amp;rdquo; comes through and tells a story most of us can attach ourselves to as it tells the reality of a struggle and not the first world problems people have today. Then we get into &amp;ldquo;Crazy&amp;rdquo; from 2WIN featuring P3. A laid back track that sits in reality as well. 2WIN is at it again with JayDon and Murcc on &amp;ldquo;My Nigs On.&amp;rdquo; Here we get a take on the current state of America and politics. It&amp;rsquo;s an interesting approach. If you&amp;rsquo;re a fan of hip hop that tells real stories and doesn&amp;rsquo;t paint pictures of materialistic things, check out all that&amp;rsquo;s coming from Racc Chassir now. (&lt;a href="https://www.youtube.com/channel/UCOfIn9amzvBX0KSN3iYR68A" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/channel/UCOfIn9amzvBX0KSN3iYR68A&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Smarts with Proper Einstein</title><link>https://dahiphopplace.com/the-smarts-with-proper-einstein/</link><pubDate>Mon, 11 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-smarts-with-proper-einstein/</guid><description>&lt;p&gt;Proper Einstein sits between two stand out genres. &amp;ldquo;HipNo&amp;rdquo; features Mikey Barslow and it comes through, you get a hip hop track that could fare well with a rave crowd. It blends both genres but doesn&amp;rsquo;t go overboard with either. The rhymes are the hip hop and the beat, pure electronica. Come &amp;ldquo;Musical Overdose&amp;rdquo; we get something completely different. Gone are the street ways, and in is a more sci-fi in the 80&amp;rsquo;s movie feel. We head back to the rap with &amp;ldquo;Hate Me Or Love Me&amp;rdquo; and it&amp;rsquo;s this slick vibe where Proper Einstein comes through like a true wordsmith. In &amp;ldquo;Late Nights&amp;rdquo; we travel back to the electronic and travel fast. The pace makes the heart race. If you&amp;rsquo;re a fan of both hip hop and electronic music - this is the place to be. Proper Einstein has found a way to do both and he makes them both work equally for him. (&lt;a href="https://propereinstein.com/" target="_blank" rel="noreferrer"&gt;https://propereinstein.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Kush Koma Entertainment Brings Variety</title><link>https://dahiphopplace.com/kush-koma-entertainment-brings-variety/</link><pubDate>Thu, 07 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kush-koma-entertainment-brings-variety/</guid><description>&lt;p&gt;Kush Koma Entertainment has a lot of talented artists in their roster and they all get to work and do it up. &amp;ldquo;Hustle&amp;rdquo; is where we begin with Rick Porter, Project Boi and Shak Taylor. It has a southern feel to it as it has this laid back but hype feel to it with the lyrics coming across in a raspy but melodic way. With &amp;ldquo;Turn Up&amp;rdquo; we get a more lively yet aggressive track that you would hear alongside the likes of Lil Wayne on a mixtape. It seems like every time we turn a corner Kush Koma Entertainment is delivering something new. We started out raw, went to the club and are now focusing in on the more heartfelt side with &amp;ldquo;Hard.&amp;rdquo; It&amp;rsquo;s clear that Kush Koma Entertainment has their finger on the pulse of hip hop and come with every type of the genre in their back pocket. If you&amp;rsquo;re just love rap music, make sure to check in with what Kush Koma Entertainment are working with. (&lt;a href="https://www.fukwitmerecords.com" target="_blank" rel="noreferrer"&gt;https://www.fukwitmerecords.com&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Preme Dibiasi Goes from the Inner City to the Top</title><link>https://dahiphopplace.com/preme-dibiasi-goes-from-the-inner-city-to-the-top/</link><pubDate>Thu, 07 Apr 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/preme-dibiasi-goes-from-the-inner-city-to-the-top/</guid><description>&lt;p&gt;Preme Dibiasi came from the inner city and rose up to be the man and artist he is today. &amp;ldquo;Flex Zone&amp;rdquo; is a great song to put on when reality is getting to you and you need to unwind. You can lose yourself in the words and the sick beat. When it comes to &amp;ldquo;Drippin,&amp;rsquo;&amp;rdquo; this one is more for when you want to get up and move about. Not like in a crazy way, but in a party vibe way. In &amp;ldquo;Real4eva&amp;rdquo; the tickling of the notes in the intro intrigue you and make you curious for what&amp;rsquo;s to come. It&amp;rsquo;s that suspense that makes this track a stand out. As the songs continue to play, &amp;ldquo;2NYTE&amp;rdquo; is a more playful track than the rest and balances out his style. If you&amp;rsquo;re a fan of artists like Drake and Tyga, check out Preme Dibiasi now. (&lt;a href="https://www.premedibiasi.com" target="_blank" rel="noreferrer"&gt;https://www.premedibiasi.com&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get In the Know with A.G</title><link>https://dahiphopplace.com/get-in-the-know-with-a-g/</link><pubDate>Thu, 31 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-in-the-know-with-a-g/</guid><description>&lt;p&gt;Many like to pretend they know about hardship to seem like they have an edge, and those people are quite annoying. You know the type, they almost always have a sob story about a divorce when you&amp;rsquo;re standing there never knowing your dad. Well A.G is an emcee who made me think about that when his &amp;ldquo;What The Know Bout&amp;rdquo; blasted through my speakers. It sang that notion loud and proud and it was picture perfect. In reality, that would be all he needed to make his presence known - but lucky for you he has more than that on his plate. The apparent thing about A.G is that his rhymes come out fierce. That was apparent in the first track and even more so in &amp;ldquo;Pouring The Syrup.&amp;rdquo; He does however have a soft side and that can be heard in the more romantic, &amp;ldquo;Can&amp;rsquo;t Leave You Alone.&amp;rdquo; If you&amp;rsquo;re a fan of rappers who keep it real, check out A.G now. (&lt;a href="https://soundcloud.com/slum_boy_ag" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/slum_boy_ag&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Moneys World: "Letter to My Savior"</title><link>https://dahiphopplace.com/moneys-world-letter-to-my-savior/</link><pubDate>Thu, 31 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/moneys-world-letter-to-my-savior/</guid><description>&lt;p&gt;Moneys World&amp;rsquo;s &amp;ldquo;Letter to My Savior&amp;rdquo; is a heartfelt song that combines the artist’s love of rap with his admiration for the man upstairs. It’s a great song that is well produced and really showcases his skill set when it comes to lyrical content. Those who find themselves loving the lord as well as rhymes will love what Moneys World&amp;rsquo;s is working with when it comes to “Letter to My Savior.” Check it out now and keep up with what’s what when it comes to this rising emcee. (&lt;a href="https://www.youtube.com/watch?v=5-dGQNbGNqw&amp;amp;feature=youtu.be" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=5-dGQNbGNqw&amp;amp;feature=youtu.be&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>TTwyce Flips the Norm</title><link>https://dahiphopplace.com/ttwyce-flips-the-norm/</link><pubDate>Thu, 31 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/ttwyce-flips-the-norm/</guid><description>&lt;p&gt;TTwyce is a pair of friends who fell for one another and now they’re taking their great teamwork and putting it to good use with a dynamic you don’t see every day. We’re so used to hearing a rap song with a female singing the hook. Ja Rule and Ashanti scored numerous number one hits with that format. That’s where TTwyce differs. Tameeka Wells actually takes on the rhymes while Terry Haskins gives us a pile of soul. Listeners can hear their unique take on the game with songs like “Equal Justice” as well as “When I&amp;rsquo;m With You.” They also shine with hits like “What&amp;rsquo;s The Next Move” and a shout out to the place they call home, “Brooklyn.” Those who love when hip hop meets R&amp;amp;B effortlessly, check out TTwyce today! (&lt;a href="https://www.ttwyce.com" target="_blank" rel="noreferrer"&gt;https://www.ttwyce.com&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Your Main Man Maine</title><link>https://dahiphopplace.com/your-main-man-maine/</link><pubDate>Thu, 31 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/your-main-man-maine/</guid><description>&lt;p&gt;Maine showcases that east coast sound with this cascade of tracks. &amp;ldquo;The Chase&amp;rdquo; has a really New York in the 90&amp;rsquo;s, listening to Nas on a mixtape vibe. It&amp;rsquo;s very chill and straightforward while &amp;ldquo;2 On&amp;rdquo; with Ray Reid and Zik has more of a club feel thanks to the beat it encompasses. In &amp;ldquo;Forbidden Fruit&amp;rdquo; we head back to where we started and you get that this is an artist with a style that&amp;rsquo;s really unlike what we&amp;rsquo;re hearing in today&amp;rsquo;s music. He&amp;rsquo;s more throwback. If you&amp;rsquo;re a fan of rap that is more laid back and chill, check out Maine today. (&lt;a href="https://soundcloud.com/maineboo08" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/maineboo08&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Bigg Tiny Serves Up Big Rhymes</title><link>https://dahiphopplace.com/bigg-tiny-serves-up-big-rhymes/</link><pubDate>Tue, 29 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/bigg-tiny-serves-up-big-rhymes/</guid><description>&lt;p&gt;Coming out with &amp;ldquo;Fuc Da Patron&amp;rdquo; with Bigg Tiny and his confidant, Gwapdondollasign J Bonafied. This track has club written all over it. It&amp;rsquo;s not a hype track but it has a love of movement in a chilled way. In &amp;ldquo;Goin Ham&amp;rdquo; is the opposite in that it has more energy and the hook could make it perfect for getting turnt. Being from southern California, it&amp;rsquo;s no surprise Tiny has a joint about it. &amp;ldquo;California What It Do&amp;rdquo; has this beat to it that has a wild west feel. It&amp;rsquo;s subtle but catches your attention as Bigg Tiny lays it down. California natives are all about the state pride and may have a new anthem to stand behind. This is the best we&amp;rsquo;ve heard him sound and this is the track he could ride to the top. If you&amp;rsquo;re a fan of hip hop that doesn&amp;rsquo;t play but is all about a good time, check out Bigg Tiny today. (&lt;a href="https://soundcloud.com/bigg-tiny" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/bigg-tiny&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Devin Roman: New Roman City</title><link>https://dahiphopplace.com/devin-roman/</link><pubDate>Tue, 29 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/devin-roman/</guid><description>&lt;p&gt;We start out strong with Devin Roman and his &amp;ldquo;Bout Dat Action.