<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>2015 on Da Hip Hop Place</title><link>https://dahiphopplace.com/year/2015/</link><description>Recent content in 2015 on Da Hip Hop Place</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>Copyright © 2026 Da Hip Hop Place — All Rights Reserved</copyright><lastBuildDate>Wed, 30 Dec 2015 00:00:00 +0000</lastBuildDate><atom:link href="https://dahiphopplace.com/year/2015/index.xml" rel="self" type="application/rss+xml"/><item><title>A Trio with Matic</title><link>https://dahiphopplace.com/a-trio-with-matic/</link><pubDate>Wed, 30 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/a-trio-with-matic/</guid><description>&lt;p&gt;Matic is a rising emcee who has some tricks up his sleeve. &amp;ldquo;Come Shop Wit Me&amp;rdquo; featuring his boy Tec finds its hook in the title. Really though that&amp;rsquo;s where the song kind of falters. It&amp;rsquo;s catchy, but definitely would benefit from something a bit more. With &amp;ldquo;Whole Lotta Work,&amp;rdquo; I think he steps it up in terms of all around packaging. The beat is intriguing and not overdone in any manner. Last up, &amp;ldquo;Stoner&amp;rdquo; comes through and I think is really the icing on the cake. It has this unique sound to it and this is what I&amp;rsquo;d like to hear more of when it comes to this emcee&amp;rsquo;s sound. If you&amp;rsquo;re a fan of emerging hip hop artists who have a lot to offer, check out Matic today. (&lt;a href="https://soundcloud.com/planetmatic" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/planetmatic&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Courtney Chambers - Tales of the Aftermath</title><link>https://dahiphopplace.com/courtney-chambers-tales-of-the-aftermath-2/</link><pubDate>Tue, 29 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/courtney-chambers-tales-of-the-aftermath-2/</guid><description>&lt;p&gt;&lt;a href="https://dahiphopplace.com/wp-content/uploads/2015/12/cc3.jpg" target="_blank" rel="noreferrer"&gt;&lt;figure&gt;&lt;img
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 &gt;&lt;/figure&gt;
&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Courtney Chambers - Tales of the Aftermath&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.courtneychambers.net/" target="_blank" rel="noreferrer"&gt;https://www.courtneychambers.net/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Courtney Chambers is far from the stereotypical blonde haired California girl. This native of the Coachella Valley has released a stunning fourth album, Tales of the Aftermath, which marries impressive musical versatility with a poetic sensibility and smoky, impassioned vocals. The stylistic shifts move from a blues foundation into areas as diverse as neo-classical ballads, jangly folk rock experiments, and spare acoustic pieces. Chambers is a multi-instrumentalist, manning both piano and guitar on this release, but it isn’t a perfunctory role. Her playing, particularly on piano, is an important thread in the album’s sonic tapestry. Producer and second guitarist Sean Hoffman, known for his work with the American Music Club among many other projects, creates an evocative virtual stage for Chambers, himself, and the other players to occupy. A bevy of superb atmospheric qualities drive many of the songs, but listeners are fortunate that Chambers and Hoffman alike possess the artistic discernment to never overindulge and drive the songs into heavy-handed melodrama. There is a delicate, yet exquisite, balance between the assorted instruments that helps strength Tales of the Aftermath into a cohesive listening experience.&lt;/p&gt;</description></item><item><title>Smoke: Kendall Jenner - Who Am Eye?</title><link>https://dahiphopplace.com/smoke-kendall-jenner-who-am-eye/</link><pubDate>Tue, 29 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/smoke-kendall-jenner-who-am-eye/</guid><description>&lt;p&gt;Smoke&amp;rsquo;s latest &amp;ldquo;Kendall Jenner - Who Am Eye?&amp;rdquo; is out now and we&amp;rsquo;re getting into it. It starts off with a slow jam, &amp;ldquo;Root Of All Evil,&amp;rdquo; and then picks up with a what sounds like a radio favorite, &amp;ldquo;Letter 2 God.&amp;rdquo; As we roll along, &amp;ldquo;Pu$$y Game&amp;rdquo; starts off kind of rocky, but finds its footing in the end. It&amp;rsquo;s definitely a song that would make someone blush. As soon as that one ends and we think this is all about being a player, but then &amp;ldquo;I Need You&amp;rdquo; comes through and showcases some heart. In &amp;ldquo;Music Industry&amp;rdquo; I expected to hear more digs at the realm, but it was a little light. In the end Smoke has a great set of tracks in his bag on &amp;ldquo;Kendall Jenner - Who Am Eye?&amp;rdquo; out now! (&lt;a href="https://www.datpiff.com/SMOKE-Kendall-Jenner-Who-Am-Eye-mixtape.741856.html?utm_campaign=piff.me&amp;amp;utm_source=&amp;amp;utm_medium=piff.me" target="_blank" rel="noreferrer"&gt;www.datpiff.com/SMOKE-Kendall-Jenner-Who-Am-Eye-mixtape.741856.html?utm_campaign=piff.me&amp;amp;utm_source=&amp;amp;utm_medium=piff.me&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Start the New Year with Alex Xander</title><link>https://dahiphopplace.com/start-the-new-year-with-alex-xander/</link><pubDate>Tue, 29 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/start-the-new-year-with-alex-xander/</guid><description>&lt;p&gt;You don&amp;rsquo;t hear too much rap from the North West, but Alex Xander AKA PAPI is going to change that. Let&amp;rsquo;s get started ironically with &amp;ldquo;The Wait.&amp;rdquo; When you see only a picture, you can never truly know what to expect when the music starts. I was surprised to hear Alex showcase some vocal abilities when it came to actually carrying a tune here instead of just spitting out rhymes. The boy can sing on top of rapping. In &amp;ldquo;Now You Know Pt. 2 (LEGEND)&amp;rdquo; we start off with some dramatics and then ease up for the rest of the show. We keep going on that easy road with &amp;ldquo;Rich Mahogany&amp;rdquo; while rounding things out with &amp;ldquo;MAIDS,&amp;rdquo; a track that showcases more of an attitude from the emcee. What I loved was when Alex Xander showed off something a little different with the vocals. He should put more of that into his music and he&amp;rsquo;ll continue to stand apart from the crowd. With that, here&amp;rsquo;s to watching his career grow in the New Year. (&lt;a href="https://www.reverbnation.com/RealAlexXander?profile_view_source=header_icon_nav" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/RealAlexXander?profile_view_source=header_icon_nav&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Windy City's Chris Capalano</title><link>https://dahiphopplace.com/the-windy-citys-chris-capalano/</link><pubDate>Tue, 29 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-windy-citys-chris-capalano/</guid><description>&lt;p&gt;Chris Capalano is an emcee from the Windy City who has a sound that really shows off a supreme talent. We start this out with Chris and his bud Good with &amp;ldquo;Half A Brick.&amp;rdquo; Here we have a lot of energy right out of the gate. The intro alone of this song could get adrenaline pumping, and once the lines start to come out - that doesn&amp;rsquo;t change. As we move onto &amp;ldquo;Somebody Snitching&amp;rdquo; we get another great intro but this time it&amp;rsquo;s because this one is completely different from the last. Instead of this hype feel, we get a more sing-song, playground rhyme and then Chris Capalano comes through fresh. What&amp;rsquo;s to be appreciated about &amp;ldquo;Hands High&amp;rdquo; is that Miami nightlife feel the music brings to life. From the heat of Miami to the streets of urban America, we land in a &amp;ldquo;Sea of Doubt.&amp;rdquo; Here is the real icing on the cake of the whole lot. It has a great vibe all the way through and really showcases a true set of skills. If you want to hear more from this Chicago based rapper, check him out now. (&lt;a href="https://www.soundclick.com/bands/default.cfm?bandID=606804" target="_blank" rel="noreferrer"&gt;https://www.soundclick.com/bands/default.cfm?bandID=606804&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Tony Casanova: "T Up Like Me"</title><link>https://dahiphopplace.com/tony-casanova-t-up-like-me/</link><pubDate>Tue, 29 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/tony-casanova-t-up-like-me/</guid><description>&lt;p&gt;Tony Casanova&amp;rsquo;s &amp;ldquo;T Up Like Me&amp;rdquo; has this mystery when it starts. You don&amp;rsquo;t know whether or not things are going to get crazy or not. When you listen more, it&amp;rsquo;s that anticipation - topped with the great pace at which Tony Casanova delivers - that really makes you like the track. This sounds like something that&amp;rsquo;s out and about right now on the radio. With acts like Kendrick Lamar and Fetty Wap, that&amp;rsquo;s where Tony Casanova belongs in the spectrum of hip hop right now. Check out his latest, &amp;ldquo;T Up Like Me,&amp;rdquo; out now. (&lt;a href="https://soundcloud.com/tonycasanova-1/t-up-like-me" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/tonycasanova-1/t-up-like-me&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>2K's and Worth Every Penny</title><link>https://dahiphopplace.com/2ks-and-worth-every-penny/</link><pubDate>Wed, 23 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/2ks-and-worth-every-penny/</guid><description>&lt;p&gt;When it comes to getting things started, 2K&amp;rsquo;s is right there with music in the holsters - ready to go. &amp;ldquo;(Exxxciting)&amp;rdquo; opens with this elongated intro then it gets into this track that really follows an excellent pace that keeps spirits high the whole way through. That&amp;rsquo;s 2K&amp;rsquo;s latest track that just got released. Going back a bit though we can hear in &amp;ldquo;Wut I Know&amp;rdquo; is that 2K&amp;rsquo;s has always had a handle on beats that keep listeners on their toes. This one feels a bit harder than the newest, but all are good. With some help from Celebrity, 2K&amp;rsquo;s&amp;rsquo; &amp;ldquo;Wutcha Want&amp;rdquo; sounds like a song that would turn the club up in a low key way. The rhymes are chill and allot listeners to follow along with ease. Last up is a joint called &amp;ldquo;KOOL.&amp;rdquo; Here we kind of go back to where we started with the intro that takes some time but gets you warmed up and ready to go with on point lyrics that bring the entertainment. If you&amp;rsquo;re a fan of hip hop that has a house party/club vibe, check out 2K&amp;rsquo;s today. (&lt;a href="https://www.youtube.com/user/certifiedportboyz/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/user/certifiedportboyz/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Image Paints Thoughts with Words</title><link>https://dahiphopplace.com/image-paints-thoughts-with-words/</link><pubDate>Tue, 22 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/image-paints-thoughts-with-words/</guid><description>&lt;p&gt;Down in Baton Rouge Image is making beats and rhymes and the first one we got on the table is &amp;ldquo;Rise And Shine.&amp;rdquo; Here he&amp;rsquo;s a little ball of positivity and a little encouraging in what he has to say. With that we head into &amp;ldquo;Lost Black Queen.&amp;rdquo; It&amp;rsquo;s clear that Image is all about provoking thought with what he has to say in song. Then in &amp;ldquo;Like Father Like Son,&amp;rdquo; he goes more towards a mainstream sound. What I appreciate about Image is that he takes control of what he has to say, but isn&amp;rsquo;t afraid to bust out a fun track either. He finds a balance, but what he does best is bringing light to his sound with well written and structured songs. If you&amp;rsquo;re into thinking with your music, check out Image now. (&lt;a href="https://soundcloud.com/i-m-a-g-e16/tracks" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/i-m-a-g-e16/tracks&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Red Cartel Music's Shoota</title><link>https://dahiphopplace.com/red-cartel-musics-shoota/</link><pubDate>Tue, 22 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/red-cartel-musics-shoota/</guid><description>&lt;p&gt;Red Cartel Music&amp;rsquo;s Shoota is telling us what he&amp;rsquo;s doing things for. It&amp;rsquo;s all for &amp;ldquo;My Homies.&amp;rdquo; Well that&amp;rsquo;s the name of the track that features Young V.S. The video follows a story at the start and takes awhile to get to the song, but once things get started, you&amp;rsquo;re attracted to the beat that sounds a little like something you&amp;rsquo;d hear out of the South&amp;rsquo;s rap scene. It&amp;rsquo;s a low key beat that let&amp;rsquo;s the bounce of it all take control. It&amp;rsquo;s a song you could hear everyone from kids in high school to college kids getting behind. If you&amp;rsquo;re a fan of hip hop that mixes streets with slick beats, check out Red Cartel Music&amp;rsquo;s Shoota, now. (&lt;a href="https://www.youtube.com/watch?v=vkG5l0wyZqo&amp;amp;feature=youtu.be" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=vkG5l0wyZqo&amp;amp;feature=youtu.be&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Leo Harmonay “Somewhere Over the Hudson”</title><link>https://dahiphopplace.com/leo-harmonay-somewhere-over-the-hudson/</link><pubDate>Thu, 17 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/leo-harmonay-somewhere-over-the-hudson/</guid><description>&lt;p&gt;Leo Harmonay “Somewhere Over the Hudson”&lt;/p&gt;
&lt;p&gt;Official URL: &lt;a href="https://www.lharmonic.com/music/" target="_blank" rel="noreferrer"&gt;https://www.lharmonic.com/music/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/leo.harmonay" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/leo.harmonay&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;About the Artist: Leo Harmonay just released his latest effort entitled “Somewhere Over the Hudson”. Right from the beginning track “Colors” his intimate sound is rooted in Folk-Pop rock and colored by his own powerful observations about life in general. Today, the theme of ‘roads less traveled’ remains firmly ensconced in his life. The blue highways of America still call; there are so many more to see and experience. And more songs to write about them…stories of hope, survival, love, discovery, loss, crazy situations, of making peace with life and with simply being alive – this is how I was the album.&lt;/p&gt;</description></item><item><title>1 Double O Are a Perfect Score</title><link>https://dahiphopplace.com/1-double-o-are-a-perfect-score/</link><pubDate>Tue, 15 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/1-double-o-are-a-perfect-score/</guid><description>&lt;p&gt;1 Double O has some pretty interesting beats in their bag of tricks. As someone who watches cooking shows too much, &amp;ldquo;Rachel Ray&amp;rdquo; instantly caught my eye and quickly my ears. It was this slow paced track in the intro but then things picked up and got rapid. With &amp;ldquo;Gift And A Curse&amp;rdquo; keeps the pace slow but this one has more soul to it than the last, while &amp;ldquo;We Smoke&amp;rdquo; does the same thing, but has more of a house kickback feel to it with a cloud of smoke hanging over it. One thing admirable about 1 Double O is that they are very precise in the construction of their music. Each sounds very well done and it&amp;rsquo;s heard in the ones we&amp;rsquo;ve already noted as well as others like &amp;ldquo;Shooters&amp;rdquo; and &amp;ldquo;Bout It.&amp;rdquo; It&amp;rsquo;s not rare to find indie artists who sound like they&amp;rsquo;re backed by a million dollar deal, but it&amp;rsquo;s not common either. In this case we&amp;rsquo;ve found it with 1 Double O. Check out their precision with rhymes now. (&lt;a href="https://soundcloud.com/sadiq-wood" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/sadiq-wood&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Jersey Boy JvstWu</title><link>https://dahiphopplace.com/jersey-boy-jvstwu/</link><pubDate>Tue, 15 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jersey-boy-jvstwu/</guid><description>&lt;p&gt;It was 2008 when JvstWu started rapping. Four years later he got into the beat game and here we are a few years after that. &amp;ldquo;Basement Approved&amp;rdquo; sounds like something coming out in the current breed of emcees. It had this hard shell but a sense of reality to it. It&amp;rsquo;s not over the top and for the club, but for the hip hop purists. With &amp;ldquo;The Nine Theory&amp;rdquo; he comes through like a true storyteller. He doesn&amp;rsquo;t follow a beat as much as he does a steady pace while it&amp;rsquo;s the lyrics that stand out. In &amp;ldquo;SuprBxD&amp;rdquo; JvstWu brings forth a sound that sounds video game like. With no words, it&amp;rsquo;s all about the music here. Last up, &amp;ldquo;The Getaway&amp;rdquo; takes us back to the start. We get that storyteller vibe intertwined with a harder delivery. If you&amp;rsquo;re into hip hop that has an edge, check out New Jersey&amp;rsquo;s JvstWu now. (&lt;a href="https://www.jvstwu.com" target="_blank" rel="noreferrer"&gt;https://www.jvstwu.com&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Paul Meadow – Cheap &amp; Easy</title><link>https://dahiphopplace.com/paul-meadow-cheap-easy/</link><pubDate>Tue, 15 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/paul-meadow-cheap-easy/</guid><description>&lt;p&gt;&lt;a href="https://dahiphopplace.com/wp-content/uploads/2015/12/pm1.jpg" target="_blank" rel="noreferrer"&gt;&lt;figure&gt;&lt;img
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&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Paul Meadow – Cheap &amp;amp; Easy&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;URL:&lt;/strong&gt; &lt;a href="https://paulmeadow.com/" target="_blank" rel="noreferrer"&gt;https://paulmeadow.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Paul Meadow&lt;/strong&gt; is a band of two friends who decided to start the musical vehicle after losing their jobs. They did this at a local pub in Brooklyn and gained so much support from music lovers. Their success is largely owed to their commitment to working as well as their limitless talents that they put into music writing. What the duo has produced is a clear indication of presence of talent and unimaginable skills that go with it. Production of top hits that have attracted so many music followers is a right step towards achieving more. The album that is soon to be released offers a platform to judge how far Meadow has come as well as compare its successes and failures. The album &lt;strong&gt;Cheap and Easy&lt;/strong&gt; is to be released come 10th of December will give the band&amp;rsquo;s fans an early Christmas present.&lt;/p&gt;</description></item><item><title>“Time of My Life” by JopauL Is Not Much To Celebrate</title><link>https://dahiphopplace.com/time-of-my-life-by-jopaul-is-not-much-to-celebrate/</link><pubDate>Sat, 12 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/time-of-my-life-by-jopaul-is-not-much-to-celebrate/</guid><description>&lt;p&gt;In the already saturated and over populated world of party music another record about the party life of party people is welcomed, as one would expect, with a big drowsy yawn. Yes parties are kind of fun, party people are always on fleek and the party life is definitely trill. What more is there left to be said about this tired old theme?&lt;/p&gt;
&lt;p&gt;Well apparently our friend Jopaul really believes he has something new to add to the conversation, but I can say it is not something we have not already heard several hundreds of times before. “Time Of My Life” is pretty much stuck in a retro time warp, and it is so retro I am quite surprised Jopaul did not see his own face staring right back at him from his rearview mirror as he drove away from the scene of this awful crime.&lt;/p&gt;</description></item><item><title>Get Hypnotized by GIIXx</title><link>https://dahiphopplace.com/get-hypnotized-by-giixx/</link><pubDate>Thu, 10 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-hypnotized-by-giixx/</guid><description>&lt;p&gt;GIIXX does things differently, but they pay off. &amp;ldquo;Hypnotized&amp;rdquo; sounds like an old school song that your dad would&amp;rsquo;ve listened to intertwined with something that&amp;rsquo;s a little more modern. The beat wants you to move, but the vocals want you to just groove nice and slow. That same sentiment comes in again as we hit &amp;ldquo;Thirsty Thursday.&amp;rdquo; Based on the content though, I could see this being a club favorite towards the end of the week. GIIXX plays around with a little soul influence with &amp;ldquo;Who Dat.&amp;rdquo; It&amp;rsquo;s almost sensual as he continues to ask the title. Speaking of, he gives that off again with &amp;ldquo;The Way She Moves.&amp;rdquo; While GIIXX started out as a throwback, he quickly came into the new millennium fast. If you&amp;rsquo;re a fan of hip hop that takes on a R&amp;amp;B cover, check out GIIXX today. (&lt;a href="https://soundcloud.com/the-gee/tracks" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/the-gee/tracks&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Right with Young Wight</title><link>https://dahiphopplace.com/get-right-with-young-wight/</link><pubDate>Thu, 10 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-right-with-young-wight/</guid><description>&lt;p&gt;Young Wight is lighting up the west coast. &amp;ldquo;Let Me Kill That&amp;rdquo; gives off the impression that things are going to get real, but really this one stayed pretty light thanks to a club beat attached. In &amp;ldquo;Doubt That&amp;rdquo; we hear another sick beat to go along with the lyrics. This one has more of a bite though in the delivery. Moving into &amp;ldquo;Wat&amp;rsquo;s the Deal&amp;rdquo; we hear the realness that I assumed would come from the first track I hit play to. Instead it&amp;rsquo;s in this tune. We stick with that vibe as &amp;ldquo;Shit&amp;rdquo; makes heads bounce and bodies move. That&amp;rsquo;s just the tip of the iceberg from this rising emcee out of Los Angeles. Check him out ASAP! (&lt;a href="https://www.reverbnation.com/youngwight" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/youngwight&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get to Know Get Familiar Music Group</title><link>https://dahiphopplace.com/get-to-know-get-familiar-music-group/</link><pubDate>Thu, 10 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-to-know-get-familiar-music-group/</guid><description>&lt;p&gt;Get Familiar Music Group is a collection of emcees who want to be the next hot crew in the hip hop scene, and we&amp;rsquo;re going to check out a handful of them. Mz Lady showcases her chops in &amp;ldquo;Hot Nigga.&amp;rdquo; With a style that will remind some of Lil Kim back in the day, she&amp;rsquo;s full of sass and skills through and through. Her boy Benji Frank comes through next with &amp;ldquo;Turn Down 4 What.&amp;rdquo; Not the song you think, but his own take on the phrase. This one has an Atlanta feel to it while Tribe Era bring a night out at the club with &amp;ldquo;Swagged Up.&amp;rdquo; Last but certainly not least, we get familar with Shellz and Deniro. Each carry their weight through &amp;ldquo;Extra Ordinary&amp;rdquo; well. This one takes the storytelling approach and it goes over great. If you&amp;rsquo;re a fan of hip hop crews that work well together, and are bound to make it - check out Get Familiar Music Group now. (&lt;a href="https://www.youtube.com/user/GetFamiliartv1/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/user/GetFamiliartv1/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get to Know K.I.D</title><link>https://dahiphopplace.com/get-to-know-k-i-d/</link><pubDate>Thu, 10 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-to-know-k-i-d/</guid><description>&lt;p&gt;K.I.D does it up with a handful of tracks. &amp;ldquo;Tony&amp;rdquo; went somewhere I didn&amp;rsquo;t think it would. Fresh pressed in the photo on his site, I thought K.I.D may come through with some R&amp;amp;B. Instead this emcee came hard. He keeps bringing it as &amp;ldquo;Not Regular&amp;rdquo; says what no man wants to hear, but rest assure they&amp;rsquo;ll be singing along. They&amp;rsquo;ll also be singing and agreeing to &amp;ldquo;Wanna Die Rich&amp;rdquo; because who doesn&amp;rsquo;t? Lastly, we get a little reggae with the start of &amp;ldquo;Energy&amp;rdquo; but then smooth it out as it comes through similar to what came before while &amp;ldquo;Hookah&amp;rdquo; closes up shop with a fantastic, captivating intro. If you&amp;rsquo;re a fan of hip hop that sounds like it&amp;rsquo;s somewhere between the streets and the radio, check out K.I.D now. (&lt;a href="https://soundcloud.com/user34470188" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/user34470188&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Mike Millionz Proves to Be Priceless</title><link>https://dahiphopplace.com/mike-millionz-proves-to-be-priceless/</link><pubDate>Thu, 10 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/mike-millionz-proves-to-be-priceless/</guid><description>&lt;p&gt;Mike Millionz has a couple sides to him, but there&amp;rsquo;s one that sticks out more for all the right reasons. &amp;ldquo;Put In Work&amp;rdquo; starts us off and while it is quite risque in the beginning, you can&amp;rsquo;t help but find yourself singing along to it within seconds - at least the look; &amp;ldquo;&amp;hellip;if that ass fat, then make that ass clap&amp;hellip;&amp;rdquo; Moving right along from the one with the killer hook we head to &amp;ldquo;Fuckin Problem&amp;rsquo; featuring Karmela. What I love about this one is the reality behind snitching. It comes through like a verbal assault to those caught with their lips flapping. Then we flip the script and calm down and really mature with &amp;ldquo;Run Chi-Raq.&amp;rdquo; I really like the sound of this one. It showed a more grown-up lyricist. The same goes for &amp;ldquo;Change.&amp;rdquo; While we started out on fun note, this is where this emcee shines brightest. If you&amp;rsquo;re a fan of artists like Wiz, check out Mike Millionz today. (&lt;a href="https://soundcloud.com/mike-millionz-1" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/mike-millionz-1&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>BooMoney's Working Hard and Strong</title><link>https://dahiphopplace.com/boomoneys-working-hard-and-strong/</link><pubDate>Tue, 08 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/boomoneys-working-hard-and-strong/</guid><description>&lt;p&gt;BooMoney is an emcee working hard to make the presence known. &amp;ldquo;Blow&amp;rdquo; has a good, laid back beat that could get things started. His boy Y.G. MoneyBagz hops on to help out with &amp;ldquo;GangShyt.&amp;rdquo; Together they&amp;rsquo;ve created a song that relies a little too much on the T-Pain like elements at time. It&amp;rsquo;d be nice to hear this one without the effects. In &amp;ldquo;Hard and Strong&amp;rdquo; BooMoney delivers something you could hear on a Lil Wayne mixtape. It has a really big sound in terms of the beat and music is concerned. Last up, &amp;ldquo;16 Barz&amp;rdquo; is slow to start and is the pure definition of chill. It never hits that huge mark but it&amp;rsquo;s got a good foundation. When it comes to BooMoney, he&amp;rsquo;s got what it takes and could make it if he keeps at it. (&lt;a href="https://www.youtube.com/channel/UC_W987iPYoQnQjBCfTnit5Q" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/channel/UC_W987iPYoQnQjBCfTnit5Q&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Mainstream with KenG Ricks</title><link>https://dahiphopplace.com/get-mainstream-with-keng-ricks/</link><pubDate>Tue, 08 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-mainstream-with-keng-ricks/</guid><description>&lt;p&gt;We start off our time with KenG Ricks and his track &amp;ldquo;Tonite.&amp;rdquo; This sounds like a song you&amp;rsquo;d hear hanging with a young crowd. Not One Direction young, but a group of people who also like to let lose with Big Sean and Rihanna. The same goes for &amp;ldquo;Many Hearts.&amp;rdquo; While the last song was pure hip hop, this one is more like something you&amp;rsquo;d hear from Chris Brown when he showcased the pipes. Lastly, &amp;ldquo;Summertime Fun&amp;rdquo; really is a welcoming song in the dead of winter. It has this well, fun, feel that really makes you want to head back to the hotter months. If you&amp;rsquo;re a fan of mainstream music that you&amp;rsquo;d once find on BET&amp;rsquo;s &amp;ldquo;106 &amp;amp; Park,&amp;rdquo; check out KenG Ricks today. (&lt;a href="https://soundcloud.com/user-651557531" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/user-651557531&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Miles Paradise: "Depression"</title><link>https://dahiphopplace.com/miles-paradise-depression/</link><pubDate>Tue, 08 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/miles-paradise-depression/</guid><description>&lt;p&gt;Miles Paradise&amp;rsquo;s latest single &amp;ldquo;Depression&amp;rdquo; featuring Loud starts out with an almost Tupac like beat but then it goes into something  little more Common, neo-soul feeling. The content of the lyrics is not something we hear often in hip hop, it&amp;rsquo;s taking on the reality of a mentality that many suffer from but also noting the environmental factors of it all. The hook about having problems and no one helping you solve them is something we could all take note of. If you like hip hop with a message, check out Miles Paradise&amp;rsquo;s &amp;ldquo;Depression,&amp;rdquo; out now. (&lt;a href="https://soundcloud.com/miles-paradise/miles-paradise-ft-loud-depression-prod-by-kevin-mabz" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/miles-paradise/miles-paradise-ft-loud-depression-prod-by-kevin-mabz&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Seattle's Own J.R LaFlame</title><link>https://dahiphopplace.com/seattles-own-j-r-laflame/</link><pubDate>Tue, 08 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/seattles-own-j-r-laflame/</guid><description>&lt;p&gt;J.R LaFlame is repping the Seattle scene with his laid back take on the rap game. &amp;ldquo;Pilot&amp;rdquo; introduces us to his sound like a pilot of a TV show would to its main characters. With this, he&amp;rsquo;s like a hip hop version of the rock band, The Gorillaz. Listen closely to the vocals for that one. That chilled factor of his music continues with &amp;ldquo;Second Quarter.&amp;rdquo; He is coming hard, but like a gator - waiting for the right second to attack. With &amp;ldquo;Memories&amp;rdquo; he sounds more like he&amp;rsquo;s spitting out spoken word than a rhyme while he&amp;rsquo;s serving up some dreamscape like music with &amp;ldquo;ReFLEXtions.&amp;rdquo; It starts off very hazy but then comes through fast and quick. If you&amp;rsquo;re a fan of hip hop that sounds like the hottest underground, check out J.R LaFlame out of Seattle. (&lt;a href="https://soundcloud.com/jrlaflame" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/jrlaflame&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Struggles of Big T AKA Gemini</title><link>https://dahiphopplace.com/the-struggles-of-big-t-aka-gemini/</link><pubDate>Tue, 08 Dec 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-struggles-of-big-t-aka-gemini/</guid><description>&lt;p&gt;Big T AKA Gemini came from the streets and knows what it&amp;rsquo;s like to struggle for what you have in life, and he portrays that in every ounce of the music he puts out. &amp;ldquo;Wartime&amp;rdquo; is all about that mentality and you can hear that explosive drive in his delivery to make it and overcome. It sounds like a violent attack on the world. In &amp;ldquo;Fucked Up&amp;rdquo; he calms it down a bit and gives a bit of a softer side but at the same time he doesn&amp;rsquo;t drop the fact about where he came from and how hard he&amp;rsquo;s had it. The same can be said about &amp;ldquo;10 Gold Rings&amp;rdquo; while &amp;ldquo;Sawed Off Pump&amp;rdquo; comes through like a mix between the two sides we&amp;rsquo;ve come to know from Big T AKA Gemini. It&amp;rsquo;s the most &amp;ldquo;pop&amp;rdquo; his sound gets as he&amp;rsquo;s a street emcee through and through. If you&amp;rsquo;re a fan of rappers who have a real struggle to their past and portray that through song, check out Big T AKA Gemini. (&lt;a href="https://soundcloud.com/big_t_aka_gemini" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/big_t_aka_gemini&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Camp Dark</title><link>https://dahiphopplace.com/camp-dark/</link><pubDate>Mon, 30 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/camp-dark/</guid><description>&lt;p&gt; BANDCAMP: &lt;a href="https://campdark.bandcamp.com/releases" target="_blank" rel="noreferrer"&gt;https://campdark.bandcamp.com/releases&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Minneapolis based band Campdark has a splash of several different genres with a masterful conglomeration of unique sounds and dynamic instrumentation. This gives them a sound that has a modest kinship reminding you of monks chanting in a temple but also adds an edge that incorporates an eerie sound that’s quite frankly hypnotic. The electronics added in are very well placed that pop out at you as an unexpected surprise that at first feels as though it doesn’t belong but as you continue to listen, you realize that it is a brilliant ratio of creepy and whimsical.&lt;/p&gt;</description></item><item><title>Lobos Delivers Like a Pitbull</title><link>https://dahiphopplace.com/lobos-delivers-like-a-pitbull/</link><pubDate>Thu, 26 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/lobos-delivers-like-a-pitbull/</guid><description>&lt;p&gt;Lobos is part of the ElNEl crew and what he brings is a case of grit to the table. &amp;ldquo;303&amp;rdquo; sounds like a pitbull took the mic. There&amp;rsquo;s a strong sense of aggression in a calm setting. You never know if he&amp;rsquo;s going to bite, but his bark is quite intimidating. With &amp;ldquo;God,&amp;rdquo; that same sentiment is heard throughout. Only this one has more life to it. The beat allows more movement of the body while listening. ElNEl has a lot of great emcees under their umbrella but what Lobos brings is the muscle in the music. Check him and the rest of the ElNEl crew now. (&lt;a href="https://soundcloud.com/elnelproductions" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/elnelproductions&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>D.P.: The Way Out</title><link>https://dahiphopplace.com/d-p-the-way-out/</link><pubDate>Thu, 19 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/d-p-the-way-out/</guid><description>&lt;p&gt;Rap doesn&amp;rsquo;t have to be all about the bling. Some of it can be about something a lot more, like spirituality. That&amp;rsquo;s where artists like D.P. comes in with his album &amp;ldquo;The Way Out.&amp;rdquo; A decade old, the record is timeless. Each track stands out like a classic like &amp;ldquo;A Man.&amp;rdquo; It&amp;rsquo;s sweet R&amp;amp;B flare really tells a story while &amp;ldquo;Fill Me&amp;rdquo; takes us to a more hip hop side of the artist. In &amp;ldquo;Power in His Name,&amp;rdquo; soul, hip hop and belief marry one another to come together for a stunning, and beautiful track. &amp;ldquo;The Way Out&amp;rdquo; sounds like a song the whole congregation could join in during service. 15 tracks deep, &amp;ldquo;The Way Out&amp;rdquo; is a great album for those who like to listen to more uplifting hip hop. Check out D.P.&amp;rsquo;s latest now. (&lt;a href="https://www.cdbaby.com/cd/dphiphop" target="_blank" rel="noreferrer"&gt;https://www.cdbaby.com/cd/dphiphop&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Toni Hope to Leave a Legacy</title><link>https://dahiphopplace.com/toni-hope-to-leave-a-legacy/</link><pubDate>Thu, 19 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/toni-hope-to-leave-a-legacy/</guid><description>&lt;p&gt;Toni knows how to balance the best of what he has. &amp;ldquo;B.I.G.G.I.E&amp;rdquo; is a funky song that has a sense of R&amp;amp;B to it, but it really sounds like when neo-soul was coming up through the rap spectrum. It has some aggression to the delivery but the music kept things going cool. Then there was &amp;ldquo;Successful.&amp;rdquo; This one was more hip hop based, like a freestyle of sorts. There&amp;rsquo;s more of story with this one. In &amp;ldquo;Legacy&amp;rdquo; it&amp;rsquo;s not as concise as the other two. This one could use some tinkering. What he did with the first song was what he did best. I really liked how he married a few elements rather than just sticking with run of the mill hip hop. That&amp;rsquo;s the path I hope he continues to follow in his career. If you want to check out a budding emcee, check out Toni today. (&lt;a href="https://www.youtube.com/channel/UCbg_kEJmt2F7arOmoDgcOwg/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/channel/UCbg_kEJmt2F7arOmoDgcOwg/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Uncovering Just the Tip of the Iceberg with Iigo Killin Em</title><link>https://dahiphopplace.com/uncovering-just-the-tip-of-the-iceberg-with-iigo-killin-em/</link><pubDate>Thu, 19 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/uncovering-just-the-tip-of-the-iceberg-with-iigo-killin-em/</guid><description>&lt;p&gt;Iigo Killin Em really knows how to make a song that makes you get all lost in the music. At least that&amp;rsquo;s how we started out with &amp;ldquo;DaMonster&amp;rdquo; featuring Eeks Stevedrive. It doesn&amp;rsquo;t overdo things, and has an attitude to it that really makes it this swagger filled gem. With Kingtoot by his side, Iigo Killin Em goes into &amp;ldquo;Pressure&amp;rdquo; with his head held high and kills it. It&amp;rsquo;s also a great song that people can really dig their teeth into on a personal level. We ease up with &amp;ldquo;Have Some Fun.&amp;rdquo; It isn&amp;rsquo;t too different from where we began, but there is a lighter sense to the track. Going out with a bang, &amp;ldquo;Likes&amp;rdquo; is simple in title, but it brings it throughout. It&amp;rsquo;s laid back approach is stellar. You don&amp;rsquo;t have to get all cray to have a good time. If you&amp;rsquo;re a fan of hip hop that doesn&amp;rsquo;t pull tricks, check out Iigo Killin Em. He has more where all this came from. (&lt;a href="https://soundcloud.com/mike-iigo-killin-em" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/mike-iigo-killin-em&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Radio Hour</title><link>https://dahiphopplace.com/the-radio-hour/</link><pubDate>Wed, 18 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-radio-hour/</guid><description>&lt;p&gt;The Radio Hour&lt;/p&gt;