&amp;rdquo; It&amp;rsquo;s a laid back track but it&amp;rsquo;s the track that keeps on giving in that the quick parts that come in spurts give it some pep and life. In &amp;ldquo;Da Money&amp;rdquo; we continue on the same path. It&amp;rsquo;s clear that this emcee likes to take it slow and doesn&amp;rsquo;t overdo it. He&amp;rsquo;s not about the flashy hip hop that&amp;rsquo;s more so for the jokes in sororities, but more so for the purists that like that true hip hop sound. That&amp;rsquo;s apparent in everything from &amp;ldquo;Bossed Up&amp;rdquo; to &amp;ldquo;Bandz Shawty&amp;rdquo; to &amp;ldquo;Trap House.&amp;rdquo; If you&amp;rsquo;re the kind of person who likes your rap served up raw, check out Devin Roman now. (&lt;a href="https://www.devinromanmusic.net/" target="_blank" rel="noreferrer"&gt;https://www.devinromanmusic.net/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Darkimdadon: "Ghetto Livin"</title><link>https://dahiphopplace.com/darkimdadon-ghetto-livin/</link><pubDate>Mon, 28 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/darkimdadon-ghetto-livin/</guid><description>&lt;p&gt;Darkimdadon&amp;rsquo;s &amp;ldquo;Ghetto Livin&amp;rdquo; isn&amp;rsquo;t what you&amp;rsquo;d expect. The hip hop of it is much lighter than one would think when it comes to how it starts out. While it starts out light, the imagery and the rhymes that follow are anything but. It really showcases the modern day life for people in America from the #BlackLivesMatter movement to sex workers in the inner city. It&amp;rsquo;s quite an interesting track with a great message going on. If you like social conscious rap, check out Darkimdadon&amp;rsquo;s &amp;ldquo;Ghetto Livin,&amp;rdquo; out now. (&lt;a href="https://www.youtube.com/watch?v=tCKGIKNn9yA" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=tCKGIKNn9yA&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Down with J-Madic</title><link>https://dahiphopplace.com/get-down-with-j-madic/</link><pubDate>Wed, 23 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-down-with-j-madic/</guid><description>&lt;p&gt;J-Madic is coming at you with a couple of mixtapes and a whole lot of talent. &amp;ldquo;Guap&amp;rdquo; is a simple song. It&amp;rsquo;s not hard to learn and the simplicity of it makes it get stuck at the core of your thoughts but it&amp;rsquo;s not all about the hook. It actually has some pretty interesting choruses that have meaning. That&amp;rsquo;s just the tip of the iceberg with this emcee though as he has a couple of mixtapes under his belt like 2014&amp;rsquo;s &amp;ldquo;Madication&amp;rdquo; that features the likes of the very energetic &amp;ldquo;No More Hold Ups,&amp;rdquo; the chill ways of &amp;ldquo;Encore&amp;rdquo; as well as the hype of &amp;ldquo;That Guy.&amp;rdquo; He also has last year&amp;rsquo;s &amp;ldquo;Sick&amp;rdquo; which has an appearance from Star Money on &amp;ldquo;Oh Me&amp;rdquo; as well as the freestylings of &amp;ldquo;Seen It All&amp;rdquo; and &amp;ldquo;Real is Back.&amp;rdquo; If you&amp;rsquo;re a fan of artists like Juvenile, check out J-Madic and get some. (&lt;a href="https://jmadic2012.wix.com/sbentertainment" target="_blank" rel="noreferrer"&gt;https://jmadic2012.wix.com/sbentertainment&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Ready to Love Phenom</title><link>https://dahiphopplace.com/get-ready-to-love-phenom/</link><pubDate>Tue, 22 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-ready-to-love-phenom/</guid><description>&lt;p&gt;Phenom puts his heart and soul into everything he does, music included - and it shows. &amp;ldquo;A Little&amp;rdquo; opens with clean lines and a slick feel that makes you think, &amp;ldquo;Why isn&amp;rsquo;t this on the radio already?&amp;rdquo; It&amp;rsquo;s got this hip hop meets pop feel that makes it fit for the mainstream. In &amp;ldquo;Feels So Nice,&amp;rdquo; the intro has a throwback to a saloon in the west, but then it comes into modern times with the rhymes. Being a &amp;rsquo;90s kid, I really thought this was going to be a cover of Usher&amp;rsquo;s &amp;ldquo;U Make Me Wanna.&amp;rdquo; Instead it was a song all his own. We started off on a high note and that&amp;rsquo;s where we&amp;rsquo;re ending with &amp;ldquo;Beautiful Symphony.&amp;rdquo; It&amp;rsquo;s fresh and has this great, light feel to it. It&amp;rsquo;s the perfect song to get into as the weather starts to warm up. If you&amp;rsquo;re a fan of hip hop with a mainstream twist, check out Phenom today! (&lt;a href="https://www.phenomspe.com/" target="_blank" rel="noreferrer"&gt;https://www.phenomspe.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Keeping it Chill with Screw City Hue</title><link>https://dahiphopplace.com/keeping-it-chill-with-screw-city-hue/</link><pubDate>Tue, 22 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/keeping-it-chill-with-screw-city-hue/</guid><description>&lt;p&gt;Screw City Hue is coming straight out of Texas today and bringing the realness. &amp;ldquo;Audio Dope&amp;rdquo; is a chill song. It doesn&amp;rsquo;t ever pop off in any way that&amp;rsquo;d make you get turnt. It&amp;rsquo;s just about kicking back and taking it in. The same can be said of &amp;ldquo;You Know&amp;rdquo; as well. We heighten things with &amp;ldquo;Nuclear Bomb&amp;rdquo; and the energy goes from relaxed to more dramatic as Screw City Hue delivers things in a whole new manner. We takes things back down and have a very serious tone as we head into &amp;ldquo;John Wick Flow.&amp;rdquo; What I like about emcees like this is that they don&amp;rsquo;t play with the trends and do things in a way that showcases who they really are as an artist, and are not just playing a part. If you&amp;rsquo;re a fan of artists who bring their true self to the table, check out Screw City Hue now. (&lt;a href="https://soundcloud.com/dreadedhoustonian" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/dreadedhoustonian&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Mick Cømte: From Nest to Marrow</title><link>https://dahiphopplace.com/mick-comte-from-nest-to-marrow/</link><pubDate>Fri, 18 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/mick-comte-from-nest-to-marrow/</guid><description>&lt;p&gt;We start today with &amp;ldquo;Gypaetus Barbatus&amp;rdquo; off Mick Cømte&amp;rsquo;s &amp;ldquo;From Nest to Marrow.&amp;rdquo; It&amp;rsquo;s the first track and takes us into a world that we can only imagine is in a futuristic landscape made of metal where science has completely taken over. It sets the tone as we move on to &amp;ldquo;Takeichi Nishi&amp;rdquo; and get introduced to his rhymes. Instead of settling in the street or club, we are more like on a galactic plain. The beats have a unique feel to them. Moving on, &amp;ldquo;Dreamz&amp;rdquo; comes in and brings more attitude to the delivery, but it&amp;rsquo;s still fresh in the vibe. That continues on with more of a hook in &amp;ldquo;Fvck Molly.&amp;rdquo; On top of unique beats and sounds, Mick Cømte has enlisted the help of stellar help from Lady A, Riski and more on this album - they&amp;rsquo;re all tracks to check out. Speaking on, make sure to get your hands and ears on &amp;ldquo;From Nest to Marrow,&amp;rdquo; by Mick Cømte - out now. (&lt;a href="https://soundcloud.com/noiremvzeek" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/noiremvzeek&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>ATraxz's "Young World"</title><link>https://dahiphopplace.com/atraxzs-young-world/</link><pubDate>Wed, 16 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/atraxzs-young-world/</guid><description>&lt;p&gt;Coming at you from Brooklyn, New York today is ATraxz. Right now he&amp;rsquo;s sitting on his latest &amp;ldquo;Young World&amp;rdquo; and it&amp;rsquo;s a good one. He comes at you with a slick beat that has you hooked from the start. It&amp;rsquo;s not one of those rap songs that come at you too hard, but eases into your life in just the right way. The hook is light and fun and you could hear it on the radio from time to time alongside Big Daddy Kane or on a mixtape featuring your favorites from today. Check out the hot joint, &amp;ldquo;Young World,&amp;rdquo; out now. (&lt;a href="https://noisetrade.com/atraxz" target="_blank" rel="noreferrer"&gt;https://noisetrade.com/atraxz&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>El Cannon: New Freedom</title><link>https://dahiphopplace.com/el-cannon-new-freedom/</link><pubDate>Wed, 16 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/el-cannon-new-freedom/</guid><description>&lt;p&gt;El Cannon&amp;rsquo;s &amp;ldquo;New Freedom&amp;rdquo; is a masterful hip hop record worth your time. The record starts with &amp;ldquo;Lord Knows&amp;rdquo; and there&amp;rsquo;s a slow build up to it but once it starts, it&amp;rsquo;s great. It&amp;rsquo;s a very easygoing tone of voice. He&amp;rsquo;s got compassion intertwined with a realness. Come &amp;ldquo;Real Niggas&amp;rdquo; it&amp;rsquo;s clear that El Cannon doesn&amp;rsquo;t play around. He&amp;rsquo;s about keeping it straight with his rhymes. When it comes to &amp;ldquo;Outkast,&amp;rdquo; he has a winner on his hands. You don&amp;rsquo;t really hear a lot of songs like this in hip hop. It&amp;rsquo;s more a subject matter for pop punk and rock, but this idea of the outsider - it&amp;rsquo;s beautifully done here. It&amp;rsquo;s pretty chill when it comes to this record but we get a little pep in the step as we get into &amp;ldquo;Ridin Low.&amp;rdquo; What I appreciate about this record is that it sounds well done. Things are crisp and clear and you don&amp;rsquo;t ever feel like you&amp;rsquo;re listening to an underground artist. El Cannon has his bases loaded and this one is hitting it out of the park. Check out &amp;ldquo;New Freedom,&amp;rdquo; out now.&lt;/p&gt;</description></item><item><title>Get to Know Mr. Mobley</title><link>https://dahiphopplace.com/get-to-know-mr-mobley/</link><pubDate>Wed, 16 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-to-know-mr-mobley/</guid><description>&lt;p&gt;Mr. Mobley can both sing and compose instrumentals. With all that talent - we&amp;rsquo;re on board. &amp;ldquo;Get Up Again&amp;rdquo; is an instrumental that keeps things pretty steady the whole way through, but then we get into &amp;ldquo;No More Slaves&amp;rdquo; and it&amp;rsquo;s here we find the energy and really get going. He&amp;rsquo;s really passionate in this one but then we get into &amp;ldquo;Sunny Days&amp;rdquo; and the mood completely changing. You hear a song that would likely be heard at an arts and crafts festival. With Lil he gets back to the rhymes with &amp;ldquo;War With Love.&amp;rdquo; It&amp;rsquo;s a street wise song with heart that could be this artist&amp;rsquo;s breakout if he played his cards right. If you&amp;rsquo;re into artists that put their passion where their mouth is, check out Mr. Mobley today. (&lt;a href="https://mrmobleyofficial.com/" target="_blank" rel="noreferrer"&gt;https://mrmobleyofficial.