&lt;p&gt;&lt;a href="https://theradiohour.com/" target="_blank" rel="noreferrer"&gt;https://theradiohour.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;ldquo;The Radio Hour,&amp;rdquo; is essentially Chicago artist Tim Hort. He has been performing live either to Chair and event he has organized as a fundraiser for local and international benefit, or he performs at venues with proceeds to a designated charity or community service, which is announced at eash show. Hort&amp;rsquo;s extremely personal material brings its own brand to the term &amp;ldquo;loneliness&amp;rdquo; while using pop hooks to keep your attention riveted on the melancolic lyrics. The line-up includes not only Tim Hort on vocals and guitar, but additional performances by guitarists Joe Griffin and Jordan Maracus, with Natan Britsch on bass, Sean Burke on drums, also Andy Swindler and Yeater on B3.&lt;/p&gt;</description></item><item><title>Souleye - Shapeshifting</title><link>https://dahiphopplace.com/souleye-shapeshifting/</link><pubDate>Sat, 14 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/souleye-shapeshifting/</guid><description>&lt;p&gt;&lt;a href="https://dahiphopplace.com/wp-content/uploads/2015/11/se5.jpg" target="_blank" rel="noreferrer"&gt;&lt;figure&gt;&lt;img
 class="my-0 rounded-md"
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 &gt;&lt;/figure&gt;
&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Souleye - Shapeshifting &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.souleye.net/" target="_blank" rel="noreferrer"&gt;https://www.souleye.net/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Souleye&amp;rsquo;s fourth full-length album, Shapeshifting, represents a quantum leap forward for this respected artist and performer. In the ten years having passed since his 2005 debut, Souleye has garnered considerable praise for his lyrical and rapping skills, but despite the uniform quality defining his career, each new release felt semi-shrouded with the whiff of even greater potential. Souleye has stood among the vanguard of the genre for a number of years, but his latest studio album Shapeshifting creates some daylight between him and his nearest contemporaries. Never before has Souleye written, recorded, and released such a well-constructed effort with every nuance seemingly attended to and deliberated over before documenting it for the album. Make no mistake, however, this is far from a sterile, over studied affair. There isn&amp;rsquo;t a single song on the album that sounds composed. Instead, the eleven tracks sound as if they emerged, full born, from Souleye, a moment of ephemeral inspiration luckily preserved for posterity.  &lt;/p&gt;</description></item><item><title>Finding the Balance with 2 Real</title><link>https://dahiphopplace.com/finding-the-balance-with-2-real/</link><pubDate>Fri, 13 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/finding-the-balance-with-2-real/</guid><description>&lt;p&gt;2 Real is a little Drake a little street. When hip hop meets that smooth R&amp;amp;B, it&amp;rsquo;s great. That&amp;rsquo;s exactly what I heard when I pressed play on Me &amp;amp; You.&amp;quot; With a touch of romance, this one flowed on point from start to finish. We stick with the romantics as we head into &amp;ldquo;Kissing On Your Body.&amp;rdquo; Here that streetwise feel is gone and we&amp;rsquo;re left with strictly vocals and good ones at that. They sound even stronger here. With that, we head back to the hip hop thanks to &amp;ldquo;Gone Twerk.&amp;rdquo; It&amp;rsquo;s even a bit ratchet at times; very aggressive at the start. Flipping back and forth between the two genres and sometimes blending them seamlessly is what artistry is all about. If you like that blend, check out 2 Real today! (&lt;a href="https://www.youtube.com/channel/UC46K8KykNtIqUnKRxnQ8KqA/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/channel/UC46K8KykNtIqUnKRxnQ8KqA/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Iceolated: Confidential Evidence 2</title><link>https://dahiphopplace.com/iceolated-confidential-evidence-2/</link><pubDate>Thu, 12 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/iceolated-confidential-evidence-2/</guid><description>&lt;p&gt;Young G aka Iceolated dropped a new mixtape called &amp;ldquo;Confidential Evidence 2&amp;rdquo; and it&amp;rsquo;s as dope as could be. Right out the gate Iceolated does it up with &amp;ldquo;G Thang.&amp;rdquo; Sampling one of Eminem&amp;rsquo;s best, &amp;ldquo;What You Done To Be&amp;rdquo; pays homage to the classic with the beat and the aggression in the delivery is on point as well. You can hear that the emcee is passionate about every word he spits out. With &amp;ldquo;Pretty Boy Swag&amp;rdquo; I was expecting a lighter tone, but instead that same angry vibe is going on.  Then with &amp;ldquo;My Best Friend&amp;rdquo; the tide changes with the music at least. All in all &amp;ldquo;Confidential Evidence 2&amp;rdquo; is a record that does not lack in the passion department. Iceolated is an emcee with a mission and he&amp;rsquo;s clear with it. Check him out now if you&amp;rsquo;re a fan of artists like Machine Gun Kelly. (&lt;a href="https://www.datpiff.com/TG-The-Beast-Confidential-Evidence-2-mixtape.720276.html" target="_blank" rel="noreferrer"&gt;https://www.datpiff.com/TG-The-Beast-Confidential-Evidence-2-mixtape.720276.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Looking Up with JLC</title><link>https://dahiphopplace.com/looking-up-with-jlc/</link><pubDate>Thu, 12 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/looking-up-with-jlc/</guid><description>&lt;p&gt;JLC is a good ol&amp;rsquo; Texas boy who said goodbye to an education when he had to find work to help out his family. After running into some trouble, he found the lord and now he&amp;rsquo;s spreading the word through gospel rap. In &amp;ldquo;For My Brothas and Sistas&amp;rdquo; he brings it like the rappers you&amp;rsquo;d hear on BET&amp;rsquo;s &amp;ldquo;106 and Park.&amp;rdquo; Really, while it&amp;rsquo;s a gospel rhyme, you wouldn&amp;rsquo;t unless you listened very closely. Which the lyrics are great and help with JLC&amp;rsquo;s mission to move people with music. You never know where life is going to take you, and for JLC - it took him down the wrong path for awhile but he had since found his way and is giving back through song. Check him out and support now. (&lt;a href="https://www.allaroundaag.com/" target="_blank" rel="noreferrer"&gt;https://www.allaroundaag.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>MaC Dee: Kim</title><link>https://dahiphopplace.com/mac-dee-kim/</link><pubDate>Thu, 12 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/mac-dee-kim/</guid><description>&lt;p&gt;MaC Dee&amp;rsquo;s &amp;ldquo;Kim&amp;rdquo; starts with a traditional intro and then goes into &amp;ldquo;What?&amp;rdquo; featuring Noble. It doesn&amp;rsquo;t have a traditional flow to it. The rhymes come out in this unstructured manner but it works. As the chorus rolls through, it&amp;rsquo;s like a mixture of monologues and music. With &amp;ldquo;On U&amp;rdquo; we get a bit of a funky meets R&amp;amp;B vibe with the music and because of that, the words come through in a finer manner than the last. The title kind of makes you expect it, but MaC Dee and Vanhook&amp;rsquo;s &amp;ldquo;Magical Woman&amp;rdquo; does have this magical touch in the beats used. Almost a throwback to &amp;rsquo;90s R&amp;amp;B for a second. Don&amp;rsquo;t adjust the volume when &amp;ldquo;Understand (Karma In Magnitude)&amp;rdquo; comes into play. It will start soon enough and when it does, you&amp;rsquo;ll have one of the best on &amp;ldquo;Kim.&amp;rdquo; In the end &amp;ldquo;Keep It Movin&amp;rsquo;&amp;rdquo; caps off the record with a &amp;rsquo;70s feel that MaC Dee makes come full circle back to the present day with his delivery. If you&amp;rsquo;re a fan of hip hop that plays well with classic R&amp;amp;B, check out MaC Dee&amp;rsquo;s &amp;ldquo;Kim,&amp;rdquo; out now. (&lt;a href="https://indy.livemixtapes.com/mixtapes/35767/mac-dee-kim.html" target="_blank" rel="noreferrer"&gt;https://indy.livemixtapes.com/mixtapes/35767/mac-dee-kim.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>"Criminal" by Jerad Finck</title><link>https://dahiphopplace.com/criminal-by-jarad-finck/</link><pubDate>Tue, 03 Nov 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/criminal-by-jarad-finck/</guid><description>&lt;p&gt;&amp;ldquo;Criminal&amp;rdquo; by Jerad Finck &lt;/p&gt;
&lt;p&gt;The first few notes of the title track &amp;ldquo;Criminal&amp;rdquo; by Jerad Finck were pleasant to listen to. Catchy enough to want to listen to more, the album progressed with intertwining, slightly ethereal sounds, and pleasantly refreshing introspective lyrics sung by a thoughtful and melancholic sounding singer and/or songwriter collaboration. &lt;/p&gt;
&lt;p&gt;The matter of fact tone to the singer&amp;rsquo;s quest to find the &amp;ldquo;good life&amp;rdquo; encourages those around him to not believe that the &amp;ldquo;good life&amp;rdquo; is living materialistically. As the song progresses it sounds as though he has meaningful alternatives for him and anyone paying attention to what he has to say, to follow and to further explore what a &amp;ldquo;good life&amp;rdquo; is. Additional insightful lyrics sung with seemingly equal amounts of hope, encouragement and a little disdain for the superficial pursuits in life, provides a good amount of depth. It has a nicely flowing rhythm as well. &lt;/p&gt;</description></item><item><title>Joe Cash Mahall: 2 Sides 2 Everything</title><link>https://dahiphopplace.com/joe-cash-mahall-2-sides-2-everything/</link><pubDate>Thu, 29 Oct 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/joe-cash-mahall-2-sides-2-everything/</guid><description>&lt;p&gt;Joe Cash Mahall&amp;rsquo;s latest mixtape &amp;ldquo;2 Sides 2 Everything&amp;rdquo; jammed packed with tracks so let&amp;rsquo;s get right to it. Sean Kyd hops on and helps out with the intro, &amp;ldquo;Long Time&amp;rdquo; and here we get a feel for what&amp;rsquo;s to come on the rest of this mix. &amp;ldquo;Moving&amp;rdquo; starts out subtle but then gets into the action as does &amp;ldquo;Heaven Knows,&amp;rdquo; only with a funkier beat. &amp;ldquo;The Message&amp;rdquo; takes us to the street and then we are taken aback by the cascade of talented friends Joe Cash Mahall has from Cory Jones to Tory Lanez. This is a mixtape for hip hop fans who are into acts like Big Sean because Joe brings it hard, but still can be fresh for the mainstream folks. Check out &amp;ldquo;2 Sides 2 Everything,&amp;rdquo; out now. (&lt;a href="https://indy.livemixtapes.com/mixtapes/35405/joe-cash-mahall-2-sides-2-everything.html" target="_blank" rel="noreferrer"&gt;https://indy.livemixtapes.com/mixtapes/35405/joe-cash-mahall-2-sides-2-everything.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Moze Makes His Move</title><link>https://dahiphopplace.com/moze-makes-his-move/</link><pubDate>Thu, 29 Oct 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/moze-makes-his-move/</guid><description>&lt;p&gt;Over in Clarksville Moze is doing it up and making you think. “Life Lesson” isn’t what I expected at at first but then the rhymes came through, but I will say that soulful intro was quite welcoming. It eased me into Moze’s smooth delivery that came not too long after. In “Midnight Drive” we get that same format, only the beat is what has this throwback sound to it. It’s not too far back, just to the ‘90s neo-soul movement. It sounds like a beat that Common would’ve used back when he was starting out. Hip hop fans will instantly recognize where he’s sampling from in “Divine Nectar” while “High School Graduation Night” gets a little too real and “Words of Wisdom” lays things down on a real level. If you’re a into hip hop that’s a little in between Nas and Fetty Wap, check out Moze now. This is just a handful of what this emcee has up his sleeve and we’ve barely begun to scrape the surface. (&lt;a href="https://soundcloud.com/so_moze" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/so_moze&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Baybay Proves He's Not Dead Weight</title><link>https://dahiphopplace.com/baybay-proves-hes-not-dead-weight/</link><pubDate>Mon, 26 Oct 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/baybay-proves-hes-not-dead-weight/</guid><description>&lt;p&gt;Out on the east coast in Virginia is an emcee by the name of Baybay. His name sounds young, but his sound is anything but. “Lifestyle Remix” sounds like it’d be something Lil Bow Wow would come up with back in the day when it starts off, but then it gets mature fast due to the language. It turns into something you’d find on a mix with Tyga. In “The New Me” it’s less of a mainstream sounding track than the last, but does have a sense of street smarts to it. Things take a hype turn as we enter “ROTLK.” What I like about this one that I’m sure listeners will too, the sick beat. That can be said of “Dead Weight” as well, but this one also has a great set of lyrics to go along with it. Last up, “Blunt Muzik” slows things down and brings a sense of old school to the table to end our time with Baybay. If you’re a fan of Tyga and Trey Songz, check out Baybay’s music - out now. (&lt;a href="https://www.reverbnation.com/baybayakafreakyty" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/baybayakafreakyty&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Real with Rox Ran</title><link>https://dahiphopplace.com/get-real-with-rox-ran/</link><pubDate>Wed, 14 Oct 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-real-with-rox-ran/</guid><description>&lt;p&gt;While rappers like Machine Gun Kelly attack the stage with a rapid fire pace, his fellow Ohio emcee Rox Ran, does it with ease. “G shit” sounds like a rhyme you’d hear on the urban version of “Sesame Street.” Not because this is a light and airy hip hop joint, but because of the repetition of it being the seventh letter in the alphabet. Moving on, “Brown Eyed Girl” takes away from that and leads us into a place that has this modern rap feel. There’s something experimental about the beat that makes it stick out. “How Bad Do You Want It” starts with a real ‘70s AC vibe. The music has an elegance to it and then Rox Ran comes in with this chilled but in command delivery. It sounds like something Nas would release. We stay on that same page as head into “She Rollin’ Up” only we take a turn on the sensual side of the road. Last up is “Lights, Camera, Action.” Here I thought we’d end on this hype track, instead we have a laid back feel intertwined with an upbeat rhyme game. If you’re a fan of hip hop that’s well executed when it comes to the beats and the rhymes being in tune, check out Rox Ran now. (&lt;a href="https://www.reverbnation.com/roxran" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/roxran&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Tosspints - The Privateer</title><link>https://dahiphopplace.com/the-tosspints-the-privateer/</link><pubDate>Wed, 14 Oct 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-tosspints-the-privateer/</guid><description>&lt;p&gt;&lt;a href="https://dahiphopplace.com/wp-content/uploads/2015/10/tp9.jpg" target="_blank" rel="noreferrer"&gt;&lt;figure&gt;&lt;img
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&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The Tosspints - The Privateer&lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/thetosspints" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/thetosspints&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Saginaw, Michigan folky, post-punks bring a lot of sweat, dirt and fire on their fourth release The Privateer. Much akin to the legendary Ian Anderson, the trio focuses on downhome themes that are deeply rooted to the life of farming, hard living off the land and a life spent away from society. There is a deep need for folk of this nature as the genre has seemingly dried up since the 70s with indie creeping into the mix, and souring up the authenticity of the style tenfold. The Tosspints bring the sound back to the roots while incorporating liberal amounts of rock n’ roll into the brew for a kind of sound that will have you have puckering up your lips in no time flat!&lt;/p&gt;</description></item><item><title>It's All a Balancing Act with Canton's Cali</title><link>https://dahiphopplace.com/its-all-a-balancing-act-with-cantons-cali/</link><pubDate>Wed, 07 Oct 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/its-all-a-balancing-act-with-cantons-cali/</guid><description>&lt;p&gt;Learning to balance things is something not everyone can do. That is not the case for Canton’s Cali. The drawn out intro to “Don’t Deserve” builds up a sense of dramatics, and then he comes in with this demure touch of passion. You think he’s mad at the world, but he’s really mad himself for messing up what he had with someone he cared about. It’s quite an interesting track. In “Underground” we get a similar start, but then when Cali comes in he’s less about the sadness and more about creating a track that the gang would get down on when cruising around in the whip. As soon as that one’s said and done, we head back to the emcee who packs a lot of emotion into his rhymes thanks to “You Really Just Loved Me.” If Cali ever wanted to switch it up and leave hip hop to pursue R&amp;amp;B, he could. He has a good set of pipes on him but for now the balance between rapping and singing works well for him. We remain on this singing kick into “Memory in June” and overall this one is his best vocal performance. He hits all the marks as we head into our last one with him, “What I’m All About.” This last joint has a bit of an ‘80s feel in the beat, but the rhymes break that apart and we end on a rapper’s delight. If you’re a fan of emcees who can also bust out a heartfelt track or two, check out Cali now. (&lt;a href="https://soundcloud.com/calvinjamescriss" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/calvinjamescriss&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Keeping it Smooth with PercyT</title><link>https://dahiphopplace.com/keeping-it-smooth-with-percyt/</link><pubDate>Tue, 06 Oct 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/keeping-it-smooth-with-percyt/</guid><description>&lt;p&gt;Illinois has a couple big places on the map, but PercyT is hoping to put Harvey on it in a big way. “Patron” is the way to start the party, right? Whether it’s the kind you sip or take in through your ears through a track. Here PercyT gives us a smooth musical taste of the drink and it’s definitely an homage to the pricey beverage. With “Under Pressure” he goes for a freestyle manner and what I love about this one is that it feels so in the moment. He’s the only one to focus on, those dagger like rhymes that come out with a honest force. We then head back into a more formal track with beats and planned out lines with “Amazing.” A chill track leads us into one with more bite in its step.” Hustlin’” is the song you want to come on when you’re out to get things going. Then we calm down and end this journey with “Put It Down.” It’s a calm ending to a ride that had us all over the place. If you’re a fan of hip hop that’s chill but has bursts of hype, check out PercyT today. (&lt;a href="https://www.reverbnation.com/2wenty_thr33" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/2wenty_thr33&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Winning with Mtell Tha BreadWinner</title><link>https://dahiphopplace.com/winning-with-mtell-tha-breadwinner/</link><pubDate>Tue, 06 Oct 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/winning-with-mtell-tha-breadwinner/</guid><description>&lt;p&gt;Mtell Tha BreadWinner is all over the place, in the best way. “Never Called” gets right to the action. The lyrics come fast, while the beat sits back and lets the rhymes take center stage. Charlez Angels and Mocha hop onto “For Everybody” for a chill but attitude driven track that comes across like a shady mix. Mtell Tha BreadWinner likes to keep his friends close, especially the ones who can do it up. That&amp;rsquo;s why he has Mack Skeezy on &amp;ldquo;Came Off the Corner.&amp;rdquo; This one plays well with the ears. It&amp;rsquo;s like a song you&amp;rsquo;d hear over and over at house parties because it has this upbeat feel and a sick beat that makes it a song you can get lost in, singing along. With &amp;ldquo;For My City&amp;rdquo; we&amp;rsquo;re introduced to a track that would take us from the crib to the club. This one even has a hook that allows itself to become a dance craze; hustle, hustle, hustle. We then get a bit experimental with &amp;ldquo;PlayWay Every Day.&amp;rdquo; The beat here is scattered, and doesn&amp;rsquo;t follow a clear path. What is great is that it makes for an eccentric listen. From a local chill session to the night life, Mtell Tha BreadWinner is there for every moment. If you’re a fan of emcees who can bring it in the traditional manner, but who also take chances here and there, check him out now. (&lt;a href="https://soundcloud.com/mtell-tha-breadwinner" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/mtell-tha-breadwinner&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Go All in with Hafi</title><link>https://dahiphopplace.com/go-all-in-with-hafi/</link><pubDate>Thu, 01 Oct 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/go-all-in-with-hafi/</guid><description>&lt;p&gt;With new music on the horizon, there’s no stopping Hafi. “Mad Love” featuring Delaney Armstrong is a great track to start this off with. He brings this quick approach to the table while she settles things down with her soulful voice. The idea of “Ride or Die” has been big in hip hop and life for a long time. It’s like this Bonnie and Clyde mentality; always being there for the one you love. While that’s the basis, Hafi doesn’t get all romantic with it. He gives it a street feel. “Arisen” takes us from that to a beat that is a little dancey. It’s not as hard as the track that preceded it, more laid back all around. We go back to the rapid ways with “Top of the World (T.O.W.).” What I like about this one is that it’s the type of song that has no face. Anyone could relate to this one, because at some point in their life they’ll feel like they’re on the top. Last up is “Matter of Time (Monster),” and we’re ending on a high note. This one, along with “Mad Love,” would be the ones I took to radio and the masses if I were Hafi. He’s got the chops, now it’s time you check him out. Don’t forget to check out his latest, “Ashes to Ashes,” that just just dropped September 30. (&lt;a href="https://www.facebook.com/hafimusic/timeline" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/hafimusic/timeline&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get More with Moe Music</title><link>https://dahiphopplace.com/get-more-with-moe-music/</link><pubDate>Wed, 30 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-more-with-moe-music/</guid><description>&lt;p&gt;Moe Music started putting up his beats only a year ago, and already has enough to make true fans out of the masses. “Lonely” has a kickback beat that’s teamed with this great use of autotune. It’s one of those songs where the hook lives long after the track is said and done. With Krazi Money by his side, the put together “Money.” It’s all about the currency at hand, but what’s notable here is that it sounds laid back but at times it has these bursts of energy. Then we go to the other side of things and slow it down immensely with “Unspoken.” What I liked about this one was the calm and easing feel of it all. Then we hope onto the train and head into a bit of darkness with “Bloody Nightmares.” Visually, I thought this one would be scarier, but instead it wasn’t too different than what we’d heard from Moe Music so far. I would’ve liked if this one delivered a chilling vibe. If you’re a fan of hip hop that takes you from one extreme to another with the push of a button, check out Moe Music now. (&lt;a href="https://www.youtube.com/channel/UCjFRwYs4_MODgoZ3BI9wHSw/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/channel/UCjFRwYs4_MODgoZ3BI9wHSw/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Finesse of Lil Izz</title><link>https://dahiphopplace.com/the-finesse-of-lil-izz/</link><pubDate>Wed, 30 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-finesse-of-lil-izz/</guid><description>&lt;p&gt;Over in Ohio rappers like Machine Gun Kelly are bringing things at a rapid fire pace, but then there are emcees like Lil Izz who prove you can take it nice and slow and still get the job done. We start out the gates fast with “Run It” featuring Lotto. Here we get a radio ready track right off the bat. It plays with traditional hip hop beats and intertwines them with this light autotune. In “Blew My Mood” continues on the hot streak. It’s clear that Lil Izz has his sights set on being on the level of the Chris Browns and Big Seans out there. Heading into “That Bitch” it’s a little rough as far as wording, but the music and beat stays true to what we’ve come to establish is this rising star’s style. Then just like that, Lil Izz pulls the charm out with “Only Us.” That continues with “Hold That Down.” If you’re a fan of hip hop that comes with a sense of swagger and finesse, check out Lil Izz ASAP. (&lt;a href="https://soundcloud.com/dinerofinesse" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/dinerofinesse&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Chris Sabatino - Maybe Not This Time</title><link>https://dahiphopplace.com/chris-sabatino-maybe-not-this-time/</link><pubDate>Tue, 29 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/chris-sabatino-maybe-not-this-time/</guid><description>&lt;p&gt;&lt;a href="https://dahiphopplace.com/wp-content/uploads/2015/09/SAB1.jpg" target="_blank" rel="noreferrer"&gt;&lt;figure&gt;&lt;img
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&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Chris Sabatino - Maybe Not This Time&lt;/p&gt;
&lt;p&gt;AMAZON: &lt;a href="https://www.amazon.com/Maybe-This-Time-Chris-Sabatino/dp/B00YDF981A" target="_blank" rel="noreferrer"&gt;https://www.amazon.com/Maybe-This-Time-Chris-Sabatino/dp/B00YDF981A&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;From small town Ohio, Chris Sabatino sounds like a man on a mission on his debut EP, Maybe Not This Time. He certainly draws a lot of inspiration from old country artists as well as blue-collar rockers like Mellencamp and Petty. The tunes are held together with acoustic guitars, electric leads, standard time-keeping and Sabatino’s rough voice and down and out lyricism. Thank goodness he’s not coming from that modern line of country where rap and pop take over the grit of the songwriting.&lt;/p&gt;</description></item><item><title>Getting It In with Yung Chief</title><link>https://dahiphopplace.com/getting-it-in-with-yung-chief/</link><pubDate>Tue, 29 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/getting-it-in-with-yung-chief/</guid><description>&lt;p&gt;Nashville is known for making the greatest Country out there, but Yung Chief is proving they have some hip hop to share too. “Getn It In” finds a balance between a nice radio track and a gritty beat you’d hear in the hood. It’s got a great hook that won’t quit. We head more towards a Mystikal feel with “Work.” There’s a chaos found within this one&amp;rsquo;s confines that will make heads spin, in a good way. In “Bounce It” we’re still in that hectic vibe. It’s clear that Yung Chief likes to create tracks that ensure a hype time out. Just as soon as you think you’ve got a grasp on this guy, he calms it down with “Cali Life.” Being true to the Golden State, this one’s a chill zone. Lastly, “Pissed Off” ends things on a high note with a lot of rage intertwined with energy. It’s a great one that would get a club hopping. If you’re a fan of gritty hip hop from the south, check out Yung Chief today. (&lt;a href="https://www.reverbnation.com/2thickrecordsyungchief" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/2thickrecordsyungchief&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Jeremy Porter and the Tucos - Above the Sweet Tea Line</title><link>https://dahiphopplace.com/jeremy-porter-and-the-tucos-above-the-sweet-tea-line/</link><pubDate>Tue, 29 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jeremy-porter-and-the-tucos-above-the-sweet-tea-line/</guid><description>&lt;p&gt;Jeremy Porter and the Tucos - Above the Sweet Tea Line&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.thetucos.com/" target="_blank" rel="noreferrer"&gt;https://www.thetucos.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;As an album, it’s hard to gauge just exactly what kind of record Above the Sweet Tea Line is. Jeremy Porter and the Tucos don’t allow for easy interpretation and mix up their tunes quite frequently, maintaining a heavy emphasis on rock while allowing many other flavors to seep into and steep their specialized potion into something bewitching and alternative.&lt;/p&gt;</description></item><item><title>Bum Squad's Ziggy B</title><link>https://dahiphopplace.com/bum-squads-ziggy-b/</link><pubDate>Fri, 25 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/bum-squads-ziggy-b/</guid><description>&lt;p&gt;Ziggy B is part of the Bum Squad and what he brings is a mixture of chills and risks. “Wraith” has this conversational aspect to it. The flow isn’t one you’d hear in the club, or even at a party but rather on a mixtape as a hidden gem. We’ve uncovered it early in the game. Now moving onto “Friday” Ziggy brings Fat Ray and Travy onboard and together the three bring this chilled track to life. Fat Ray is back with him on “Use.” This one builds up some suspense at the start and it’s here that we hear for the first time something I would consider ready for the radio. Last up, “Sanctuary” with R-Jizzle let’s us end on a high note. That suspense from the last continues on here and we’re welcomed into a world that has a bit of a nightmarish feel. I take it back, this is the radio hit of the one. It has the most life to it. If you’re into hip hop that takes risks at times but can be chill the rest of the time, check out Ziggy B today. (&lt;a href="https://soundcloud.com/bumsquad" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/bumsquad&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>100gran Wants to Prove He's The One</title><link>https://dahiphopplace.com/100gran-wants-to-prove-hes-the-one/</link><pubDate>Tue, 22 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/100gran-wants-to-prove-hes-the-one/</guid><description>&lt;p&gt;North Carolina just got a little hotter with 100gran’s rhymes. “The One” isn’t what I expected. It’s this chill hip hop that makes you sit back and take in every ounce like water on a hot day. Then we head into “9 in My Hand.” It brings the energy levels up a bit, relying on the pace of the lyrics being spit more so than the beat. In “Queen City” 100gran takes us for a ride with this explicit journey. Like “9” this one is all about following the words - at first. Then the beat comes through strong and both flow together nicely. We take things back to the chill zone with “Lil Weezy.” As “One By One” takes us to the end with a sensual beat. If you’re a fan of hip hop that finds the balance between taking it easy and bringing it hard, check out 100gran today. (&lt;a href="https://soundcloud.com/cuttaman100gran" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/cuttaman100gran&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Kapitol HP: Head of State</title><link>https://dahiphopplace.com/kapitol-hp-head-of-state/</link><pubDate>Tue, 22 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kapitol-hp-head-of-state/</guid><description>&lt;p&gt;Kapitol HP’s “Head of State” is a hip hop record that is the soundtrack for a night out from the homie’s house to the club and back again. The title track kicks this record off with a note and then gets into the music that would be the soundtrack to any block party. “Steady Hustle” brings to life a similar vibe from the last while “2 for Me” featuring EnCrowd G is more like a song you’d hear if Chris Brown teamed up with the likes of Tyga. Kapitol HP brings what he declares a “strip club anthem” to the table, or rather stage, with Bryan Jones. Together they’ll make booties clap with “Face Down.” From the ladies on the stage to “Diamond Girl,” this song sounds like it could still be be the perfect fit for a gentlemen’s club down in Atlanta. Last up is “Looking in the Mirror.” Here we’re given a more in your face approach to hip hop. Kapitol HP is on the hunt in this one. If you’re a fan of the St. Louis rap scene, check out its rising Kapitol HP’s “Head of State,” out now. (&lt;a href="https://kapitolhp.bandcamp.com/album/head-of-state-3" target="_blank" rel="noreferrer"&gt;https://kapitolhp.bandcamp.com/album/head-of-state-3&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Jackson Myers: Underprivileged</title><link>https://dahiphopplace.com/jackson-myers-underprivileged/</link><pubDate>Fri, 18 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jackson-myers-underprivileged/</guid><description>&lt;p&gt;Jackson Myers’ “Underprivileged” is not what I expected, but it definitely exceeded expectations. “Lyons Square Park” starts with this ominous intro that goes straight into a reality charged outlook on life. You don&amp;rsquo;t get the artist but the man Myers really is with this. With &amp;ldquo;Jordans On A Saturday&amp;rdquo; featuring aReJay Ella, it&amp;rsquo;s not what I expected. I thought based solely on the title that this would be a lighthearted track about some kicks. Instead it is a passion fueled piece broken apart by Ella&amp;rsquo;s bursts of soul. The music takes a break with &amp;ldquo;Taking Names&amp;rdquo; as it&amp;rsquo;s a well spoken track. Then we&amp;rsquo;re back with the chilling &amp;ldquo;Heavy Metal Rally,&amp;rdquo; while we close out with &amp;ldquo;Villania/In My Time Of Dying.&amp;rdquo; The last track brings us full circle with a sense of elegance throughout. Those into social hip hop will want to check out Jackson Myers&amp;rsquo; &amp;ldquo;Underprivileged,&amp;rdquo; out now. (&lt;a href="https://soundcloud.com/jacksonmyerslives" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/jacksonmyerslives&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Miami's Own Ms. Keshion</title><link>https://dahiphopplace.com/miamis-own-ms-keshion/</link><pubDate>Thu, 17 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/miamis-own-ms-keshion/</guid><description>&lt;p&gt;Ms. Keshion may call Miami home, but her sound sounds like it’s coming from the streets of New York. “Girl to Woman” is a coming of age tale done in a hip hop manner. Every little girl is going to grow up and this is an anthem for that. From Barbies to being grown. The hook shouting out the popular doll is on point. In “Breaking Down” we’re far from where we started. While the first could be likened to something Lil Mama would push out, this one really does sound like the woman of the equation from the first. This track showcases a sense of maturity. Lastly, “Nobody Had Faith” kind of takes the girl and the woman and meets in the middle. The beat has a hint of a youthful presence but Ms. Keshion’s vocals are coming through like a grown woman should. If you’re a fan of artists like Lil Kim and Trina, check out Ms. Keshion. (&lt;a href="https://www.reverbnation.com/mskeshion" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/mskeshion&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>S$treetz (On Da Beatz) Shows A Lot of Heart</title><link>https://dahiphopplace.com/streetz-on-da-beatz-shows-a-lot-of-heart/</link><pubDate>Thu, 17 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/streetz-on-da-beatz-shows-a-lot-of-heart/</guid><description>&lt;p&gt;Out in the Midwest S$treetz (On Da Beatz) is doing his best with his rhymes. “Wave 2 Me” featuring Kabrina is where we start off and it’s on this slow ride that this journey gets going. The lead in is long and sounds like you’re floating down a hall of smoke, like in a dream. Things don’t pick up when S$treetz comes in but his vocals are crisp and intertwined with the effects, this is one stellar track. “Once We Leave the Bar” could go in a number of directions but the one we traveled is a hype track that makes you move in an instant. It’s definitely a hook up anthem. From hooking up to breaking up, “Words from a Broken Heart” really flips the script from the last. It’s clear he’s lost a love, but he’s not taking the woe-is-me route, but instead staying strong in this track that intertwines spoken word with hip hop well. With “I Care About You” we’re welcomed by a faint vocal performance that grows in strength as the track plays on. When S$treetz (On Da Beatz) comes in, he really tells a tale you’d want to hear on repeat. If you’re a fan of hip hop that has heart, check out Ohio’s S$treetz (On Da Beatz) now. (&lt;a href="https://soundcloud.com/StrzBtz%29" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/StrzBtz)&lt;/a&gt;.&lt;/p&gt;</description></item><item><title>Emily Gold – Recluse</title><link>https://dahiphopplace.com/emily-gold-recluse/</link><pubDate>Tue, 15 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/emily-gold-recluse/</guid><description>&lt;p&gt;Emily Gold – Recluse&lt;/p&gt;