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Let It Linger Album Review</title><link>https://dahiphopplace.com/let-it-linger-album-review/</link><pubDate>Tue, 15 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/let-it-linger-album-review/</guid><description>&lt;p&gt;&lt;strong&gt;REVIEW - Casey Burns, Let it Linger&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;By Alessandra Ametrano&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;em&gt;’Cuz you know last I heard, last I heard - you was on stage with a piano or somethin’, singin’ like a little b****!&lt;/em&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;The above line of dialogue was drawn verbatim from the intro to ‘Pay it Back’, the second title on Casey Burns’ second EP, Let it Linger. It appears as part of an opening mini-monologue, in which an unidentified voice criticizes asks Casey about his heavy use of instrumental beats and notable lack of a DJ, at times on entire songs. Besides serving as a comic moment, the inclusion of this line in particular shows a impressive level of self-awareness, and beyond that, a near-Kanye level of confidence in what is obviously a drastic artistic choice. However a drastic choice is not necessarily a negative one.&lt;/p&gt;</description></item><item><title>Phase Aka: Table'z Turne'd</title><link>https://dahiphopplace.com/phase-aka-tablez-turned/</link><pubDate>Mon, 14 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/phase-aka-tablez-turned/</guid><description>&lt;p&gt;Phase Aka&amp;rsquo;s latest &amp;ldquo;Table&amp;rsquo;z Turne&amp;rsquo;d&amp;rdquo; dropped this past January and if you haven&amp;rsquo;t got a chance to listen yet - where have you been? With a slick intro that then leads into &amp;ldquo;I Will Neva Change,&amp;rdquo; Phase Aka takes things in a chill manner and doesn&amp;rsquo;t overdo it when he laments that he&amp;rsquo;ll be the same, forever and always for he&amp;rsquo;s true to himself. Now that you know he&amp;rsquo;ll always stay who he is, he deals with some &amp;ldquo;Pressure&amp;rdquo; and tells more of a story here in an offbeat manner. Something learned in &amp;ldquo;Mean Girls,&amp;rdquo; we enter &amp;ldquo;Frenimes&amp;rdquo; with an interesting musical composition that takes this song to a new level throughout. In &amp;ldquo;How We Live&amp;rdquo; we get a more traditional, modern take on hip hop while we hit the club with &amp;ldquo;Thot Juice.&amp;rdquo; If you&amp;rsquo;re a fan of Brooklyn hip hop, check out Phase Aka&amp;rsquo;s &amp;ldquo;Table&amp;rsquo;z Turne&amp;rsquo;d,&amp;rdquo; out now. (&lt;a href="https://phaseaka.bandcamp.com/album/tablez-turnd" target="_blank" rel="noreferrer"&gt;https://phaseaka.bandcamp.com/album/tablez-turnd&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Make Room for Tyrese Trevor</title><link>https://dahiphopplace.com/make-room-for-tyrese-trevor/</link><pubDate>Thu, 10 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/make-room-for-tyrese-trevor/</guid><description>&lt;p&gt;Tyrese Trevor could be on the charts yesterday. &amp;ldquo;Fast Food&amp;rdquo; is something we&amp;rsquo;re all familiar with on a delicious treat level, but what about this track? It&amp;rsquo;s a little Drake-ish with the soft approach but that disappears as soon as he started to lay it down and bust out the rhymes. We go back to sensual Tyrese Trevor with &amp;ldquo;Gimmie Ya Body.&amp;rdquo; This one is definitely something you can imagine hearing on the Top 40 right now alongside Chris Brown and Jason Derulo. Then with Mula Boy Skee by his side, we get &amp;ldquo;Hot Shit.&amp;rdquo; This one has an interesting feel to it overall. The pace is slow but the lyrics are being spit out with a lot of passion. If you have a lot of Big Sean and Meek Mill on your iTunes already, then make sure to add Tyrese Trevor to the list. (&lt;a href="https://soundcloud.com/tyrese-trevor" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/tyrese-trevor&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Exploring the Man Behind Dnastone</title><link>https://dahiphopplace.com/exploring-the-man-behind-dnastone/</link><pubDate>Thu, 03 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/exploring-the-man-behind-dnastone/</guid><description>&lt;p&gt;Being an artist, whether it&amp;rsquo;s a painter, an emcee or a writer - it&amp;rsquo;s about the picture you paint with what you do. For Dnastone it&amp;rsquo;s the words he spits out in his rhymes and he tells stories that are real and have edge. A newscast starts &amp;ldquo;Choppa Games&amp;rdquo; and when Dnastone finally drops in, he only adds to the reality of the situations that constantly surround this man&amp;rsquo;s life. With &amp;ldquo;Everywhere&amp;rdquo; we don&amp;rsquo;t come as strong as the last, but it&amp;rsquo;s still a sick track. &amp;ldquo;Hoe Card&amp;rdquo; has a slow and almost R&amp;amp;B start with a really interesting musical backdrop. Last up, &amp;ldquo;Playa Shit&amp;rdquo; lets us end on a high note. The beats are slick and the rhymes are sicker as he comes through with a lot of ease. If you&amp;rsquo;re a fan of emcees who lay it out on the line and are real, check out this artist Dnastone, now. (&lt;a href="https://soundcloud.com/dnastone" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/dnastone&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Exxxcited for 2K's</title><link>https://dahiphopplace.com/get-exxxcited-for-2ks/</link><pubDate>Thu, 03 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-exxxcited-for-2ks/</guid><description>&lt;p&gt;2K&amp;rsquo;s does not sleep and brings music to life. &amp;ldquo;Exxxciting&amp;rdquo; comes through with a lot of anticipation as the beat builds up and makes you think you&amp;rsquo;re in a video game in the 80&amp;rsquo;s. Then 2K&amp;rsquo;s comes in and slays it wit rhymes. With B-Money helping out, &amp;ldquo;All The Way Live&amp;rdquo; wasn&amp;rsquo;t going to be a let down. It has a very Atlanta spirit to it. The chaos that comes through with it makes you think you&amp;rsquo;re in a Cash Money joint from the late 90&amp;rsquo;s. We get a little sensual with &amp;ldquo;Yo Body,&amp;rdquo; while we get familiar once again with &amp;ldquo;Kool&amp;rdquo; as that&amp;rsquo;s where we became acquainted with 2K&amp;rsquo;s before. If you&amp;rsquo;re a fan of hip hop that&amp;rsquo;s turnt, check out 2K&amp;rsquo;s now. (&lt;a href="https://www.youtube.com/user/certifiedportboyz/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/user/certifiedportboyz/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Rich with BEABOUTMONEY</title><link>https://dahiphopplace.com/get-rich-with-beaboutmoney/</link><pubDate>Thu, 03 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-rich-with-beaboutmoney/</guid><description>&lt;p&gt;BEABOUTMONEY also known as BAM is on the rise and he&amp;rsquo;s about to catch your eyes - and ears. &amp;ldquo;Get Rich&amp;rdquo; is a great place to start with this emcee. It&amp;rsquo;s got appeal thanks to the hook and you can&amp;rsquo;t really touch that point of it. The thing I like is that the music doesn&amp;rsquo;t overpower his rhymes. He softens up with &amp;ldquo;Girl You a Star.&amp;rdquo; It shows the heart he has in his chest is full and it&amp;rsquo;s a nice balance between this and the first one we heard. With &amp;ldquo;Salute&amp;rdquo; he comes at you like a 90&amp;rsquo;s Jay Z, relying on a lot of talk at the start and a sick east coast like beat. When it came to &amp;ldquo;Glitter,&amp;rdquo; the title makes you think a light and airy track is coming through. Instead this one comes like a slap from reality. There&amp;rsquo;s no shine to it, just straight-laced, to the point rhymes. If you&amp;rsquo;re a fan of rappers like Jay and Nas, check out BEABOUTMONEY aka BAM. He has a whole lot of joints waiting to be discovered. (&lt;a href="https://www.reverbnation.com/beaboutmoneybam" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/beaboutmoneybam&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Dirty Diamond: "Ion't Need 2 Lie"</title><link>https://dahiphopplace.com/dirty-diamond-iont-need-2-lie/</link><pubDate>Tue, 01 Mar 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/dirty-diamond-iont-need-2-lie/</guid><description>&lt;p&gt;Dirty Diamond&amp;rsquo;s latest single available is &amp;ldquo;Ion&amp;rsquo;t Need 2 Lie.&amp;rdquo; Live the emcee really relies heavily on his vocal ability and the fact that he can command the attention of those around him with his booming audacity. Sitting down and listening on record though, you can hear the stellar beat a lot clearer and that&amp;rsquo;s where the hook, line and sinker really is. The beat is lighter and adds a sense of playfulness to the song, while his rhymes balance those out and come across with more attitude. It&amp;rsquo;s a well-balanced joint worth checking out. So make sure to give Dirty Diamond some love and check his &amp;ldquo;Ion&amp;rsquo;t Need 2 Lie,&amp;rdquo; available now. (&lt;a href="https://www.dirtydiamondmusic.com/" target="_blank" rel="noreferrer"&gt;https://www.dirtydiamondmusic.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Atlanta's Own Mumbz</title><link>https://dahiphopplace.com/atlantas-own-mumbz/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/atlantas-own-mumbz/</guid><description>&lt;p&gt;Atlanta has a lot of talent running through it and Mumbz is making sure it stays that way. He&amp;rsquo;s proving &amp;ldquo;Anythings Possible&amp;rdquo; with his track that professes it. You can hear that southern influence on the delivery as as well the beat. In &amp;ldquo;Knock Knock&amp;rdquo; he comes across softer than the last track, while &amp;ldquo;Hate Me&amp;rdquo; plays on some fears. It has this eerie feel to it. Almost horror movie like. We hear him step away from that in &amp;ldquo;Da Bang Bang Boogie.&amp;rdquo; This one definitely takes us away from &amp;ldquo;Friday the 13th&amp;rdquo; and takes us right into a club for a great time. While his vocals still have that grit, the beat really lightens the whole overall feel up. There is always a back and forth between the light and dark side of Mumbz, but overall he&amp;rsquo;s doing his thing and representing well. If you like your hip hop with some grit, check out Mumbz today. (&lt;a href="https://soundcloud.com/mumbz-tonedmusic" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/mumbz-tonedmusic&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Big Pure: Respect The Plug</title><link>https://dahiphopplace.com/big-pure-respect-the-plug/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/big-pure-respect-the-plug/</guid><description>&lt;p&gt;Big Pure&amp;rsquo;s &amp;ldquo;Respect The Plug&amp;rdquo; comes at you like a delicious, balanced meal. Opening up with &amp;ldquo;Sandlot Gang,&amp;rdquo; Big comes out swinging and it&amp;rsquo;s a homerun. The hook is sick and continues to live on long after the song is done. It&amp;rsquo;s one of those songs you could hear as a theme or on a commercial for a brand. It&amp;rsquo;s got staying power. In &amp;ldquo;We Waxx&amp;rdquo; we slow it down and it&amp;rsquo;s a whole different story coming through. It&amp;rsquo;s more a story than a catchy mixtape creation. Moving onto &amp;ldquo;FMJ!