&lt;p&gt;I-TUNES: &lt;a href="https://itunes.apple.com/us/album/recluse/id1004052092" target="_blank" rel="noreferrer"&gt;https://itunes.apple.com/us/album/recluse/id1004052092&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;You can count Emily Gold as the most enticing new artist you haven’t heard in 2015. Okay, maybe somehow through some social channel you’ve stumbled upon her music, but the chances are low with the only release to date being an EP. Emily is on the cusp of releasing her first full-length, &lt;em&gt;Recluse&lt;/em&gt;, and this is real music with real feeling and emotion. It’s not orthodox, though it does owe somewhat of a debt to many great bands of yore (Low, My Bloody Valentine, Swervedriver, Pink Floyd, Portishead), but it’s completely original even when stacked up against those legendary artists.&lt;/p&gt;</description></item><item><title>Attacking Rhymes with That boi Cross</title><link>https://dahiphopplace.com/attacking-rhymes-with-that-boi-cross/</link><pubDate>Thu, 10 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/attacking-rhymes-with-that-boi-cross/</guid><description>&lt;p&gt;Having performed in Miami this month, That boi Cross is an emcee who comes at you like a shark attack. His boy DJones acts as the Nate Dogg like anchor in his “Stand Up In It” as he gives you line after line of a hit in the making. He sounds a bit like a young Ice Cube. In “Free Fall” DJones is back again and this time the two are giving a sense of hope as That boi tells his tale of where he’s been and where he plans on heading in his career. On his own, this emcee can still kill it. “And Then I” gives a song dudes will love and try to recreate. If you’re a fan of Cube, make sure to check out what That boi Cross is working with now. He’s a rising star that’s about to break. (&lt;a href="https://www.thatboicross.com/home-1.html" target="_blank" rel="noreferrer"&gt;https://www.thatboicross.com/home-1.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Hiigh Society: "Finesser"</title><link>https://dahiphopplace.com/hiigh-society-finesser/</link><pubDate>Thu, 10 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/hiigh-society-finesser/</guid><description>&lt;p&gt;Hiigh Society’s track “Finesser” has blockbuster written all over it. “Finesser” sounds like a song you’d hear at the start of a movie like “Fast and Furious.” It has this strong grasp right at the start with a haunting overtone. Honestly, that intro is the best part, but as the song continues on - you can see how movie makers would be able to break it apart and use different aspects at different parts of the film, be it a party, a meeting and the climactic parts. If this is just the start of what Hiigh Society is capable of, then stay tuned for more - most definitely. (&lt;a href="https://www.youtube.com/watch?v=umN31jLE" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=umN31jLE&lt;/a&gt;_f8)&lt;/p&gt;</description></item><item><title>All the Feels with Bunka Loyalty</title><link>https://dahiphopplace.com/all-the-feels-with-bunka-loyalty/</link><pubDate>Wed, 09 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/all-the-feels-with-bunka-loyalty/</guid><description>&lt;p&gt;Alabama has a lot of history running through it, but it’s time to focus on the present with Bunka Loyalty. “Patience” takes its time and comes through very stern. It’s like the father of the bunch. It commands your attention with very little effort. You’ll be drawn to it in an instant. In “Thank Ya” Bunk still takes him time, but there is a little more pep in this one’s step. It sounds like if you took Busta Rhymes down a notch. Fly Guy comes through with him on “It Hurts” and together these two raise the bar. It continues to rise as “No Feelins” comes through hard as hell. Whenever an emcee has a vibe that makes you think you’d be committing a crime if you were turn the track - that’s when you know that artist has complete control over what they’re doing. If you’re into rappers like Busta and The Game, check out Bunka Loyalty now. (&lt;a href="https://www.facebook.com/bunka5150" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/bunka5150&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>B.u.D. Brings Reality to the Burbs</title><link>https://dahiphopplace.com/b-u-d-brings-reality-to-the-burbs/</link><pubDate>Wed, 09 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/b-u-d-brings-reality-to-the-burbs/</guid><description>&lt;p&gt;B.u.D. comes from the mean streets of Santa Clarita. No, that is a beautiful area north of LA that is void of graffiti, but this emcee is bringing a sense of reality to the place that looks like a scene out of “Leave it to Beaver” with his rhymes. “Stranger In My Hood” starts off in a way that one would think this ambient rock song was going to start - something on the lines of Muse. Instead that theatrical intro continues as the backdrop to a clear cut hip hop track. Now that we know what is expected, “Hypocrite (Waves)” comes through with some ease. This time the delivery it taken down a notch. While in “Bottles” the beat strays away from that drama and is like club music, but the lyrics are laid back. The imagery set with just the first seconds of “Rainy Streets” cools the mind and puts you at ease. Last up, “Ocean Floor Kisses” continues to create this elegant imagery, and the music is easygoing while B.u.D. comes across with a bit of urgency in his words. If you’re a fan of artists like Mac Miller and Tyga, check out B.u.D. now. (&lt;a href="https://soundcloud.com/b" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/b&lt;/a&gt;_u_d23)&lt;/p&gt;</description></item><item><title>Chill with TDH</title><link>https://dahiphopplace.com/chill-with-tdh/</link><pubDate>Wed, 09 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/chill-with-tdh/</guid><description>&lt;p&gt;Over in Ohio, TDH is doing it up for the world. “Sometimes” starts this off and it has great lyrics and a beat that gets you hyped quick. With all that’s going on in the news with “Black Lives Matter,” this is a great track to hear. Things are more or less the same with “Something Has to Be Done.” Instead of being energetic though, this one plays on the drama of the operatic vibe that starts it out and can be heard throughout. The topic continues to be talked about in “Venting” and this one sits between the two. It’s not as theatrical as the last, but not as upbeat and the first. We step back into some older tracks and get away from the social issues with “Cold Summer.” In this one, you just have a track that would get you riled up because it sounds like something a NFL player would hear to get pumped for his game. Note, that Hannah Montana reference that does through you for a loop. If you’re a fan of hip hop that can let loose, but also has something to say about what’s going on in this world - check out TDH ASAP. (&lt;a href="https://soundcloud.com/TDH" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/TDH&lt;/a&gt;_CTMG)&lt;/p&gt;</description></item><item><title>Staxkz: Separation Anxiety</title><link>https://dahiphopplace.com/staxkz-separation-anxiety/</link><pubDate>Wed, 09 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/staxkz-separation-anxiety/</guid><description>&lt;p&gt;Staxkz’s “Separation Anxiety” mixtape is jam packed. “Educated Ignorance” starts the record off with a blast. Without seeing what this emcee looks like, you can hear a since of youth in his voice. Not in a way that he is all about fun, but just he has a young sound like he’s in the same game as Tyga and Drake. The title track starts off a little funky, but in a good way. It kind of just sits in the middle, but “I Know” gives off an energy that’s electric. In a way that Drake would kickstart a track, Staxkz plays on a laid back club feel to get this party started. This one has radio written all over it. He’d be smart to take this one to the masses. The same can be said of “The Long Way” and “Gone Ham” featuring his boy B Lanes. As the record progresses, you hear highs and lows from Staxkz and get into some aggression here and there, like with “Who With Me.” “Separation Anxiety” is a versatile hip hop record that should be on your “must listen” list at the top. So note that and check out Staxkz now. (&lt;a href="https://www.datpiff.com/StaXkZ-Seperation-Anxiety-mixtape.450855.html" target="_blank" rel="noreferrer"&gt;https://www.datpiff.com/StaXkZ-Seperation-Anxiety-mixtape.450855.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Tito Glenn's Anger Management</title><link>https://dahiphopplace.com/tito-glenn/</link><pubDate>Wed, 09 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/tito-glenn/</guid><description>&lt;p&gt;Tito Glenn is a man with a chip on his shoulder and he’s getting it off through sound. “I Like That” kicks off this journey with exact precision. Tito wastes no time getting to business. He comes in hard, but eases up to delivery a mid-tempo track that stays in the middle lane. He then slows it down with “What I Do.” Lyrically this guy comes through with a realistic approach, never relying on a fantasy, but what he’s experienced like in “Like You.” He sounds like a young Eminem in “I Know You Hate Me” not only because of the vocals but because of the anger present in the delivery. Music is often a release for those who make it, and it’s clear that Tito is a man with a lot bottled up inside. So open up and check out Tito Glenn if you’re into hip hop that has a lot of angst inside. (&lt;a href="https://soundcloud.com/titoglenn" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/titoglenn&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Frankie Pyro Sets a Fire</title><link>https://dahiphopplace.com/frankie-pyro-sets-a-fire/</link><pubDate>Tue, 08 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/frankie-pyro-sets-a-fire/</guid><description>&lt;p&gt;Frankie Pyro is all about the balancing act. “Nietzsche (Interlude)” is where we begin and it’s this monologue of sorts that’s short and to the point, not delivered by the artist at hand. Then we get into “Sour Patches.” This one has a Common feel to it. The lyrics and beat have a mission, one that’s more about informing than entertaining. In “Phoenix” things take an aggressive turn. It’s not a harsh beat, but rather the lyrical delivery. You can hear the anger in every line. We head back to the laid back ways with “European Poverty” while “Thoughts at 5am” sounds like such. When it’s that early, or late depending on how you look at it, thoughts are random and come out in a bit of a ramble. That’s what this song sounds like, so it’s perfectly titled. If you’re a fan of Common but also have a love for the harder stuff, check out Frankie Pyro now. (&lt;a href="https://soundcloud.com/frankie-pyro" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/frankie-pyro&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Busy with King Bizzie</title><link>https://dahiphopplace.com/get-busy-with-king-bizzie/</link><pubDate>Tue, 08 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-busy-with-king-bizzie/</guid><description>&lt;p&gt;King Bizzie sounds like a man with a plan. “All These Problems” has an epic intro that makes you sit on the edge of your seat - like what’s about to start. What comes through is an intense delivery of strong words and imagery. D. Blake comes on and out for “Still I Rise.” Together they make a song that’s a great balance of R&amp;amp;B and hip hop. It sounds a little like Sisqo on a rap track. With “Be the Man” Bizzie is as aggressive as where we started, but there’s a life lesson within these walls. In “Gettin’ Benjamins” he sounds a little like DMX on a chill pill - no barking, just a gruff delivery. Lastly, “Unwind the Twine” ends on a high note. The beat here is like one you’d hear in the club, but not in some mainstream Pitbull - this one remains street without crossing into the mainstream. If you’re a fan of hip hop that’s all meat with a lot of heat, check out King Bizzie right now. (&lt;a href="https://www.reverbnation.com/kingbizzie7" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/kingbizzie7&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Stack It Up with So Wavy TB</title><link>https://dahiphopplace.com/stack-it-up-with-so-wavy-tb/</link><pubDate>Tue, 08 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/stack-it-up-with-so-wavy-tb/</guid><description>&lt;p&gt;So Wavy TB comes from the east coast, but his style sounds a little west with some Florida in it. “We Stack It” has a great beat. It’s one you’d hear at a kickback, one that makes everyone sing along in a way that’s not too hype, but keeps things light and fun. Speaking of fun, “Don’t Need Wings to Fly” really takes us to another place with So Wavy TB. Here the island feel is strong and that gangsta’ vibe from where we started floats away with ease. We head back to the street with “Like Me.” It’s interesting to see how versatile this emcee is. With “100 Million Miles” he lays it down slow and the pace plays like a sing-song version of a hip hop track. It’s clear that So Wavy TB knows his way around a rhyme, but he just needs to settle on where he wants to be, the street, the island or both. If he’s going to spit out some Sean Kingston, he needs to put more into it and offer up more like that. If you’re into this, check out So Wavy TB today. (&lt;a href="https://soundcloud.com/so-wavy-tb" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/so-wavy-tb&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Come Towards the J. Light</title><link>https://dahiphopplace.com/come-towards-the-j-light/</link><pubDate>Mon, 07 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/come-towards-the-j-light/</guid><description>&lt;p&gt;J. Light is an emcee who illuminates with sweet sounds. We’re kicking this off right with “Where the Party At” featuring D. Cannons. Instead of this over the top party anthem, this one is more laid back and chill. It’s got a sensual feel to it. Vidal Garcia hops on “Bad Behavior” to help out with the track that will have all the ladies on the dance floor dancing and shaking in a manner that will leave men weak in the knees. “Keep It On the Real” has this old school R&amp;amp;B feel to it right off the bat that is welcoming, while “Showcase” gives us a real hip hop laced track. While the rest up until this point have has this laid back feel, this one goes street on us. If you’re a fan of emcees who give it to you with a bit of sensual thuggery, check out J. Light ASAP. (&lt;a href="https://www.youtube.com/user/carlos102395/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/user/carlos102395/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Jillian Speer – Daggers &amp; Suede</title><link>https://dahiphopplace.com/jillian-speer-daggers-suede/</link><pubDate>Fri, 04 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jillian-speer-daggers-suede/</guid><description>&lt;p&gt;Jillian Speer – Daggers &amp;amp; Suede&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.jillianspeer.com/" target="_blank" rel="noreferrer"&gt;https://www.jillianspeer.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;From Los Angeles (originally from Seattle) comes a fresh female artist known as Jillian Speer who just released her latest 6 track EP release “Daggers &amp;amp; Suede” I always listen to the opening track extremely carefully. It’s the opening track the artist has selected to hit your ears first and foremost. The opening Tracy Chapman remake “Fast Car” sets the stage rather well for a gripping/polarizing CD like this. I happen to love dark and slow moving melancholy music that doesn’t try to hard to win you over. That’s how I would describe the title track. It was an emotionally gripping intro piece that stuck in my head and had me eager for what was ahead. All in all the whole EP is brilliantly delivered with a richly woven textures with songs that go far deeper than the next artist. Music will remind you of Tracy Chapman, Mary Black, Joan Osborne and Paula Cole. To be honest I can’t say enough about Speer and her overall appeal (visual and vocal) and sound. Here’s a few lines from her bio: Originally hailing from north of Seattle, the singer-songwriter Jillian Speer grew up with music as an integral part in of her life from an early age. Ballet, Tap, Jazz and Modern Dance classes that started at three years old instilled the work ethic for perfection. At nine years old she began vocal lessons and at ten years old she began training in classical guitar. Writing songs, dance class, competitions, guitar recitals, intensive summer arts camps, and performing in local musicals best describes her school years until she turned 16 and spent a school year in India. That year was an experience that would deeply affect her life as well as influence her music. Upon her return to the states, the then 17 year-old began recording with world music producers and finished schooling. But the Pacific Northwest could only contain Jillian for so long and she moved to Los Angeles.  She began performing solo shows and recording her first album. As she continued building her fan base in LA, a great amount of buzz was growing about this new arrival to the city of angels.&lt;/p&gt;</description></item><item><title>Jupiter in Velvet - The World Didn’t Start With U</title><link>https://dahiphopplace.com/jupiter-in-velvet-the-world-didnt-start-with-u/</link><pubDate>Wed, 02 Sep 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jupiter-in-velvet-the-world-didnt-start-with-u/</guid><description>&lt;p&gt;&lt;a href="https://dahiphopplace.com/wp-content/uploads/2015/09/jiv3.jpg" target="_blank" rel="noreferrer"&gt;&lt;figure&gt;&lt;img
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&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Jupiter in Velvet - The World Didn’t Start With U&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.jupiterinvelvet.com/" target="_blank" rel="noreferrer"&gt;https://www.jupiterinvelvet.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;No clichés. It’s too easy to say that youth will have its way and point to Jupiter in Velvet as yet another swaggering young artist empowered by his temporary alliance with time to make great music. After a thorough listen to his album The World Didn’t Start With U, it’s difficult to imagine him flaming out five minutes after his thirtieth or fortieth birthday. This is songwriting with legs and boundless flexibility to change with an artist’s ever-evolving vision. The twelve tracks comprising The World Didn’t Start With U are kinetic, irrepressible testimony to the enduring power of great guitar players and melody. More than that, however, the songs ripple and churn with vital energies that transcend the current. The World Didn’t Start With U is aiming high.&lt;/p&gt;</description></item><item><title>Mulah is Worth the Expense</title><link>https://dahiphopplace.com/mulah-is-worth-the-expense/</link><pubDate>Mon, 31 Aug 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/mulah-is-worth-the-expense/</guid><description>&lt;p&gt;Claiming to be from a place called Nicetown, USA, Mulah brings a classic, steady pace to the hip hop table. “5 On It” has a good beat that takes you back to the late ‘90s but the lyrics and the pace of what Mulah is doing, keeps you in the present. With “Smile” he dishes out the chill pills to anyone who’ll listen. This laid back track will ensure you leave with a smile, so pass it along. His pal Ambitious hops on to help out with a couple of tracks including “Hollyweezy.” It has a sense of energy we have yet to hear from Mulah. His boy brings it out in him. In the other he and Ambitious keep the spirits high with “What We Do.” In “The Ride” the reality of his storytelling stands out above everything else and it’s clear that he is a wordsmith above everything. If you’re into emcees who write with their heart, then check out Mulah today. (&lt;a href="https://soundcloud.com/ulah45g" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/ulah45g&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>On the Run with TDLK</title><link>https://dahiphopplace.com/on-the-run-with-tdlk/</link><pubDate>Mon, 24 Aug 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/on-the-run-with-tdlk/</guid><description>&lt;p&gt;Multi CashGang manages to sound mainstream while keeping it street alongside TDLK. “For You” starts with what sounds like it’s going to be a mainstream track that falls into the company of Akon, but it then gets a little more swag to it. TDLK hops on “Molly Run” and here we get a track that would be great for a house party. You get that chorus that everyone learns in an instint. TDLK is back for “New Shit” and here he brings slow jams to the forefront of hip hop. Not apparent from the start, but as the song rolls on, you hear his social commentary shine through strong. It’s always nice to hear a song that has a real message within the beats and rhymes. If you’re a fan of hip hop that’s making its way to the top by being well prepared and structured, check out Multi CashGang and TDLK now. (&lt;a href="https://soundcloud.com/multicashgang" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/multicashgang&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Ride or Die with Ryder</title><link>https://dahiphopplace.com/ride-or-die-with-ryder/</link><pubDate>Mon, 24 Aug 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/ride-or-die-with-ryder/</guid><description>&lt;p&gt;A lot of artists from Miami are all about that club and party music, not Ryder. “I Like What She Do” starts this party right. It has this beat that sounds like something you’d rarely hear in hip hop, but rather something you’d hear at an EDM show. In “Got Her Own” a feminist anthem is born. That was very unexpected coming from a male artist, so that’s refreshing in a way. With “Do My Thing” Ryder slows things down and presents a new side of his act. Here he plays with the R&amp;amp;B just a little. That continues as “T-Shirts and Panties” begins. As we head towards the end of our time with Ryder, we get “Long Time Sound” and a little aggression in his delivery. As for the music, we’re still keeping it pretty chill. If you’re a fan of hip hop that takes the slow lane, but can speed up and keep up with the pack - check out Ryder today. (&lt;a href="https://soundcloud.com/yungryde88" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/yungryde88&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>AFE Union's Cee$pitz and Don Munchi€</title><link>https://dahiphopplace.com/afe-unions-ceespitz-and-don-munchie/</link><pubDate>Mon, 17 Aug 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/afe-unions-ceespitz-and-don-munchie/</guid><description>&lt;p&gt;Cee$pitz and Don Munchi€ of AFE Union do it up in a chill way. We start off with a great tradition with “Spring Break” featuring BeatKing. Except this isn’t about the time of year when students flock to tropical locations, but rather a more long lasting tradition of the sexual kind. In “Wet Jame$” it’s like they took the mentality of a R&amp;amp;B track but gave it a true laid back hip hop makeover. These Houston boys have a style that sounds very New York. It’s chill but has this metropolitan feel. If that sounds like something you’d be into, check out Cee$pitz and Don Munchi€ now. (&lt;a href="https://soundcloud.com/afe-union" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/afe-union&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Ron Smith II - “Spank”</title><link>https://dahiphopplace.com/ron-smith-ii-spank/</link><pubDate>Thu, 13 Aug 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/ron-smith-ii-spank/</guid><description>&lt;p&gt;Ron Louis Smith II – The Prince of Sunshine&lt;/p&gt;
&lt;p&gt;SOUNDCLOUD: &lt;a href="https://soundcloud.com/ronls" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/ronls&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Ron Louis Smith II - The Prince of Sunshine&lt;/p&gt;
&lt;p&gt;With his father and uncle both members of the mega-popular legends KC and the Sunshine Band, Ron Louis Smith the II has good right to call his album &lt;em&gt;The Prince of Sunshine&lt;/em&gt;. He is part of the blood lineage of a respected musical legacy that has sustained popularity far beyond the Sunshine Band’s golden era. His debut record is funky, fresh, danceable and full of an era that updates the 70s/80s specific vibes smackdab into the 2000s. If you came to groove and shake your booty you will have a grand ol’ time listening to this.&lt;/p&gt;</description></item><item><title>Ohio's Own G.B.A.M</title><link>https://dahiphopplace.com/ohios-own-g-b-a-m/</link><pubDate>Mon, 03 Aug 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/ohios-own-g-b-a-m/</guid><description>&lt;p&gt;Who would’ve guessed Ohio had so much going on in the rap game? G.B.A.M is proof of that. “No Trust” will grab ‘80s kids in an instant thanks to “The Goonies” spot at the start. Then it goes into a rap track that relies heavily on attitude and coming a bit hard. It’s definitely aggressive. With “Can’t Stop” has a similar vibe, but this one seems a hint lighter, like you’d hear it at a party. It’d be the song that made the whole party turn up. “You Know” plays like the last while “Problem” offers up something different. It starts with what sounds like Lana Del Rey. Then it goes into a killer chilled delivery. This is the direction he should travel more. Speaking of, “Get Like Us” is the icing on the cake. Between this and “Problem,” these two are what G.B.A.M does best. If you’re a fan of hip hop that teeters between the streets and the house party, check out G.B.A.M now. (&lt;a href="https://www.reverbnation.com/gbam9" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/gbam9&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Barii is Great and He Knows It</title><link>https://dahiphopplace.com/barii-is-great-and-he-knows-it/</link><pubDate>Mon, 27 Jul 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/barii-is-great-and-he-knows-it/</guid><description>&lt;p&gt;You don’t always have to fast forward through life, and that’s what Barii is all about. “Know It” starts us off on this journey with this emcee from Florida. It has this relaxed feel to it, but packs some intimidation within the lyrics. I didn’t really know where we were going to head after that, but I didn’t expect “Do It.” It has this sense of maturity to it, but also the music has a R&amp;amp;B feel to it that takes it from a run of the mill mixtape to the airwaves. In “Waiting” we finally figure that Barii isn’t about the hype. He’s about delivering songs you can sit back and chill to. Even with “Keyz,” it comes across a little harder, but the beat doesn’t overdo it and make the listener feel overwhelmed. If you’re a fan of artists like Drake and Big Sean, check out Barii today. (&lt;a href="https://soundcloud.com/Barii" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/Barii&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Feel the Power of PK The Lyricist</title><link>https://dahiphopplace.com/feel-the-power-of-pk-the-lyricist/</link><pubDate>Mon, 20 Jul 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/feel-the-power-of-pk-the-lyricist/</guid><description>&lt;p&gt;PK The Lyricist comes at you from two sides and meets you in the middle of a good time. “The Game” is a song you can truly get lost in. It has this Bronx feel to it, a reality that while has a story behind it - comes through due to a chill beat. After you play a game, check out “The Power.” This one has a bit more attitude to it than the last, but still stays chill. The aggression continues to build as “Unknown” plays. This one takes us from that laid back vibe to a more streetwise demeanor, but all in all it stays true to who we’ve come to recognize PK The Lyricist as an artist. As “Bring It To Life” starts, you’re welcomed with a bit of a wait. The anticipation continues and then we’re like Malcolm and placed somewhere in the middle of that kick back feel we started out at and the more hip hop from the street feel. If you’re a fan of artists like Childish Gambino and Nas, check out PK The Lyricist  - he’s like the perfect balance of the two in terms of style. (&lt;a href="https://soundcloud.com/jashawn-wade" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/jashawn-wade&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Kevin Darbo: "On Fleek"</title><link>https://dahiphopplace.com/kevin-darbo-on-fleek/</link><pubDate>Mon, 20 Jul 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kevin-darbo-on-fleek/</guid><description>&lt;p&gt;There are a billion and one indie artists trying to make it and if his cards are played right, Kevin Darbo will be one of the few to see his name in lights because he’s got what Simon Cowell would call the “it factor.” With just one song he’s proven that. “On Fleek” takes us to the Top 40 and their annual radio station. You could hear this song being a hit with the teens out there, and some adults too - college students heading out for a night out on the town. It’s in time with what’s current and would play well with the latest from that of Chris Brown and Jason Derulo. If you’re a fan of pop music that has an R&amp;amp;B and hip hop twist, check out Kevin Darbo’s “On Fleek” to get your fix today. (&lt;a href="https://soundcloud.com/flywhipmusicgroup/kevin-darbo-on-fleek-prod-by-xavior-jordan" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/flywhipmusicgroup/kevin-darbo-on-fleek-prod-by-xavior-jordan&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Intensity with Q. Dinero</title><link>https://dahiphopplace.com/q-dinero-review/</link><pubDate>Mon, 13 Jul 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/q-dinero-review/</guid><description>&lt;p&gt;Q. Dinero does not play around when it comes to his music. “Conscious” kicks things off on a high note as the piano welcomes us in with this classical feel, but as soon as Q. Dinero comes in he brings this sense of intimidation like Thor brings his hammer; hard. In “Hindu” he creates this bounce more with his delivery than the beat. Here I wish the music was a bit more hype. The same can be said of “Real Niggas.” Only this time around the bounce is more like a fierce rhyme attack. With “No Problem” you would think you were listening to someone who was already dominating the charts instead of an indie artist. This track really captures a clear picture of what Q. Dinero is all about as an artist. He’s fierce, fast and comes at you with his words locked and loaded, ready to get at you. He’s like a “Fast and Furious” movie compacted into one artist who is ready to make a permanent mark on the world. If you’re into hip hop that’s as intense as an action flick, check out Q. Dinero today. (&lt;a href="https://soundcloud.com/j-skullie" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/j-skullie&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>It's Clear with Sure Shot</title><link>https://dahiphopplace.com/sure-shot-review/</link><pubDate>Mon, 13 Jul 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/sure-shot-review/</guid><description>&lt;p&gt;Sure Shot guarantees a grand delivery with his New York style rhymes. “1st Flip”  does just that as it gets to business right away and doesn’t waste anyone’s time with dead air. He comes in stern and displays a sense of finesse. With “Still Glitty (Remix)” he does more or less the same. He is a serious man who isn’t about bringing this pop, mainstream flare to his hip hop. He keeps it true to the classic ways of the genre. In “A Sticky Situation” tells a great story while “Affirmations of A ‘G’” gives us a new side of the emcee. He brings a more sensitive man to the forefront here, but continues to be the storyteller we’ve come to recognize him as. If you’re into rappers like Nas, check out Sure Shot today. (&lt;a href="https://www.jango.com/music/SURE&amp;#43;SHOT&amp;#43;S&amp;#43;S&amp;#43;?l=0" target="_blank" rel="noreferrer"&gt;www.jango.com/music/SURE+SHOT+S+S+?l=0&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Preach the Minister: "My Time, My Grind"</title><link>https://dahiphopplace.com/preach-the-minister-my-time-my-grind/</link><pubDate>Mon, 13 Jul 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/preach-the-minister-my-time-my-grind/</guid><description>&lt;p&gt;Preach the Minister’s “My Time, My Grind” is a stellar track right off the bat. It comes in strong and the beat is reminiscent to what Pharrell was doing back in the day with N.E.R.D. in that it has this hip hop flow, but a bit of a rock beat. You could hear this one played all summer due to those elements and also the fact that it’s got a hook that makes it one of those tracks that quickly settles into the minds of anyone who comes into contact with it. If you’re a fan of hip hop that does it a little different in terms of musical make up, check out “My Time, My Grind” by Preach the Minister, out now. (&lt;a href="https://soundcloud.com/preach-the-minister/my-time-my-grind" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/preach-the-minister/my-time-my-grind&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Cali Life with CBKronic</title><link>https://dahiphopplace.com/cali-life-with-cbkronic/</link><pubDate>Mon, 06 Jul 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/cali-life-with-cbkronic/</guid><description>&lt;p&gt;At only 21-years-old CBKronic has developed a sound that would fit well on stage with Wiz Khalifa. “Little City” gives off this relaxed delivery with little bursts of energy. They mention the west coast and even before hearing that, you know that’s where CBKronic hails from due to the laid back vibes. With “The Right Mood” we pick things up and take it to the beach for a track that sounds like it’d be perfect for a day on the sand. It has this ‘90s party vibe where it’s not over the top but just right. The Kidd hops on “BucketList” and together with CBKronic they create this atmosphere that makes you want to get lost in. That continues on with “Cruise Control.” Except here a sense of sensuality is played up. Tha Kidd is back with CBKronic on “LadyBuggz.” They prove again to be a perfect combination. When we started out with CBKronic, we were introduced to this California chilled music, but over the course of a handful of tracks we’ve headed towards hip hop that has more of this groove to it. From the relaxed to the refined, that’s what you get with a trip down CBKronic lane. (&lt;a href="https://www.youtube.com/channel/UC1KxtEGUzVsNb4w54D" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/channel/UC1KxtEGUzVsNb4w54D&lt;/a&gt;_TXjQ/videos)&lt;/p&gt;</description></item><item><title>New York's Own Kuul</title><link>https://dahiphopplace.com/new-yorks-own-kuul/</link><pubDate>Mon, 06 Jul 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/new-yorks-own-kuul/</guid><description>&lt;p&gt;Kuul has a cascade of sides up his sleeve, each as great as the one that comes before it. At first I wasn’t sure what to expect from “Next Move.” The start sounds like it’s a club track that’s about to get things started but then when Kuul comes through, that vibe is gone and in walks his cool, calm and collected demeanor. What was a pleasant surprise was Spanish tossed in the mix. Showing some love to where he calls home, “New York, New York” gives off a lot of attitude and really gives off the impression of a true, blue New Yorker; aggressive and composed. Last up, “Rugged” showcases another side of the emcee. First we saw his heritage a bit, then his home and now this one seems to be all about his personal style. If you’re a fan of east coast rhymes, check out Kuul now. (&lt;a href="https://soundcloud.com/KuulYork" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/KuulYork&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Impaq Brings the Thunder</title><link>https://dahiphopplace.com/impaq-review/</link><pubDate>Mon, 29 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/impaq-review/</guid><description>&lt;p&gt;Impaq is a hip hop group from Ohio that goes hard, but can soften up when need be. “For My Brother” has a really low key beat to it. It’s more about letting the force of the story behind the lyrics come through, and they do. The message is loud and clear - you don’t want to mess with the family. In “Thunder” the mood sounds like it’s lightened just a bit, but once things really get started you’re introduced to music that sounds otherworldly and there is a sense of aggression. It really is like a thunderstorm of sound coming at you. With “All My Life,” it’s not a cover of the classic K-Ci &amp;amp; JoJo track but this one doesn’t have that fierceness that’s come from the other two. Impaq has taken a break from the intimidation just a bit but keeps up their guard with a shark attack pace throughout. Speaking of letting down the guard, we have the more romantic and easygoing Impaq in “Lil’ Mama.” It’s definitely a different side of the emcee and it’s well received. If you’re a fan of hip hop that has a hard shell but has bits and pieces that are softer, check out Impaq now. (&lt;a href="https://soundcloud.com/impaqinc" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/impaqinc&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Win Big with Jackpotprince</title><link>https://dahiphopplace.com/jackpotprince-review/</link><pubDate>Mon, 29 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jackpotprince-review/</guid><description>&lt;p&gt;Jackpotprince takes risks and comes out on top. “All Night” is a track that you’d hear at your local party. It has this youthful, yet aggressive sound that you would hear on a mixtape alongside the likes of Tyga. In “#like” Jackpotprinceworks well with the beat in the intro and offers up a track that could take you from the house party to the club. With “The Truth” listeners are welcomed by an intriguing intro and then tossed into a whirlwind as the lyrics come through. Last up, “Drill” has this feel that makes you think it’d be on an episode of “Empire” on Fox. When it comes to new emcees coming up, Jackpotprince is one to watch because he’s got sick beats as well as a go-get-em attitude to his rhymes. (&lt;a href="https://www.facebook.com/pages/Jackpotprince/760166227372600?sk=timeline" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/pages/Jackpotprince/760166227372600?sk=timeline&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Vince Lindley’s Party Life</title><link>https://dahiphopplace.com/vince-lindleys-party-life/</link><pubDate>Fri, 26 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/vince-lindleys-party-life/</guid><description>&lt;p&gt;&lt;em&gt;Vince Lindley’s Party Life&lt;/em&gt; &lt;/p&gt;