&amp;rdquo; the energy level is brought back up and Big gets a little fierce with the delivery, but what remains is what we heard from the start, that hook. It&amp;rsquo;s a back and forth dance as we then lighten up with &amp;ldquo;Diamond Girl&amp;rdquo; and here I want to shout out the sweet music in the background. Over everything, that&amp;rsquo;s the star of this track. Closing out this record is &amp;ldquo;Maybe(M)&amp;rdquo; and it does so with some R&amp;amp;B notes and a lot of heart as things smooth over. For an album that has good variety of styles, look no further than Big Pure&amp;rsquo;s &amp;ldquo;Respect The Plug,&amp;rdquo; out now. (&lt;a href="https://www.datpiff.com/BIG-PURE-Respect-The-Plug-mixtape.706145.html" target="_blank" rel="noreferrer"&gt;https://www.datpiff.com/BIG-PURE-Respect-The-Plug-mixtape.706145.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Burna Gramz Lights It Up</title><link>https://dahiphopplace.com/burna-gramz-lights-it-up/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/burna-gramz-lights-it-up/</guid><description>&lt;p&gt;Burna Gramz is burning the competition. &amp;ldquo;Get It How You Live&amp;rdquo; comes at you with a solid piece. It doesn&amp;rsquo;t play games and right to the point. It has this very stern feel all around and is on point. In &amp;ldquo;Get By&amp;rdquo; we stick with that stern feel but he loosens up a bit thanks to the back beat. It&amp;rsquo;s not a song for the lighthearted though. Burna Gramz showcases the reality the streets serve up in his verses and rhymes through and through. We get scholarly and a little philosophical with &amp;ldquo;Dreams&amp;rdquo; as it opens with this monologue or sorts borrowed from elsewhere. When that raps, in comes the man of the hour to deliver a very easygoing joint. From the start, Gramz has been real with what he has to stay and I feel like that essence never drops off, especially with &amp;ldquo;My Time.&amp;rdquo; If you&amp;rsquo;re into rap that comes with a stern southern twist and a heavy dose of reality, check out Burna Gramz and find his latest on iTunes now. (&lt;a href="https://itunes.apple.com/us/artist/burna-gramz/id958770131" target="_blank" rel="noreferrer"&gt;https://itunes.apple.com/us/artist/burna-gramz/id958770131&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Ceo Carter: iCeo</title><link>https://dahiphopplace.com/ceo-carter-iceo/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/ceo-carter-iceo/</guid><description>&lt;p&gt;Michigan&amp;rsquo;s Ceo Carter is dishing out something quite different on his latest, &amp;ldquo;iCeo.&amp;rdquo; Starting out with the title track, he doesn&amp;rsquo;t miss a beat as he approaches the mic with an intensity and a fervor. Right after that &amp;ldquo;F**k Ya Mean&amp;rdquo; comes through with a drama building intro that finally comes through with a lot of attitude and a fine line paying homage to Gary Coleman&amp;rsquo;s best. Flint Po hops on &amp;ldquo;My Mind&amp;rdquo; and together they give that same attitude as the last but are more raw with it. Towards the end if &amp;ldquo;iCeo&amp;rdquo; we hear that familiar drama as &amp;ldquo;Come Up&amp;rdquo; starts, as things come to a close with a piano driven &amp;ldquo;Confessions.&amp;rdquo; This record is solid if you&amp;rsquo;re a fan of hip  hop that takes an alternative route, check out Ceo Carter&amp;rsquo;s &amp;ldquo;iCeo,&amp;rdquo; now. It just dropped, so it&amp;rsquo;s hot off the presses and ready to go. (&lt;a href="https://ceocarter.bandcamp.com/" target="_blank" rel="noreferrer"&gt;https://ceocarter.bandcamp.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Hear Lady Panth3r Roar</title><link>https://dahiphopplace.com/hear-lady-panth3r-roar/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/hear-lady-panth3r-roar/</guid><description>&lt;p&gt;Lady Panth3r has a double dose for you as she just wants to &amp;ldquo;Satisfy You&amp;rdquo; with her first. It comes at you in the same vein that Ciara and Rihanna&amp;rsquo;s music do, through the airwaves and to the club. It has this hip hop element to it, but at the same time the music and beat allows it to pop. In &amp;ldquo;So Thick&amp;rdquo; Lady Panth3r slows things down and gets a little sensual with her delivery. You could hear both songs on the same record and there&amp;rsquo;s no denying they&amp;rsquo;re by the same artist, but they do showcase two different sides of the same die that is Lady Panth3r. If you like your hip hop with a side of club pop, check her out now. (&lt;a href="https://soundcloud.com/lady-panth3r" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/lady-panth3r&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Hip Hop Heart with Jaiz</title><link>https://dahiphopplace.com/hip-hop-heart-with-jaiz/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/hip-hop-heart-with-jaiz/</guid><description>&lt;p&gt;Jaiz says he has hip hop in his heart. With that in mind, we start off with &amp;ldquo;My Victory&amp;rdquo; featuring Anna. She should be recognized for her great attribution to the song first and foremost. Now onto what he had to bring. He comes through with a good level of energy and both complement one another. It&amp;rsquo;s like when B.o.B and Hayley Williams teamed up some years ago. In &amp;ldquo;Angel&amp;rdquo; he&amp;rsquo;s flying solo and you can hear the passion in every line. Usually songs like this come through with ease, but this one is like a shark attack and fierce. An interesting move on his part. We jump to a completely different boat as we head into &amp;ldquo;Say No to Drugs.&amp;rdquo; This sounds like a completely different artist as he is more like a LMFAO without the dance beat in terms of overall packaging. As soon as you think you&amp;rsquo;ve got this rapper figured out, we get into &amp;ldquo;Rise&amp;rdquo; and are welcomed by a vocal performance. All in all, if Jaiz could only travel one route with little stops here and there, he&amp;rsquo;d be great somewhere between &amp;ldquo;My Victory&amp;rdquo; and &amp;ldquo;Angel.&amp;rdquo; Those two were great examples of what this emcee can do, so check those out today and hear for yourself. (&lt;a href="https://jaizmusic.com/" target="_blank" rel="noreferrer"&gt;https://jaizmusic.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Joe Sauseda Finds His Adrian</title><link>https://dahiphopplace.com/joe-sauseda-finds-his-adrian/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/joe-sauseda-finds-his-adrian/</guid><description>&lt;p&gt;Come next week Sylvester Stallone may very well will for his role in &amp;ldquo;Creed&amp;rdquo; as his most famous character Rocky. That comes to mind as Joe Sauseda spits out rhymes on his &amp;ldquo;Adrian.&amp;rdquo; He uses the infamous image of Rocky as he finishes the steps and it&amp;rsquo;s fitting. He says his &amp;ldquo;music is his Adrian.&amp;rdquo; And that&amp;rsquo;s a beautiful line in many ways. Creative people aren&amp;rsquo;t catered to often and often told to give up and do something more stable. Hearing only one song from this Austin emcee, it&amp;rsquo;s clear he&amp;rsquo;s making the right choice. His words come through with precision and there is skill in him. In &amp;ldquo;Forgotten&amp;rdquo; we hear that same level of goodness. He comes through laid back but he doesn&amp;rsquo;t do anything but entertain. With &amp;ldquo;This Is&amp;rdquo; he picks up the pace just a bit but he doesn&amp;rsquo;t stray from the skill set we&amp;rsquo;ve become familiar with. If you&amp;rsquo;re a fan of emcees that come at you with a realistic take on beats and rhymes, check out Joe Sauseda now. (&lt;a href="https://soundcloud.com/sausedamusic" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/sausedamusic&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Light It Up with K Reezy</title><link>https://dahiphopplace.com/light-it-up-with-k-reezy/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/light-it-up-with-k-reezy/</guid><description>&lt;p&gt;West Palm Beach Florida is known for their beaches and their party scene and with that, we&amp;rsquo;d like to introduce you to an emcee who is about to be added to the list; K Reezy. He starts things with &amp;ldquo;Jeep Song (Top Off).&amp;rdquo; It&amp;rsquo;s rap intertwined with a rock base and because of that you want to bust a move while headbanging. He&amp;rsquo;s got a light Machine Gun Kelly feel, but not as rapid paced as the boy from Ohio. In &amp;ldquo;Been Doin&amp;rsquo; It&amp;rdquo; we get more of a party vibe. The last song came across as an attitude stricken track, while this one is more fun. With that, he takes an inspirational turn as we head into &amp;ldquo;Never Stop.&amp;rdquo; There are a million and one songs out there and it&amp;rsquo;s never not nice to hear one giving hope to listeners. Then in rolls &amp;ldquo;Bank&amp;rdquo; and we&amp;rsquo;re back to the mixtape feel, all about them Benjamins. It&amp;rsquo;s clear that when it comes to style, K Reezy doesn&amp;rsquo;t like to stick with one sound and plays around with it. If you like your emcees with a defined musical pallette, check him out now! (&lt;a href="https://www.reverbnation.com/kreezy669" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/kreezy669&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Tha Tonic Comes Chilled</title><link>https://dahiphopplace.com/tha-tonic-comes-chilled/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/tha-tonic-comes-chilled/</guid><description>&lt;p&gt;Tha Tonic does his own thing, his way. &amp;ldquo;FHFM&amp;rdquo; is not the song I&amp;rsquo;d start out with if I was throwing a party, it&amp;rsquo;s more laid back and doesn&amp;rsquo;t ever really do enough to stand out. In &amp;ldquo;Cry&amp;rdquo; there is more to the music that it does a great job of pushing the song out in the center square more. Plus, Tha Tonic has more pep in his step this time around and doesn&amp;rsquo;t sound bored with his rhymes, but more content. Speaking of pep, it&amp;rsquo;s fully found in all places, &amp;ldquo;#Selfie.