&lt;p&gt;&lt;em&gt;SOUNDCLOUD:&lt;/em&gt; &lt;a href="https://soundcloud.com/vince-lindley-1/party-life-by-vince-lindley-feat-k-trik-e-lyric-video" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/vince-lindley-1/party-life-by-vince-lindley-feat-k-trik-e-lyric-video&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I used to think that it wasn’t really that hard to make a party anthem song. Pop and electronic artists have made hundreds of them and you can mark a good artist by how many party anthems they have managed to produce. They don’t have to be soul deep, they just need to get into your skin and get you jumping. A good catchy line and a beat that you can hook yourself up to is enough. I would argue that making a good party anthem is a lot easier than making an emotionally ridden single that banks on making a connection with its listeners. For a party anthem you just need to build up some positive energy and get people bouncing. You don’t even really need to be original, the lyrics can be recycled, respliced or even remixed. Hell, you can do the same with your beat, too.&lt;/p&gt;</description></item><item><title>Big Rob Surprises</title><link>https://dahiphopplace.com/big-rob-review/</link><pubDate>Mon, 22 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/big-rob-review/</guid><description>&lt;p&gt;Big Rob isn’t what you’d expect. “Put In Work” sounds like what Cash Money was doing at the end of the millennium. It has this to-the-point delivery style that doesn’t really mess around. It’s simple but has this captivating hook to it. With “Ride,” things are slowed down a bit in the intro and what we heard initially has taken a turn. Now he sounds like someone who would garner comparisons to R. Kelly. In “Dark Side” Big Rob gives us elegance from the street with the beat. “The Rain” intertwines the feel of “Dark Side” but also has that thug feel from “Put In Work.” He knows how to balance the class with the street and deliver a heightened way. If you’re a fan of music that’s a little Juvenile and a little metropolitan, check out Big Rob. (&lt;a href="https://soundcloud.com/big-rob-325" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/big-rob-325&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Explore the World of Hip Hop with Zoe Savage</title><link>https://dahiphopplace.com/explore-the-world-of-hip-hop-with-zoe-savage/</link><pubDate>Mon, 22 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/explore-the-world-of-hip-hop-with-zoe-savage/</guid><description>&lt;p&gt;Zoe Savage is a Haitian rapper who puts his heritage into his rhymes time after time. “Boz Mwen” has a great beat, but it is hard to understand when it starts as he and J.D. High seem to be standing on top of one another. Once things get started though, it’s much more audible and a great track - it’s just that intro that causes some confusion. WIth “What You Think About Me,” things come out of the gate strong. It has this drama to it that makes it sound like it could be in a hip hop production on Broadway. Then it kicks in and it isn’t in English, but it still packs a punch for those who don’t speak the language. With “High I Be,” it’s clear that those into the herbal refreshments will have a great time with this one as they’re always looking for new anthems for their smoking times. Lastly, “It’s Party Time” doesn’t disappoint. It lives up to the title and really gives you a lot of non-stop energy throughout. If you’re a fan of hip hop with a touch of world flare, check out Zoe Savage now. (&lt;a href="https://soundcloud.com/zoesavage17" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/zoesavage17&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Finding Motivation</title><link>https://dahiphopplace.com/finding-motivation/</link><pubDate>Mon, 22 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/finding-motivation/</guid><description>&lt;p&gt;Motivation knows what he’s doing as he takes the serious side of hip hop to the forefront. “Fame X Nobody” has a captivating hook to it right off the bat. It’s mesmerizing as the rest of the track like the lyrics have an edge to them. It’s a good balance of nice and spice. In “Trenches” he’s serving up some Kanye-like realness with the seriousness of how he delivers the lyrics. It’s more like a monologue than a song. Speaking of talking, “No Talking” as a great, quick intro that brings some drama to the table but then what he serves after is a track that relies heavily on a kickback hook. Last up, “Killed It” is a nice cap for our time with Motivation as it gives us him as an artist. There’s no hooks or gimmicks - just a man and his rhyme. If you’re into acts like Kanye and Nas, check out Motivation today. (&lt;a href="https://www.youtube.com/watch?v=" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=&lt;/a&gt;_1gCribQnP0)&lt;/p&gt;</description></item><item><title>Sunspinnaz: Stream Of Thought EP Teaser Review</title><link>https://dahiphopplace.com/sunspinnaz-stream-of-thought-ep-teaser-review/</link><pubDate>Wed, 17 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/sunspinnaz-stream-of-thought-ep-teaser-review/</guid><description>&lt;p&gt;&lt;figure&gt;&lt;img
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 &gt;&lt;/figure&gt;
Fresh out the box, the Montreal/Quebec trio Sunspinnaz have released their four track EP teaser. After two singles with the smooth Keepin’ Motion and the West-Coast influenced Sun Day Trippin’, at least this was clear: stylistic variety should be expected in their upcoming full-length Stream of Thought, set to drop in autumn 2015.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Whatever ride you were expecting, I hope you packed your bags. As the first spin grabs your attention with appealingly clever hooks, all showcased tracks are so deeply layered that you’ll need diving equipment to notice all the subtleties in the sound. C-Rob and J-work, the men behind the instrumentals definitely throw their weight around, while Slasher delivers some of his most creative patterns yet, leading us on an emotionally diverse lyrical ride.&lt;/p&gt;</description></item><item><title>Explore the SOL4RSYST3M</title><link>https://dahiphopplace.com/explore-the-sol4rsyst3m/</link><pubDate>Mon, 15 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/explore-the-sol4rsyst3m/</guid><description>&lt;p&gt;SOL4RSYST3M has three sides to show you today “Selling Dream$” lyrically showcases what people go through when they fall on hard times. It’s a true sentiment to the reality that people face on an everyday basis; not everyone is born with luck on their side. It’s like a new, more hip hop version of that one City High track from back in the day - “What Would You Do?” With “Boulevard,” that universal feel isn’t as present as the last, but what is there is the chilled factor. The beat is calm, but the rhymes are rapid. Lastly, “D33P Inside” comes across a little hostile but in a low key way. He sounds as aggressive as one could be with a slowed down track. If you’re a fan of Dizzy Wright and Young Jeezy, check out SOL4RSYST3M today. (&lt;a href="https://soundcloud.com/sol4rsyst3m" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/sol4rsyst3m&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>K.R.W: "Where They Do That At?"</title><link>https://dahiphopplace.com/k-r-w-where-they-do-that-at/</link><pubDate>Mon, 15 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/k-r-w-where-they-do-that-at/</guid><description>&lt;p&gt;K.R.W’s “Where They Do That At?” doesn’t waste time getting down to business. The first verse comes through with a clear shot of aggression, precision and speed. Then the chorus does what all good ones do - keeps the hook going. The second verse really sits on the opposite side of the table from the first as it’s calmer. The up and down, back and forth of the pace of the track really keeps listeners on their toes and gives it versatility. If you’re a fan of hip hop that’s about entertaining, check out K.R.W’s “Where They Do That At?” now. (&lt;a href="https://youtu.be/Xy3hk" target="_blank" rel="noreferrer"&gt;https://youtu.be/Xy3hk&lt;/a&gt;_-bstw)&lt;/p&gt;</description></item><item><title>All In with Fullspin</title><link>https://dahiphopplace.com/all-in-with-fullspin/</link><pubDate>Fri, 12 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/all-in-with-fullspin/</guid><description>&lt;p&gt;When it comes to emcees offering all they can, look no further than Fullspin. “Hope The Past Don’t Show” featuring Rika has a relaxed, and realized beat to it. It doesn’t go overboard and has an honesty to it. Plus, it’s one of those songs that everyone can relate to. Who doesn’t have something in their past that they aren’t too proud of, something they’d like to forget. Then with Rika you get that Rihanna-like hook. Things take a west coast sound turn with “Pimp C Dedication.” It sounds like it would be played in a Cadillac cruising down the street in the summertime. Clark Make hops on “Go Girl” and “You Don’t Know.” They both liven up things and bring a party vibe to the mix. Fullspin can take you from the hood to the club at the turn of a dial. It’s that versatility that some rappers lack - but not this guy. If you like variety from an artist, check out Fullspin now. (&lt;a href="https://www.soundclick.com/bands/default.cfm?bandID=1377909&amp;amp;ogID=13102670" target="_blank" rel="noreferrer"&gt;https://www.soundclick.com/bands/default.cfm?bandID=1377909&amp;ogID=13102670&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Page and Powers: The Sky Is Where You Fly</title><link>https://dahiphopplace.com/page-and-powers-the-sky-is-where-you-fly/</link><pubDate>Fri, 12 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/page-and-powers-the-sky-is-where-you-fly/</guid><description>&lt;p&gt;Page and Powers’ “The Sky is Where You Fly” has more heart than a cardiologists office. The record opens up with the title track.  It’s a positive message surrounded by a chill beat. It’s not uncommon to hear a love song in hip hop, but it’s not the norm on every album. That’s where Page and Powers differs with “Beautiful You Face.” It’s sweet and sentimental and a new side to get to know. That sentiment continues out throughout and then there’s a special shout out to the parents out there. “Remembered Always” stands out for the subject matter - most definitely. It’s interesting to hear a song about mothers and fathers. Usually it’s one or the other, or neither. All in all, this is now a hip hop record that has street cred in mind. There’s a lack of club hits, curse words and aggression - but it’s hip hop - just on a different page. It’s written with heart and is a delight. if you like your rap with some feelings, check out Page and Powers’s “The Sky is Where You Fly,” out now. (&lt;a href="https://www.cdbaby.com/cd/pageandpowers1" target="_blank" rel="noreferrer"&gt;https://www.cdbaby.com/cd/pageandpowers1&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Getting Addicted to A.I.</title><link>https://dahiphopplace.com/getting-addicted-to-a-i/</link><pubDate>Wed, 10 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/getting-addicted-to-a-i/</guid><description>&lt;p&gt;A.I. otherwise known as Addict The Infamous starts one way and ends on a completely different page. “Forget” sounds like something you’d hear in the late ‘80s and early ‘90s. It has this light dance feel that has a dark side. Like a bit Right Said Fred. With “Strange” A.I. gives us something completely different. We go from the dance floor to the hip hop stage. He comes across as a seasoned emcee with a fresh beat. The same can be said of “Victim of Myself.” This one really has a great story to tell and is relatable on multiple levels. His strong rhymes continue on with “Animal I Am.” Last up, “I Guess I’m Crazy” says what we all think about ourselves at times. Because of the title, I wish the beat was a bit more insane, but instead it’s as calm as could be but calls for attention with its intimidation. If you’re a fan of Machine Gun Kelly, check out Addict The Infamous now. (&lt;a href="https://www.musicbyai.com/" target="_blank" rel="noreferrer"&gt;https://www.musicbyai.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Dossman Thomas: Dossman, Thomas EP</title><link>https://dahiphopplace.com/dossman-thomas-dossman-thomas-ep/</link><pubDate>Mon, 08 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/dossman-thomas-dossman-thomas-ep/</guid><description>&lt;p&gt;Dossman Thomas has a lot going on, but it all shapes up and meshes well. “Give ‘Em Hell!” has a fun feel to it and will remind some of what Mac Miller’s been spitting out. That frat rap vibe. With his buddy Zach Kramer by his side on “Love,” he really changes it up and gives us a track that has a more seductive demeanor. One would think “Nosebleed” would have this aggressive beat but really, it’s like Neo-Soul music intertwined with some attitude. Tino hops on “What To Do” and that seduction is back, but not in the lyrics. Lyrically this sounds like it could be the theme song for every 20-something. “Said A Lot” brings us back to that Neo-Soul but the vocals match up this time around. In the end Dossman Thomas has a lot of elements to his sound. He’s one part soul, a hint of frat and has a dash or two of sass that creates a sound that everyone from fans of Mac Miller to Wiz Khalifa would enjoy. So check out his record, “Dossman, Thomas EP,” out now. (&lt;a href="https://soundcloud.com/dossman" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/dossman&lt;/a&gt;_thomas/sets/dossman-thomas-ep)&lt;/p&gt;</description></item><item><title>Free Speech with Comondabeat</title><link>https://dahiphopplace.com/free-speech-with-comondabeat/</link><pubDate>Mon, 08 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/free-speech-with-comondabeat/</guid><description>&lt;p&gt;Milwaukee’s Comondabeat isn’t afraid to say what’s on his mind as he relays his life to a stellar set of beats. “Karma” is all about the chilled, relaxed feel. The lyrics tell a story a lot can relate to about a girl, but overall it’s one of those songs you can just kick back to. With “Hippieish” the intro takes you on a worldly trip. It has this Indian feel to it that really stands out even though it remains in the background. That paired with the more aggressive pace of Comondabeat’s flow pairs nicely. There’s a clear connection with that track and “I’m Rollin.” He starts with a shout out to the hippies, but that’s where it stops because this seems to be the most real track coming from this emcee. Creative minds can totally relate to this one. Those who choose to take that path rather than college or a nine to five. Lastly, “Nuthin Changed” kind of takes us back to where we started in the case of wanting to sit back and relax with the beat. However, what’s clear as glass is that Comondabeat is a storyteller and does it well. if you’re into hip hop that has a base in reality, check out Comondabeat - he has a lot in his back pocket to discover. (&lt;a href="https://soundcloud.com/comondabeat" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/comondabeat&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>M.A.x.: "Vibe"</title><link>https://dahiphopplace.com/m-a-x-vibe/</link><pubDate>Mon, 08 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/m-a-x-vibe/</guid><description>&lt;p&gt;Deep dish pizza, wind and Oprah. That basically covers the basics when it comes to Chicago. Well it’s time to add M.A.x. She’s got a bag full of swag and is coming with her new single, “Vibe.” This track has a laid back beat but her bit comes in her delivery. Usually it’s the chorus that kills, but here it’s really the verses that stand out - each one making you fall more and more for the track as a whole. In the end, it’s one of those songs that doesn’t appear to be a favorite right off the bat - but then grows on you after a couple more listens. So hit repeat and fall for M.A.x.’s “Vibe.” (&lt;a href="https://soundcloud.com/maxmusicc" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/maxmusicc&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Rich So Fresh is Mad with Heart</title><link>https://dahiphopplace.com/rich-so-fresh-is-mad-with-heart/</link><pubDate>Mon, 08 Jun 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/rich-so-fresh-is-mad-with-heart/</guid><description>&lt;p&gt;Rich So Fresh is a mad man with a heart. Rich himself says that “My Only Option” says a lot without thinking too much and is about a beef he had in his life. You can hear his anger in it and it sounds like he got some peace of mind writing out the lyrics to this one. In the snippet mix on his site you can hear the variety that’s about to come through on the EP he’s currently working on. He has a lot of aggression in the way he comes across but it appears to come from a place of serenity - like making music has been a saving grace. If you’re into redeptiontional music, check out Rich So Fresh. Also, keep an eye and ear out because his EP is about ready to drop and the best part if that he’s offering it up for free on various sites when it’s all wrapped. (&lt;a href="https://www.richsofresh.com/" target="_blank" rel="noreferrer"&gt;https://www.richsofresh.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Brooklyn's Own Em Crysis</title><link>https://dahiphopplace.com/brooklyns-own-em-crysis/</link><pubDate>Mon, 25 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/brooklyns-own-em-crysis/</guid><description>&lt;p&gt;Being from California, I had a particular taste when it comes to rap but I can’t help but give major props to the rhymes that come from the east, and the artists like Em Crysis. “I Don’t Know Why” has a killer hook that sounds like something Michael Jackson would’ve been a part of. That falsetto is on point. That teamed with the masculinity of Em’s rhymes, makes way for a perfectly balanced track. In “Feel So High” we’re introduced to another great hook. It’s clear that this emcee has a signature style. However, this one doesn’t flow as freely as the last. If you’re a fan of east coast rap, check out Em Crysis. He’s coming straight out of Brooklyn and to your stereo’s now. (&lt;a href="https://www.reverbnation.com/emcrysis1" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/emcrysis1&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>J-Kal Welcomes You to Cali</title><link>https://dahiphopplace.com/j-kal-welcomes-you-to-cali/</link><pubDate>Mon, 25 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/j-kal-welcomes-you-to-cali/</guid><description>&lt;p&gt;California has so much talent, it’s hard to know where to start. So here’s some help. J-Kal is a young emcee that knows his way around not only a slick beat, but also has an immense way with words. “Lose Control” doesn’t waste any time getting the party started. It starts with a sample lyrically of Will Smith’s “Fresh Prince.” He flips the script though and tosses his tale in it and makes it about his life in California. It’s only his first single, so there’s no telling where he’ll go from here. Our guess is up though. So if you want to be on top of the latest rappers making waves, check out J-Kal’s “Lose Control.” (&lt;a href="https://www.youtube.com/watch?v=cQv6G9jTK8Q" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=cQv6G9jTK8Q&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Ghazi Akeem: "Lost"</title><link>https://dahiphopplace.com/ghazi-akeem-lost/</link><pubDate>Fri, 22 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/ghazi-akeem-lost/</guid><description>&lt;p&gt;There are so many roads to walk when it comes to hip hop. Some go for a chilled zone like Wiz Khalifa and some take a more aggressive root like Rick Ross. Then there are those who like to reflect on life like Nas, Kanye West and newcomer Ghazi Akeem. His fresh single “Lost” is anything but. It’s as focused as could as he relays a clear cut message in his rhymes and makes you feel every word that escapes his lips. It lacks a club beat and has more of reality to it. You really get wrapped up in the lyrics, the story they tell - the story that Ghazi Akeem tells with such a passion. If you’re into hip hop that has a message, check him out now and get lost in his ways. (&lt;a href="https://soundcloud.com/ghaziakeem" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/ghaziakeem&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Reece Surreal: The Black Dali Mixtape</title><link>https://dahiphopplace.com/reece-surreal-the-black-dali-mixtape/</link><pubDate>Thu, 21 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/reece-surreal-the-black-dali-mixtape/</guid><description>&lt;p&gt;This March Reece Surreal released “The Black Dali Mixtape” and we’re here to tell you why it should stick with you all the way through the summer, fall and winter months. It starts with “I’m Done.” This track has a great energy to it that makes your ears perk up. The beat is a little ‘80s while the the delivery comes through in a modern way. In “U Know My Style” Reece we get this odd feel. It sounds like he layered two tracks on top of one another. It causes some confusion, but it keeps you interested. Then you have Lindsey McKay offering her vocals to the smooth diss, “They Lame” as well as the one that deals with the haters “Can’t F with Reece.” Things get a little aggressive with “Not Your Average Rapper.” He comes through cool and confident and that’s the overall feel from Reece Surreal. If you’re