&amp;rdquo; It&amp;rsquo;s not the most popping track, but it has more personality than we&amp;rsquo;ve heard. With &amp;ldquo;Frequency&amp;rdquo; I think he&amp;rsquo;s finally found his stride for the style he&amp;rsquo;s going for. He&amp;rsquo;s laid back but this one keeps it interesting and intriguing from start to finish because of little bursts here and there. In the end, Tha Tonic doesn&amp;rsquo;t make that hip hop that could be mistaken for pop, nor does he come from a gangster rap background. Instead he creates music that&amp;rsquo;s his unique take with a laid back approach. If that sounds like something you&amp;rsquo;d be down to listen to, check out Tha Tonic now. (&lt;a href="https://soundcloud.com/thatonic" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/thatonic&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Golden Coast's Zay P</title><link>https://dahiphopplace.com/the-golden-coasts-zay-p/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-golden-coasts-zay-p/</guid><description>&lt;p&gt;With Darryl Sir&amp;rsquo;rah by his side, we&amp;rsquo;re starting this off with &amp;ldquo;The Life.&amp;rdquo; It&amp;rsquo;s clear with the hook that this is a California artist but Zay P himself and his way with words, he could be an east coast rapper from The Bronx. Again with Sir&amp;rsquo;rah, we hear a more Lupe Fiasco like style from this young emcee in &amp;ldquo;Made For This.&amp;rdquo; He&amp;rsquo;s more composed here than in the last and listeners can hear the man behind the words loud and clear, even though this is a chilled take on hip hop. From laid back to the club, &amp;ldquo;Keep It True&amp;rdquo; isn&amp;rsquo;t a song that would get things turnt up but it would get girls and guys moving to the back beat. In &amp;ldquo;With Me&amp;rdquo; it doesn&amp;rsquo;t flow as well in the vocal department as the rest when it starts, but it seemed like a hiccup as the rest of the track is solid. If you&amp;rsquo;re a fan of artists like Lupe, check out California&amp;rsquo;s own Zay P today. (&lt;a href="https://soundcloud.com/zaytrigga" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/zaytrigga&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Many Sides of Dre5K</title><link>https://dahiphopplace.com/the-many-sides-of-dre5k/</link><pubDate>Tue, 23 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-many-sides-of-dre5k/</guid><description>&lt;p&gt;Whenever a song starts out with a songbird, you can expect something exquisite and Dre5K&amp;rsquo;s &amp;ldquo;Real&amp;rdquo; is no different. The singer he has in the intro aids his rhymes wonderfully and makes the delivery come across with in a heartfelt manner. That&amp;rsquo;s not all this emcee has up his sleeve though. He tells his story in &amp;ldquo;Came From Nothing&amp;rdquo; while he goes at it from a whole new direction with &amp;ldquo;Shoutout.&amp;rdquo; We&amp;rsquo;ve heard the heart, the struggle and in this one he&amp;rsquo;s more raw with it. He comes from that way again in &amp;ldquo;Shittin&amp;rsquo; On,&amp;rdquo; while starting off with drama in &amp;ldquo;Kurt Cobain.&amp;rdquo; We&amp;rsquo;re back to reality and telling tales in this one and it&amp;rsquo;s a nice dose too. If you&amp;rsquo;re a fan of hip hop that&amp;rsquo;s real and not put through the pop-matic machine, check out Dre5K now. (&lt;a href="https://soundcloud.com/dre5k" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/dre5k&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Voice of Men</title><link>https://dahiphopplace.com/voice-of-men/</link><pubDate>Fri, 19 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/voice-of-men/</guid><description>&lt;p&gt;Voice of Men&lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/VoiceOfMenProduction/" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/VoiceOfMenProduction/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Music is a way of expression. Preference of music depends on each person and mood one have. A good music should be a combination of good tempo and lyrics. But today, good music is not enough. Singer’s should come with a good packaging, and performance stunts. This adds up to their character which is in lined with the songs they write and song. With the song “this is my war” by Voice of Men, here are some points that needs to be taken:&lt;/p&gt;</description></item><item><title>MALLG: Definition of a Hustler</title><link>https://dahiphopplace.com/mallg-definition-of-a-hustler/</link><pubDate>Wed, 17 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/mallg-definition-of-a-hustler/</guid><description>&lt;p&gt;Straight out of the Southside, MALLG is dropping his anticipated &amp;ldquo;Definition of a Hustler.&amp;rdquo; The record starts off with &amp;ldquo;The Definition&amp;rdquo; and it creates a mood that can&amp;rsquo;t be denied. If you&amp;rsquo;re into rap that doesn&amp;rsquo;t play well with others, this is for you. It&amp;rsquo;s not the rap you&amp;rsquo;d hear at the end of a happy go lucky movie, this is for those who like it raw. He continues with the hard edge in &amp;ldquo;Brand New&amp;rdquo; but here the music eases things a bit but the bite is still has harsh as the last. We couldn&amp;rsquo;t move forward without talking about &amp;ldquo;The Hustler.&amp;rdquo; We just mentioned ease and this one throws you for a loop because it has a definite soulful feel. He shows a whole different side of what he can do here. He sounds a little cinematic in &amp;ldquo;Woop Dee Woop&amp;rdquo; with a Nicki Minaj-like fellow emcee helping him on on this joint. If you&amp;rsquo;re a fan of rap that comes with a huge dose of high powered grit, check out &amp;ldquo;Definition of a Hustler&amp;rdquo; by MALLG, out now. (&lt;a href="https://www.datpiff.com/MALLG-Definition-Of-A-Huslter-mixtape.758457.html" target="_blank" rel="noreferrer"&gt;https://www.datpiff.com/MALLG-Definition-Of-A-Huslter-mixtape.758457.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>We Dig Dr.Wiggz</title><link>https://dahiphopplace.com/we-dig-dr-wiggz/</link><pubDate>Wed, 17 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/we-dig-dr-wiggz/</guid><description>&lt;p&gt;Dr.Wiggz plays hard and raps even harder. We start off with him and his boy Filth Nasty and a little &amp;ldquo;Bitches on Bitches.&amp;rdquo; It&amp;rsquo;s more laid back than expected, coming at you with a slick hook. In &amp;ldquo;Major Key&amp;rdquo; this emcee plays around with sound and the 80&amp;rsquo;s feel is quickly taken over by a more modern sound that takes you right inside a dark club atmosphere. Changing things up and the mood, &amp;ldquo;Got That Keef?&amp;rdquo; is more like what you&amp;rsquo;d find on a mixtape with J.Cole. It has this R&amp;amp;B meets hip hop feel that artists like Drake have come to be known for. We&amp;rsquo;re picking it back up and going hard with &amp;ldquo;Mix Match,&amp;rdquo; while &amp;ldquo;Stop Lyin&amp;rdquo; is more about serving up a dose of attitude. The Dab is a popular dance out right now, but wow - &amp;ldquo;When I DAB&amp;rdquo; is definitely a track that makes you want to do more than move. It has this huge case of aggression that the power flows from the stereo through the body of everyone it comes into contact with. If you&amp;rsquo;re a fan of emcees who bring it hard, check out Dr.Wiggz today! (&lt;a href="https://soundcloud.com/dr-wiggz" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/dr-wiggz&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>An Interesting Take with Chef Deazy</title><link>https://dahiphopplace.com/an-interesting-take-with-chef-deazy/</link><pubDate>Fri, 12 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/an-interesting-take-with-chef-deazy/</guid><description>&lt;p&gt;Chef Deazy is quite the interesting man. &amp;ldquo;It Hurts&amp;rdquo; but it sounds so good. There&amp;rsquo;s this dirty south feel to this one as the hip hop has a lot of energy but at the same time, we hear some New Wave in the beat. It&amp;rsquo;s an interesting sound overall. In &amp;ldquo;Always&amp;rdquo; we hear that fusion once again. It&amp;rsquo;s like a throwback to when the genre started to form, but a look at what&amp;rsquo;s going on today with the electronic influence sound. As we dance on into &amp;ldquo;It&amp;rsquo;s All My Fault&amp;rdquo; we slow things down a bit. Here the mood comes through as laid back and a little sensual, despite the lyrical content. With &amp;ldquo;They So Weak&amp;rdquo; Chef Deazy delivers a song that comes through as if Lil Wayne and Earth, Wind and Fire had a musical baby and this was the result. With all that in mind, Chef Deazy has created music that really stands apart from what&amp;rsquo;s going on in today&amp;rsquo;s mainstream. If you&amp;rsquo;re a fan of electronica hip hop, check him out today! (&lt;a href="https://chefdeazy.com" target="_blank" rel="noreferrer"&gt;https://chefdeazy.com&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Check Out Pooda Peso AKA Mr. GQ</title><link>https://dahiphopplace.com/check-out-pooda-peso-aka-mr-gq/</link><pubDate>Fri, 12 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/check-out-pooda-peso-aka-mr-gq/</guid><description>&lt;p&gt;Born in Jersey, Pooda Peso is looking to expand past the Garden State. &amp;ldquo;Mr. GQ&amp;rdquo; blasts out of the speakers and let&amp;rsquo;s us know right away what this emcee is all about. What is that exactly, well it&amp;rsquo;s in your face lines that come sharp and fast. That same sentiment continues on as we head into &amp;ldquo;What You Saying Tho.&amp;rdquo; This one though has more of a pop feel in that the beat flows like something you&amp;rsquo;d hear on the radio on a list alongside rappers like Big Sean. The drama that comes with &amp;ldquo;Incredible&amp;rdquo; sounds like a classic Hollywood film tossed into a modern day hip hop realm. It&amp;rsquo;s like taking &amp;ldquo;West Side Story&amp;rdquo; and making it anew. As we come to &amp;ldquo;Big Dreams&amp;rdquo; you find a sense of inspiration as making it in any realm is hard to do, and one can never forget to do what they have to do to make them a reality. Ending on a high note, Pooda Peso is a working on his dreams - so come along for the ride and stay tuned for more from him. (&lt;a href="https://www.pressplay4peso.com" target="_blank" rel="noreferrer"&gt;https://www.pressplay4peso.com&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Go Out of Control with Tech Beatz</title><link>https://dahiphopplace.com/go-out-of-control-with-tech-beatz/</link><pubDate>Fri, 12 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/go-out-of-control-with-tech-beatz/</guid><description>&lt;p&gt;Out in Connecticut Tech Beatz is laying down beats and making things tight. &amp;ldquo;What&amp;rsquo;s Done is Done&amp;rdquo; isn&amp;rsquo;t an upbeat ditty that gets the party started, but it does get you thinking while you bob your head to the lax beat. We get a little more life out of &amp;ldquo;Take Flight,&amp;rdquo; but he&amp;rsquo;s still taking it easy in terms of energy. What I like about &amp;ldquo;Top Notch Hustle&amp;rdquo; is that it has an attitude to it that lets you know this emcee is confident in what he does. &amp;ldquo;Out of Control&amp;rdquo; steers us to the club just a bit but doesn&amp;rsquo;t let us out of the car, that is until &amp;ldquo;Authentic in Every Way&amp;rdquo; comes on. The music that surrounds the lyrics gives this track a new sense of life and makes it stand out from the rest we&amp;rsquo;ve heard. This is the direction we want to hear from this emcee. If you&amp;rsquo;re a fan of chill hip hop, check out Tech Beatz today. (&lt;a href="https://soundcloud.com/tech-beatz" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/tech-beatz&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Greedy Gang Shares the Tunes</title><link>https://dahiphopplace.com/greedy-gang-shares-the-tunes/</link><pubDate>Fri, 12 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/greedy-gang-shares-the-tunes/</guid><description>&lt;p&gt;Greedy Gang is a group compiled of a lot of talent, so let&amp;rsquo;s get to it! Kamp Kens&amp;rsquo; &amp;ldquo;Kept it Solid&amp;rdquo; is a laid back track to start off with. It has this great flow that has a good bounce to it. They all come together for &amp;ldquo;What More Can I Say&amp;rdquo; and the bounce in the beat is still present and pure. They come at us again with &amp;ldquo;Gettin Off&amp;rdquo; and do it right. It&amp;rsquo;s one of those songs that you can put on and truly get lost in. With so much in their holsters, we&amp;rsquo;ll go out with their super cool, super chill &amp;ldquo;My Life.&amp;rdquo; This tale based in reality is a deeper look inside the men who make up this rap ensemble. If you&amp;rsquo;re a fan of hip hop families, check out this one now! (&lt;a href="https://soundcloud.com/watzdat_kens" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/watzdat_kens&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Hit the Streets with Cbradsto</title><link>https://dahiphopplace.com/hit-the-streets-with-cbradsto/</link><pubDate>Fri, 12 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/hit-the-streets-with-cbradsto/</guid><description>&lt;p&gt;Cbradsto shows off two sides of his story. &amp;ldquo;FTC&amp;rdquo; or rather &amp;ldquo;fuck the club&amp;rdquo; is a low key gem. It has this feel like a 2 Chainz song and while it&amp;rsquo;s being anti - it&amp;rsquo;d be such a great track in the club. Oh the irony. We calm it down a bit for &amp;ldquo;Hit the Streets.&amp;rdquo; This one starts off very dramatic and keeps that up throughout. It&amp;rsquo;s got this almost creepy feel to it, but it&amp;rsquo;s intriguing for some reason. In &amp;ldquo;Sauce Twinz&amp;rdquo; we&amp;rsquo;re still on that same note, while we hear something more like &amp;ldquo;FTC&amp;rdquo; as we hit &amp;ldquo;Girls Just Wanna Have Fun.&amp;rdquo; While it&amp;rsquo;s not a cover of the &amp;rsquo;80s hit, it&amp;rsquo;s a great song all on its own because of the light it switches on. If you&amp;rsquo;re a fan of artists that are able the light and dark side of their sound, check out Cbradsto now. (&lt;a href="https://soundcloud.com/sweetjonesstan" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/sweetjonesstan&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Introducing Mario "Jig" Williams</title><link>https://dahiphopplace.com/introducing-mario-jig-williams/</link><pubDate>Fri, 12 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/introducing-mario-jig-williams/</guid><description>&lt;p&gt;Mario &amp;ldquo;Jig&amp;rdquo; Williams has a couple of things to introduce listeners to. &amp;ldquo;Clean House&amp;rdquo; starts off with a burst of confidence. He doesn&amp;rsquo;t waste time getting to business and when he starts, he doesn&amp;rsquo;t stop. The delivery is laid back but not in a California chill way, but more like a kick back way. In &amp;ldquo;Laughing&amp;rdquo; we are introduced to the track with a sweet instrumental and then Jig comes through with a different tone. It&amp;rsquo;s a change of pace from the first and showcases two sides of this emcee. When the verses and the meat of the song kicks in, we hear an energy in him and it&amp;rsquo;s one I can&amp;rsquo;t help but like. While both songs are good - this one stands a little taller than the last. Be on the lookout for more from Mario &amp;ldquo;Jig&amp;rdquo; Williams and stay on top of what he&amp;rsquo;s got coming out next. (&lt;a href="https://www.musicclout.com/contents/userprofile.aspx?u=fb1ab7e8-8957-4292-ace0-9da6d313c5cb" target="_blank" rel="noreferrer"&gt;https://www.musicclout.com/contents/userprofile.aspx?u=fb1ab7e8-8957-4292-ace0-9da6d313c5cb&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Kapo Khedda's Got that Swang</title><link>https://dahiphopplace.com/kapo-kheddas-got-that-swang/</link><pubDate>Fri, 12 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kapo-kheddas-got-that-swang/</guid><description>&lt;p&gt;Kapo Khedda is a rising star who&amp;rsquo;s going places. &amp;ldquo;Swang&amp;rdquo; takes me back a bit to early &amp;rsquo;90s rap. It&amp;rsquo;s has a raw appeal to it but a modern twist with the beat. In &amp;ldquo;Standing Strong&amp;rdquo; we hear more of a sitting on the stoop, recollecting on life track. This is the kind of hip hop you rarely hear anymore and it&amp;rsquo;s as refreshing as the guitar licks coming through. Last up, &amp;ldquo;Flashy Fare&amp;rdquo; isn&amp;rsquo;t that flashy at all. It&amp;rsquo;s more laid back and has a realistic feel to it. If you&amp;rsquo;re a fan of emcees who rely more on lyrical formation and delivery rather than beats and hooks, check out Kapo Khedda right now. (&lt;a href="https://www.numberonemusic.com/kapokhedda" target="_blank" rel="noreferrer"&gt;https://www.numberonemusic.com/kapokhedda&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Pomona's Own Bigg Tiny</title><link>https://dahiphopplace.com/pomonas-own-bigg-tiny/</link><pubDate>Thu, 11 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/pomonas-own-bigg-tiny/</guid><description>&lt;p&gt;Out in Pomona is a grand space for fairgrounds, an amazing venue called the Glasshouse and a rapper you need to know who goes by the name Bigg Tiny. &amp;ldquo;Fuc Da Patron&amp;rdquo; featuring Gawpdondollasign is where we begin and it&amp;rsquo;s a great place to do so. It has a sick beat that&amp;rsquo;s meant for the club but the lyrics are delivered with a sense of street. Speaking of the club, &amp;ldquo;Stepped In The Club&amp;rdquo; comes through and as the title laments - it&amp;rsquo;s meant for a night out with the guys. It&amp;rsquo;s also got a simplistic approach to the verses makes it one to get down to when in the whip too. As we roll on, &amp;ldquo;Goin Ham&amp;rdquo; sticks with the same mentality but gives us more a hard dance beat. You could definitely see the girls moving their backside to that one. Quarter Bill comes in and helps out with &amp;ldquo;Lighters&amp;rdquo; giving this one a more mainstream hip hop feel with the intro, but it gets a little gangster rap with some of the verses that come through . All in all though, if you&amp;rsquo;re into hip hop that&amp;rsquo;s for the nightlife, then Bigg Tiny is the guy you better get to know. He creates music that is fit for a great night out - so check out Bigg Tiny today so you can prep for tonight. (&lt;a href="https://soundcloud.com/bigg-tiny" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/bigg-tiny&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Velle Puts His Money Where His Mouth Is</title><link>https://dahiphopplace.com/velle-puts-his-money-where-his-mouth-is/</link><pubDate>Thu, 11 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/velle-puts-his-money-where-his-mouth-is/</guid><description>&lt;p&gt;Get into the swag of Velle. Like many rappers, and creative types, it&amp;rsquo;s all about the &amp;ldquo;Grand.&amp;rdquo; You&amp;rsquo;re not just going to walk into success and this song is a great soundtrack to that. In &amp;ldquo;Till I&amp;rdquo; we get a great beat but the lyrics seem to run into one another as if in a traffic jam. That&amp;rsquo;s not the case with &amp;ldquo;You Be Always.&amp;rdquo; We get a more well constructed track this time around and it brings some romance to the mix. That romance creeps into the sentimental sounding &amp;ldquo;Good Girl Gone Bad&amp;rdquo; intro, but that fades as the lines come through and tell a different story. When push came to shove, &amp;ldquo;Money Where Your Mouth Is&amp;rdquo; really stood out as the biggest stunner because it was unlike the rest in terms of content and beat. It had a lighter feel all around and really popped in all the right places. If you&amp;rsquo;re a fan of acts like Lupe Fiasco, check out Velle and all he has going on now. ( &lt;a href="https://www.swagentinc.com/" target="_blank" rel="noreferrer"&gt;https://www.swagentinc.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Find Your Way with Young Wayf</title><link>https://dahiphopplace.com/find-your-way-with-young-wayf/</link><pubDate>Thu, 04 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/find-your-way-with-young-wayf/</guid><description>&lt;p&gt;Born in Nashville, Young Wayf has never been bashful with his skills. Now he&amp;rsquo;s got a few tracks loose and an album to share. &amp;ldquo;No Way&amp;rdquo; sounds like the type of song that&amp;rsquo;d be alongside the new Bieber. It&amp;rsquo;s got a smooth pop meets R&amp;amp;B feel and you can hear this making itself comfortable on many a playlists. In &amp;ldquo;Smash or Pass&amp;rdquo; Wayf slows it down. This one is okay but doesn&amp;rsquo;t have that same pop as the last. When we get to &amp;ldquo;Bad Bitches Only&amp;rdquo; we hear him come back to where we started and it&amp;rsquo;s a good time once again. If you want to get on what Young Wayf has, you can check out his latest album &amp;ldquo;Her,&amp;rdquo; out now. On it you&amp;rsquo;ll find more than what&amp;rsquo;s above; a whole crop of other songs like the title track that is more about the hip hop feel, and &amp;ldquo;She Know,&amp;rdquo; which has a Drake vibe to it. If you&amp;rsquo;re a fan of artists like Bieber and Drake, check out Young Wayf today. (&lt;a href="https://youngwayf.com/music" target="_blank" rel="noreferrer"&gt;https://youngwayf.com/music&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Make the Right Choice with Mac D</title><link>https://dahiphopplace.com/make-the-right-choice-with-mac-d/</link><pubDate>Thu, 04 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/make-the-right-choice-with-mac-d/</guid><description>&lt;p&gt;Mac D gives us an attitude driven delivery in this rhymes, but he starts off by giving us &amp;ldquo;Choices.&amp;rdquo; It has a lot of clever likes while &amp;ldquo;Turnt Up&amp;rdquo; plays like a track you&amp;rsquo;d want to hear right when you step out for the night and step into the club. We slow it down with &amp;ldquo;All I Do,&amp;rdquo; and it&amp;rsquo;s a nice track to just chill with as you live that hustle life. Speaking of, &amp;ldquo;Hustlin&amp;rdquo; rolls on next and the intro sounds like something out of an NBA Jam game. Last up, &amp;ldquo;Dreams&amp;rdquo; is an inspiring piece that makes you want to chase your own aspirations. If you&amp;rsquo;re a fan of Big Sean and Meek Mill, check out Mac D now. (&lt;a href="https://soundcloud.com/macd804" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/macd804&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Se'von Has a Message to Send</title><link>https://dahiphopplace.com/sevon-review/</link><pubDate>Thu, 04 Feb 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/sevon-review/</guid><description>&lt;p&gt;He&amp;rsquo;s always had a good set of morals and it shows. Se&amp;rsquo;von is an up and comer who&amp;rsquo;s going places. &amp;ldquo;Can&amp;rsquo;t Live My Life&amp;rdquo; has this bigger than life feel to it. Not in the way that say a rachet Lil Wayne track does, but rather something along the lines of - let&amp;rsquo;s just say if Kanye West and Common has a musical baby, it could be that song. This is an emcee who spits lyrical consciousness with songs like &amp;ldquo;Help Me&amp;rdquo; and &amp;ldquo;Weekend Truth.&amp;rdquo; With a good head on his shoulders and a talent for taking control for the mic, it won&amp;rsquo;t be long before his name is alongside the likes of the reigning hip hop giants. If you&amp;rsquo;re a fan of hip hop that has a message, check out Se&amp;rsquo;von today. (&lt;a href="https://soundcloud.com/sevon" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/sevon&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Sweet Honey In the Rock - Love In Evolution</title><link>https://dahiphopplace.com/sweet-honey-in-the-rock-love-in-evolution/</link><pubDate>Fri, 29 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/sweet-honey-in-the-rock-love-in-evolution/</guid><description>&lt;p&gt;&lt;a href="https://dahiphopplace.com/wp-content/uploads/2016/01/sh6.jpg" target="_blank" rel="noreferrer"&gt;&lt;figure&gt;&lt;img
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&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Sweet Honey In the Rock - Love In Evolution&lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/SweetHoneyInTheRock/" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/SweetHoneyInTheRock/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;As long as people produce and sell albums, the world should always have a place for a group like Sweet Honey in the Rock. Much has happened in the nine years since the six piece a cappella group&amp;rsquo;s last studio release - the Iraqi War was in full swing still and President Obama had not yet been elected. Much remains the same, however, and Sweet Honey in the Rock takes up the same concerns they&amp;rsquo;ve always held with urgency, eloquence, and ample artistic style. It&amp;rsquo;s that artistic style, however, that&amp;rsquo;s most crucial to their success. The group&amp;rsquo;s new album, Love in Evolution, never browbeats, hectors, or cajoles its listeners - instead, for eleven tracks, we&amp;rsquo;re treated to a virtuosic vocal display, melody after memorable melody, and tastefully assembled support from top shelf musicians without ever feeling like the group is looking to covert or evangelize in any significant way. If they have a cause, and they do, the eleven songs on this album make it abundantly clear that they are fighting and singing for the dignity of the human spirit.&lt;/p&gt;</description></item><item><title>Boyz N DA Massis Flexin' Down South</title><link>https://dahiphopplace.com/boyz-n-da-massis-flexin-down-south/</link><pubDate>Thu, 28 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/boyz-n-da-massis-flexin-down-south/</guid><description>&lt;p&gt;Coming together, the men of Boyz N DA Massis do it up. We open it up with &amp;ldquo;Booty Flexin&amp;rsquo;&amp;rdquo; and it&amp;rsquo;s one of those songs that would get the party turnt up. It has this chilled beat but at the same time it makes you want to shake it. We hear more of a cohesive group in &amp;ldquo;Spazz Out.&amp;rdquo; Here numerous vocals come through and take things to a new level. With &amp;ldquo;All Bussinezz&amp;rdquo; you can hear a southern influence. It&amp;rsquo;s like something that would&amp;rsquo;ve come out of Juvenile&amp;rsquo;s camp back in the day. &amp;ldquo;That All I Know&amp;rdquo; takes some time to get to business but when it does, it gets things done well. Getting deep, Boyz N DA Massis ask &amp;ldquo;What&amp;rsquo;s Life&amp;rdquo; and bring us some wise answers. If you&amp;rsquo;re a fan of rap groups that roll big, and have a Southern twist to their sound -check out Boyz N DA Massis now! (&lt;a href="https://www.reverbnation.com/BOYZNDAMASSIS" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/BOYZNDAMASSIS&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Chill with RODD CROOK$</title><link>https://dahiphopplace.com/chill-with-rodd-crook/</link><pubDate>Wed, 27 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/chill-with-rodd-crook/</guid><description>&lt;p&gt;He starts out slow but gets to it, that&amp;rsquo;s what you get with RODD CROOK$. &amp;ldquo;Wiz Khalifa - On My Level&amp;rdquo; is a chilled track that doesn&amp;rsquo;t really over do anything at any point. It&amp;rsquo;s about kicking back, lighting one up and delivering a beat. We get a little more energy from the California emcee with &amp;ldquo;Pass My Way.&amp;rdquo; There&amp;rsquo;s more life to feel in this one compared to the last, making it stand up taller. Speaking of energy, that&amp;rsquo;s all you get in a mild mannered way with &amp;ldquo;Nicki Minaj.&amp;rdquo; You could hear this one&amp;rsquo;s opening beat being a part of a dance crew&amp;rsquo;s routine. If you&amp;rsquo;re a fan of artists like Waka Flocka and Gucci Mane, then you&amp;rsquo;ll want to check out RODD CROOK$ today. (&lt;a href="https://www.jango.com/music/RODD&amp;#43;CROOK&amp;#43;HOODY&amp;#43;ENT?l=0" target="_blank" rel="noreferrer"&gt;https://www.jango.com/music/RODD+CROOK+HOODY+ENT?l=0&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>K.o Goes for the Knockout!</title><link>https://dahiphopplace.com/k-o-goes-for-the-knockout/</link><pubDate>Wed, 27 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/k-o-goes-for-the-knockout/</guid><description>&lt;p&gt;Sounding like something from the Harlem Renaissance when it starts, K.o&amp;rsquo;s &amp;ldquo;Snakes&amp;rdquo; welcomes you in with a throwback sound but then takes things into today with his rapid fire rhymes that are mellowed out by the chorus. We don&amp;rsquo;t get that interesting welcome with &amp;ldquo;More What They Want.&amp;rdquo; Instead K.o gets right to the action and starts spitting his take on reality as soon as things get rolling. In &amp;ldquo;Gone&amp;rdquo; it&amp;rsquo;s like he&amp;rsquo;s coming from a different record as the sound doesn&amp;rsquo;t really match up stylistically with the other tracks to come before it. Last up, &amp;ldquo;Tryna Fuck Me Over&amp;rdquo; let&amp;rsquo;s us end on a high note. The lighthearted tings really take you away from the subject matter for a second. Then you&amp;rsquo;re pulled back in as soon as K.o starts laying things out. If you&amp;rsquo;re a fan of rappers who come hard, check out New York&amp;rsquo;s K.o. (&lt;a href="https://soundcloud.com/kaydoto/tracks" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/kaydoto/tracks&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Mike Otey is More Than Okay</title><link>https://dahiphopplace.com/mike-otey-is-more-than-okay/</link><pubDate>Wed, 27 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/mike-otey-is-more-than-okay/</guid><description>&lt;p&gt;Coming from Fairbanks, this is a man who is all about serving for the greater good. Our time with Mike Otey starts out with &amp;ldquo;Stop The Violence.&amp;rdquo; A PSA of sorts, he takes this opportunity to spread a great message in a time where every other day on the news we&amp;rsquo;re bombarded with stories of people losing their lives to guns. Flipping the script and heading more towards the traditional hip hop, &amp;ldquo;Drank In Ya Cup&amp;rdquo; and &amp;ldquo;Maker Her Dance&amp;rdquo; featuring Franchi$e Corleone take us from the soap box and straight to the dance floor. Flipping once again, Mike Otey then goes for some romance with &amp;ldquo;Treat Her Good.&amp;rdquo; It&amp;rsquo;s not everyday you hear a rap song like this and it&amp;rsquo;s refreshing. While Mike Otey can make you want to hit the club, he also can make you think. He&amp;rsquo;s a balanced act, so check him out now! (&lt;a href="https://soundcloud.com/mike-otey" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/mike-otey&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Sunspinnaz: Stream Of Thoughts</title><link>https://dahiphopplace.com/sunspinnaz-stream-of-thoughts/</link><pubDate>Wed, 27 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/sunspinnaz-stream-of-thoughts/</guid><description>&lt;p&gt;You don&amp;rsquo;t hear from too many rappers from up north. Yes, there&amp;rsquo;s Drake - but who else do they got? To answer that right away, Sunspinnaz. More than one voices make up this rap group and last year they came together to drop &amp;ldquo;Stream Of Thought.&amp;rdquo; Opening with &amp;ldquo;Dreamscape,&amp;rdquo; we hear what could be compared to a LA rap feel with a modern twist because you could hear this cruising down the Venice Beach boulevard. We get some rock inspired riffs as &amp;ldquo;Sleeping With The Wolves&amp;rdquo; comes into play, while &amp;ldquo;The Seductress&amp;rdquo; comes through with a seductive manner. When you dive deeper into the record, what it rounds out to be is a playful album that is well performed and crafted that you&amp;rsquo;d find on the playlists of college kids from Canada to LA to back east. It has this youthful spirit without that&amp;rsquo;s undeniable. If you&amp;rsquo;re into artists like Wiz Khalifa and Shwayze, check out &amp;ldquo;Stream Of Thought&amp;rdquo; by Sunspinnaz, out now. (&lt;a href="https://sunspinnaz.bandcamp.com/album/stream-of-thought" target="_blank" rel="noreferrer"&gt;https://sunspinnaz.bandcamp.com/album/stream-of-thought&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Shawty Wee: Da Re-Up</title><link>https://dahiphopplace.com/shawty-wee-da-re-up/</link><pubDate>Tue, 19 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/shawty-wee-da-re-up/</guid><description>&lt;p&gt;When you want things to start and never stop, dive into Shawty Wee’s latest mixtape, “Da Re-Up.” It comes at you fast with the first track, “Just Cooling.” There’s nothing chill about this track. It’s an intense look at the emcee’s start and what he’s all about today. Speaking about what he’s all about…”All Bout Money” is a throwback to when rap started to be about the Benjamins, but it has this modern sound to it. In “Dice Game” Shawty sets things up for a party vibe, but it actually remains a laid back trip through the end. Rolling into “My Dayz” we hear a maturation of the rhymes. It goes from the money and the streets to something with a little more substance. If you’re a fan of artists like Lil Wayne and Tyga, check out Shawty Wee’s latest, “Da Re-Up,” out now. (&lt;a href="https://www.datpiff.com/SHAWTY-WEE-Da-Re-up-mixtape.744956.html" target="_blank" rel="noreferrer"&gt;https://www.datpiff.com/SHAWTY-WEE-Da-Re-up-mixtape.744956.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Cali Player Known as Geli Makaveli</title><link>https://dahiphopplace.com/the-cali-player-known-as-geli-makaveli/</link><pubDate>Tue, 19 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-cali-player-known-as-geli-makaveli/</guid><description>&lt;p&gt;Geli Makaveli makes his presence known in a big way right off the bat with &amp;ldquo;Crown Royal with Cheese.&amp;rdquo; He&amp;rsquo;s got this captivating way with words and along with the beat, it&amp;rsquo;s quite invigorating. Being from the Golden State, this emcee goes in on with and shows his love while flying his flag high in &amp;ldquo;California Player.&amp;rdquo; In &amp;ldquo;Camel Crush&amp;rdquo; he continues on his laid back path. It&amp;rsquo;s clear that when it comes to laying down rhymes, this emcee doesn&amp;rsquo;t have to hit you with the hoots and whistles. His power sits within the confines of fine lines and chilled demeanors. If that&amp;rsquo;s how you like your rhymes, check out Geli Makaveli today. (&lt;a href="https://soundcloud.com/gelimakaveli94" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/gelimakaveli94&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Era Tha Kidd: G.R.I.N.D</title><link>https://dahiphopplace.com/era-tha-kidd-g-r-i-n-d/</link><pubDate>Wed, 13 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/era-tha-kidd-g-r-i-n-d/</guid><description>&lt;p&gt;Era Tha Kidd&amp;rsquo;s &amp;ldquo;G.R.I.N.D&amp;rdquo; is his latest and it&amp;rsquo;s making some waves in the hip hop scene. The intro goes for longer than expected, but it sets the tone for the rest of the record. We then head into &amp;ldquo;Nothing Was The Same&amp;rdquo; and it&amp;rsquo;s a little slow at first with a skit but then Era Tha Kidd comes in and he tells his tale in a chilled manner. We keep that laid back demeanor going strong with &amp;ldquo;Like Me.&amp;rdquo; In which it sounds a little like if Akon went into actual rap and not mainstream hip-pop. We then head into something that has more bite with &amp;ldquo;I&amp;rsquo;m On It.&amp;rdquo; If you&amp;rsquo;re a fan of hip hop that&amp;rsquo;s on the same level as the likes of Tyga and Wiz Khalifa, check out Era Tha Kidd&amp;rsquo;s &amp;ldquo;G.R.I.N.D,&amp;rdquo; out now. (&lt;a href="https://www.datpiff.com/Era-Tha-Kidd-GRIND-mixtape.598244.html" target="_blank" rel="noreferrer"&gt;https://www.datpiff.com/Era-Tha-Kidd-GRIND-mixtape.598244.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Franso Mafio: "Cookin Circles"</title><link>https://dahiphopplace.com/franso-mafio-cookin-circles/</link><pubDate>Wed, 13 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/franso-mafio-cookin-circles/</guid><description>&lt;p&gt;&amp;ldquo;Cookin Circles&amp;rdquo; is the latest from Franso Mafio. It starts with a hook and then gets into the emcee&amp;rsquo;s past. You really get a feel for where this rapper came up from and while it never pops off into this hype track, it remains solid in its sense of reality and that&amp;rsquo;s to be respected. His sound is reminiscent of those artists who come with more bark in their delivery like Ice Cube and Nate Dogg. If you have those guys n your music library already, then add Franso Mafio&amp;rsquo;s &amp;ldquo;Cookin Circles&amp;rdquo; into the mix too. (&lt;a href="https://www.youtube.com/watch?v=_UQKmoh4p_A" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=_UQKmoh4p_A&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Ga'briel Takes You Higher</title><link>https://dahiphopplace.com/gabriel-takes-you-higher/</link><pubDate>Wed, 13 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/gabriel-takes-you-higher/</guid><description>&lt;p&gt;When you read about a Christian rapper, you really don&amp;rsquo;t know what to expect and that was the case with Ga&amp;rsquo;briel. He&amp;rsquo;s got this aggression to him that makes you stand with your full attention to him. This is especially true with &amp;ldquo;Blessings Came Out.&amp;rdquo; It&amp;rsquo;s this dynamic track that takes you for a ride and is top notch. With &amp;ldquo;On My Own&amp;rdquo; he&amp;rsquo;s joined by Brittany Friday. On this one, the emcee doesn&amp;rsquo;t let up but the sound is soothed by the presence of his friend. That energy level is still high, ironically with &amp;ldquo;Fly High.&amp;rdquo; It&amp;rsquo;s clear that when it comes to Christian rap, things have changed from when it first emerged and it sounds more mainstream than anything, but has lyrics that make you think. Check out Ga&amp;rsquo;briel now if you&amp;rsquo;re into hearing some great music, from a talented emcee. Regardless of your beliefs, this is great stuff. (&lt;a href="https://www.gabrielcartermusic.com/" target="_blank" rel="noreferrer"&gt;https://www.gabrielcartermusic.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Kaper: "B.I.B.L.E"</title><link>https://dahiphopplace.com/kaper-b-i-b-l-e/</link><pubDate>Wed, 13 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kaper-b-i-b-l-e/</guid><description>&lt;p&gt;Kaper is back with a new track and it&amp;rsquo;s a good one. &amp;ldquo;B.I.B.L.E&amp;rdquo; is the name and it means, &amp;ldquo;basic instructions before leaving earth.&amp;rdquo; With that, you know that this is a song coming from a gospel background, but overall - this is full on hip hop. Actually, you could find it crossing over because it sounds like something you&amp;rsquo;d hear alongside T.I. on the radio. If you&amp;rsquo;re a fan of hip hop that comes from a deeper place than the rest, check out Kaper&amp;rsquo;s new one, &amp;ldquo;B.I.B.L.E,&amp;rdquo; out now. (&lt;a href="https://www.cdbaby.com/cd/kaper4" target="_blank" rel="noreferrer"&gt;https://www.cdbaby.com/cd/kaper4&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Fred J: Addicts Like ME</title><link>https://dahiphopplace.com/fred-j-addicts-like-me/</link><pubDate>Tue, 05 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/fred-j-addicts-like-me/</guid><description>&lt;p&gt;Fred J&amp;rsquo;s &amp;ldquo;Addicts Like ME&amp;rdquo; is perfect from start to finish. Kicking off with &amp;ldquo;Cleantime Celebration,&amp;rdquo; we get this hype beat that sounds like it could kick off any night down at the club. The title track takes it down a notch, with clean lines - this one sounds like something you&amp;rsquo;d hear on the radio today. We get some inspiration with &amp;ldquo;Be Somebody&amp;rdquo; and &amp;ldquo;Nobody Like Jesus,&amp;rdquo; while get a sense of romance in &amp;ldquo;My Girl&amp;rdquo; and find a little of an Ice Cube sound towards the end of &amp;ldquo;Gotta Find My Way Out.&amp;rdquo; Fred J has a well-rounded record on his hands with &amp;ldquo;Addicts Like ME.&amp;rdquo; He brings modern day hip hop and intertwines it with some throwback west coast sounds, while building and creating a reality with his lyrics. Check out Fred J&amp;rsquo;s &amp;ldquo;Addicts Like ME,&amp;rdquo; out now. (&lt;a href="https://www.cleantimerecords.com/" target="_blank" rel="noreferrer"&gt;https://www.cleantimerecords.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get to Know Fresco_letsgo</title><link>https://dahiphopplace.com/get-to-know-fresco_letsgo/</link><pubDate>Tue, 05 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-to-know-fresco_letsgo/</guid><description>&lt;p&gt;Down in the Bluegrass state Fresco_letsgo is working hard to make his name a household one across the world. &amp;ldquo;Can&amp;rsquo;t Sleep&amp;rdquo; is an ironic one to start off with since the rain is falling hard outside my window and I could curl up into a ball, but alas I have this banging track playing and cannot. The beat sounds like something sort of industrial, but the lyrics are a little lost in between. With &amp;ldquo;Saint&amp;rdquo; we get a cleaner sound. &amp;ldquo;Shine&amp;rdquo; has a daunting vibe that sounds a little like the start of a horror movie involving ghosts. Then it never really picks up. When all&amp;rsquo;s said and done, Fresco_letsgo has gotten a great grasp on making beats, but needs to work on making the rhymes pop just as much. You can check out Kentucky&amp;rsquo;s own Fresco_letsgo now. (&lt;a href="https://soundcloud.com/Fresco_story" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/Fresco_story&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Year of Geez</title><link>https://dahiphopplace.com/the-year-of-geez/</link><pubDate>Tue, 05 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-year-of-geez/</guid><description>&lt;p&gt;Today we got Geez straight out of the city of Brotherly Love. With Luchini by his side on &amp;ldquo;I Want You,&amp;rdquo; we start off on a good foot. Sounding like something that Jason Derulo would put out, this mix of hip hop, R&amp;amp;B and a little pop for good measure is just what the musical doctor ordered. I could hear this on the radio right now. We change the page and come across a new side as &amp;ldquo;All My Niggas&amp;rdquo; shows a harder side of the artist. We find the middle ground in &amp;ldquo;Really Not Really.&amp;rdquo; It&amp;rsquo;s not as smooth as the first but not as rough as the last, but just right. When it comes to having everything in a row, lined up perfectly - Geez knows what he&amp;rsquo;s doing and has it all planned out right. He&amp;rsquo;s a young emcee who&amp;rsquo;s ready to show what he has to the world. So let him and check him out today! (&lt;a href="https://soundcloud.com/2freakygeez" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/2freakygeez&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Viz Dawg: "Get Me The Ball"</title><link>https://dahiphopplace.com/viz-dawg-get-me-the-ball/</link><pubDate>Tue, 05 Jan 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/viz-dawg-get-me-the-ball/</guid><description>&lt;p&gt;What appears to be a commercial for the HBO series &amp;ldquo;Hard Knocks,&amp;rdquo; Viz Dawg&amp;rsquo;s video for &amp;ldquo;Get Me The Ball&amp;rdquo; has a very masculine feel to it; men in very great shape on a football field, an energetic yet abrasive beat, and a hardcore sound. After realizing this isn&amp;rsquo;t an ad for a show, this is a pretty great song. I could hear this during any practice around the country, gym and even clubs. It reminds me a little of the Ying Yang twins minus the mainstream pop vibes they had at times. It&amp;rsquo;s more about the grit of that Atlanta sound. If you&amp;rsquo;re in the market for a song that pumps you up, check out &amp;ldquo;Get Me The Ball&amp;rdquo; by Viz Dawg, out now. (&lt;a href="https://www.youtube.com/watch?v=0yL3bY3H35M" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=0yL3bY3H35M&lt;/a&gt;)&lt;/p&gt;</description></item></channel></rss>