underground hip hop that experiments, check out “The Black Dali Mixtape,” out now. (&lt;a href="https://reecesurreal.bandcamp.com/releases" target="_blank" rel="noreferrer"&gt;https://reecesurreal.bandcamp.com/releases&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Kydd Raz: Heart of Cali</title><link>https://dahiphopplace.com/kydd-raz-heart-of-cali/</link><pubDate>Wed, 20 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kydd-raz-heart-of-cali/</guid><description>&lt;p&gt;California is known for a lot; beautiful beaches, majestic mountains and of course hip hop. While it started out east, the rap that came out California had something unique about it and that’s what Kydd Raz has done on his latest, “Heart of Cali.” “Bars of Dope” opens the record and comes across with a lot of bite. It has this angry vibe but keeps you interested with the stellar beat. Heading into “IDGAF” we’re introduced to another great beat. The flow of the lyrics are chill and the pace a bit relaxed so they work in unison. Kydd Raz offers some life advice with “Don’t Be No Punk.” The music of this one reminds me a lot of the last track. The title track has a lot to live up. It does the trick in delivering listeners an overall great musical aroma. It has some attitude, but you can’t help but learn the words and then try and spit it out yourself. Closing out the album is “Wit This Shit.” This one caps things off with a track that sounds like it could’ve been the musical child of Mystikal and Snoop Dogg. It has this pizzaz, but keeps it street. If you’re a fan of west coast hip hop, check out Kydd Raz’s “Heart of Cali,” out now. (&lt;a href="https://kyddraz.bandcamp.com/album/heart-of-cali" target="_blank" rel="noreferrer"&gt;https://kyddraz.bandcamp.com/album/heart-of-cali&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>King Cupid, The King of Kicking Back</title><link>https://dahiphopplace.com/king-cupid-the-king-of-kicking-back/</link><pubDate>Mon, 18 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/king-cupid-the-king-of-kicking-back/</guid><description>&lt;p&gt;When it comes to kick backs, King Cupid is well, the king. “All Bad” comes to us in a very chill manner. It picks up towards the end, but overall it’s one of those songs you put on when you’re kicking back and don’t want to do much - but relax. With “Wait On It” it’s clear that King Cupid is a laid back guy. His rhymes don’t come out at a rapid pace, but this one’s pace gives us a bit more to move to. With that said, “He Can’t” really does the trick. It’s like we get more and more from this emcee as we continue to press play. It was a slow start, but here we are with a track that has a fresh beat as well as a great performance from King. Smooth with a few bumps is how one can best describe “Google Me.” The music gives off this velvet feel, but the lyrics have a ton of edge. If you’re a fan of chilled beats, check out King Cupid now. (&lt;a href="https://www.audiomack.com/artist/king-cupid" target="_blank" rel="noreferrer"&gt;https://www.audiomack.com/artist/king-cupid&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Baltimore's Bodymore Banga$</title><link>https://dahiphopplace.com/baltimores-bodymore-banga/</link><pubDate>Tue, 12 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/baltimores-bodymore-banga/</guid><description>&lt;p&gt;Baltimore has a lot on their plate with an act like Bodymore Banga$. “In My Living Room” has a sinister feel to it. The deep delivery verges on evil in the beginning and sends a chill down the spine, but then it lightens up and becomes a welcoming experience with a great beat. While listening to “Eastside” you’re introduced to the track with a very elegant start. The keys play well and balance out the rhymes that come through with a menacing vibe. In “Shit Cool” we’re given a similar sweet sounding intro, only this time we’re not scared when the lyrics come through, but rather given a great bounce. All in all, this one sits best with everyone. It’s middle of the road, but plays well with all. With “Fight” that club style comes through as we’re bouncing right out the gate. Then it gets thuggish and we head from the dance floor to the streets in an instant. When it comes to creating music that covers all the bases, Bodymore Banga$ does it right. We have intimidation, club beats and sweet sounds all encased in one area. That’s not easy to do, so if you’re a fan of variety, check out Bodymore Banga$ now. (&lt;a href="https://www.reverbnation.com/Bodymorebangas" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/Bodymorebangas&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Babyzav Brings Emotion to the West Coast</title><link>https://dahiphopplace.com/babyzav-brings-emotion-to-the-west-coast/</link><pubDate>Mon, 11 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/babyzav-brings-emotion-to-the-west-coast/</guid><description>&lt;p&gt;Out of Fontana comes Babyzav. He’s got a bag full of tricks to share. “Impala” has a very SoCal vibe in its sound. You can hear a little Snoop Dogg influence in this one as it has this “Gin and Juice” bounce to it. In “Missing You,” we go from one end of the spectrum to the other as things get a little sensitive as there is this beautiful vocal performance and the rhymes come across with a nice flow. That feel continues with “My Everything,” but then we hit the party scene with “Run This Party.” It’s got this pop-crossover mentality. Last up is “The Ones We Love” and we return to that sensitive state of mind. Where we started with “Impala” is not where we ended and it was quite the surprise. However, while it’s a shock - it shows the range that Babyzav has and because of his versatility - that’s why he’s one to check out. So give him some of your time today. (&lt;a href="https://soundcloud.com/babyzav" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/babyzav&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Telling Tales with BiG T</title><link>https://dahiphopplace.com/telling-tales-with-big-t/</link><pubDate>Mon, 11 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/telling-tales-with-big-t/</guid><description>&lt;p&gt;Rap music has always had a story to tell, so pull up a chair and get down with what BiG T has to say. “Hell and Back” gives us a slow start in getting to know this emcee. Vocally, he sounds like he could be in the same class as DMX, but with less barking and rage. As we move along, we hit “Sells” and we pick up the energy a bit. This one has a cool beat to it that has a bit of a pop feel to it, but the lyrics come through as a full on thug performance. What’s great about “Action” is that it doesn’t let down. The title says it all and that’s what you get. We continue to flow on that level with “Thuggin.” It was a slow start, but once we get into the depths of BiG T, we found out what he can really do. He’s a master of taking his aggression and putting it to use in his rhymes in ways that welcome listeners in and keep them going along with him. If you’re a fan of DMX and Juvenile, check out BiG T today. (&lt;a href="https://www.reverbnation.com/bigt70" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/bigt70&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Lamar McNair Has a Heart</title><link>https://dahiphopplace.com/lamar-mcnair-has-a-heart/</link><pubDate>Fri, 08 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/lamar-mcnair-has-a-heart/</guid><description>&lt;p&gt;It’s hard to keep your cool and have a heart in hip hop, but somehow Lamar McNair does it. “I Ain’t Trippin” has a lot of layers to it soundwise. With that, it will never fail to keep listeners’ attentions. In “Young King” cools it down a bit and comes through with a nice demeanor that doesn’t do much to grab you. It’s fairly balanced as it has this sweet base but on the surface has attitude. It’s pretty much the greatest from Lamar McNair, but moving on we have “My Niggas.” This one surprisingly has a lot of heart to it, as does “On the Run for the Money.” What I like about this emcee is that he has this strong backbone and delivers music that has this thug appeal, but at the same time is able to balance it out with some depth and emotion. He’s created this nice mixture of the two and should be checked out if you’re a fan of Kendrick Lamar and Lil Wayne. So with that, make sure to put Lamar McNair on your to do list. (&lt;a href="https://soundcloud.com/lamarmcnair" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/lamarmcnair&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Shaheed404's Street Smarts</title><link>https://dahiphopplace.com/shaheed404s-street-smarts/</link><pubDate>Wed, 06 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/shaheed404s-street-smarts/</guid><description>&lt;p&gt;It’s hard to find the balance in life, but somehow Shaheed404 has mastered it. “Homecoming” starts out a little odd, but shakes that off to get into a song that’s strong. It has a very neo-soul meets hip hop feel that’s a little more street than Common but not as wild as something Lil Wayne would put out. It’s like street smarts, emphasis on the smarts. The same can be said of “Do It Again.” Only this one comes through a little harder than the last. It has a rapid approach to the lyrics and showcases the real emcee skills of Shaheed404. This is an artist that manages to find the happy medium between being having something that holds substance, and keeping his cool demeanor. If you’re a fan of artists like Kendrick Lamar, check out Shaheed404 now. (&lt;a href="https://www.shaheed404.com/" target="_blank" rel="noreferrer"&gt;https://www.shaheed404.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Flo Frazier Commands</title><link>https://dahiphopplace.com/flo-frazier-commands/</link><pubDate>Tue, 05 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/flo-frazier-commands/</guid><description>&lt;p&gt;When it comes to making people listen, Flo Frazier is king. His style commands attention like no other, so let’s not waste time and get to “I Am Different Vol. 1.” The “Intro” sets us up for a record that smells of intimidation and that arome continues fast with “I’m Back.” Flo has this very masculine delivery and it makes your back straighten and you take notice in an instant - partly out of fear. With “Shoutout to the Haters” he’s joined by Black Collar Biz and Gates Montana. It starts with a little Kat Williams and then goes into a track that’s surrounded by a bit of darkness. Continuing on, “Don’t Let Em” calms things down a bit, but Flo can’t be tamed. That’s a lesson to walk away with when it comes to his music. If you find yourself checking out Rick Ross and Meek Mill, then it’s time for you to add “I Am Different Vol. 1” to your collection. So get on Flo Frazier now. (&lt;a href="https://www.datpiff.com/Flo-Frazier-I-Am-Different-Vol1-mixtape.181710.html" target="_blank" rel="noreferrer"&gt;https://www.datpiff.com/Flo-Frazier-I-Am-Different-Vol1-mixtape.181710.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Storytime with DCP</title><link>https://dahiphopplace.com/storytime-with-dcp/</link><pubDate>Tue, 05 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/storytime-with-dcp/</guid><description>&lt;p&gt;Everyone has a story to tell, so sit back while DCP spits one out. “Visions” tells a great story of where DCP came from and it’s got a sense of reality to it that will be easy for those who had to rise up out of bad times will be able to relate to. In “Never Quit” the beat has a bit more energy than the last. It still has that inspirational tone though. Things continue to get more energized as the music plays. That’s the case as we roll into “D.W.I.” It’s not the most responsible track, but it does have a great hook. He drops a line about the Marriott and then we head to “Hotel Party.” We see what he did there, and we like the connection he can make throughout his tracks. What I expected from this one though was a bit more excitement. This is more a kick back than a party. What stands out as DCP’s strength is the realness of the lyrics. Like where we started and on “Only Human.” Those stand way taller than the more niche ones like” D.W.I.” and “Hotel Party.” Plus, the chorus of “Only Human” is stellar. If you’re a fan of Mac Miller and Wiz Khalifa, check out DCP today. (&lt;a href="https://soundcloud.com/dcp" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/dcp&lt;/a&gt;_assocated007)&lt;/p&gt;</description></item><item><title>The Balancing Act of Tony Boone</title><link>https://dahiphopplace.com/the-balancing-act-of-tony-boone/</link><pubDate>Tue, 05 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-balancing-act-of-tony-boone/</guid><description>&lt;p&gt;Who said hip hop couldn’t be paired with a higher power? Tony Boone has found a nice balance to bring his street smarts to the gospel realm. While you won’t find traditional gospel sounds, you’ll hear that passion. “Rise Above” starts with beauty and then goes into a chilled rhyme session that brings about positivity. In “Lern to Luv,” that idea of upbeat energy is still present as the lyrics continue to bring about hope while maintaining that dope beat. In “Father Forgive Me” Boone comes a bit harder in his delivery, showcasing a need for this forgiveness. Heading into “All My Love,” it sounds like a track that 2Pac would’ve put out along the lines of “Changes.” It has that street meets relatable factor. If you’re a fan of artists like J Cole, check out Tony Boone’s music today. (&lt;a href="https://www.reverbnation.com/artist/3332051" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/artist/3332051&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Settle In with Alex Koncrete</title><link>https://dahiphopplace.com/settle-in-with-alex-koncrete/</link><pubDate>Mon, 04 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/settle-in-with-alex-koncrete/</guid><description>&lt;p&gt;When a lot of the guys and gals are spitting it out fast, emcees like Alex Koncrete are blending rhymes with soul and bringing something else to the table. “Up In My Window” featuring Drummer has this swag about it that will resonate with fans of Drake. It intertwines hip hop with a classic R&amp;amp;B. So it has a balance of street and smooth. In “Dreams and Nightmares” continues listeners down that path with a very slow tempo run in the rhymes. Then comes “Stay.” It’s a cover of the Rihanna hit. It doesn’t sound too different than the original, only with a masculine vocal performance this time around. If you’re a fan of Drake, then Alex Koncrete is the direction you want to take your musical journey today. So make some time and check him out today. (&lt;a href="https://soundcloud.com/alex-koncrete" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/alex-koncrete&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Dreadrock's Basic Essentials</title><link>https://dahiphopplace.com/dreadrocks-basic-essentials/</link><pubDate>Fri, 01 May 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/dreadrocks-basic-essentials/</guid><description>&lt;p&gt;Dreadrock covers all the basics to give off some fresh hip hop rhymes. “Thotiana” is great because you don’t know what it is. It could be a slang term, or a name. It has a mystery about it that makes you not only want to listen, but have to to get the whole picture. It’s a bit more out in the open with “I Got Cash.” A simple concept everyone is familiar with a hook that won’t quit when it comes to the chorus. It’s more catchy because you want to learn it and master it. In “Just Swerv” Dreadrock brings this sense of anticipation to the table with a drawn out intro. We’ve had girls, money and now some herbal refreshments with “Get High.” This one comes across like a song you listen and get down to at a kick back. It’s not over the top, or too mellow - but just right. “We Made It” slows the party down with it’s laid back feel, while “The Same” works to bring the energy back up. Dreadrock is an artist who knows his way around rhymes, but will only get better with time. So check him out because he’s here to stay. (&lt;a href="https://www.youtube.com/user/2tudrock/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/user/2tudrock/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>All Sides of Ghalil Einstein</title><link>https://dahiphopplace.com/all-sides-of-ghalil-einstein/</link><pubDate>Mon, 20 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/all-sides-of-ghalil-einstein/</guid><description>&lt;p&gt;The thing people assume about hip hop is that it’s all the same, but real fans know that’s not the case. When it comes to Ghalil Einstein, he doesn’t play by some of the rules but overall has a great balance of beats. What better way to get introduced to an artist than by a song that shares his name? Well that’s where we’re beginning today with “Ghalil Einstein.” It gives us an overall idea of what to expect and that is a laid back emcee who seems to have a flare for the dramatics to him. Then with “Hankerin’” that chilled mentality continues on. No matter the beat, his words come out in a way that don’t allow for a lot of hype. That is until “Gun Sideways” comes through. Here he picks up his pace a bit and gives us something different and new. With that, “Chainsaw” is a mix of the two. The beat offers up some aggression, while the lyrics come across as a bit slower. If you’re a fan of Gucci Mane, check out Ghalil Einstein today. (&lt;a href="https://www.youtube.com/user/Ensteinsmith/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/user/Ensteinsmith/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Getting Real with Connor Cassidy</title><link>https://dahiphopplace.com/getting-real-with-connor-cassidy/</link><pubDate>Sun, 19 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/getting-real-with-connor-cassidy/</guid><description>&lt;p&gt;Connor Cassidy gives his listeners a dose of reality in his rhymes. We start things off with a “Getaway.” Unlike a lot of hip hop tracks on there, this one begins with a solid guitar intro. Then the lyrics start to flow and it’s transformed into a whole new song. It has a sense of reality to it with a relaxed flow. “Hijack” continues on that same path with a similar musical mentality. The truth is that “Lies” comes across chiller than the last two. What’s to be noted about Cassidy is that he’s able to captivate with his rhymes because they carry a lot of heart and emotion. You can hear that he puts his all into every word his spits. Another note about “Lies” is that it has this R&amp;amp;B flavor mixed in a bit. Last up, “All of You” switches it up and gives us a lot of energy from this emerging emcee. If you’re a fan of Wiz Khalifa and Faboulous, check out Connor Cassidy’s music today. (&lt;a href="https://www.connorcassidy.com/#base" target="_blank" rel="noreferrer"&gt;https://www.connorcassidy.com/#base&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Son Of Ice: "Light Years"</title><link>https://dahiphopplace.com/son-of-ice-light-years/</link><pubDate>Sun, 19 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/son-of-ice-light-years/</guid><description>&lt;p&gt;Down in the south, music comes through with a signature style. And Son Of Ice is all dressed up with everywhere to go with his track “Light Years.” It starts with the intention that it’s going to be this sort of kickback track. It remains chill, but Son of Ice’s flow has this swag to it that takes it a notch above a laid back time. It has a steady pace to it with a little bounce in its step that allows for some shoulder shimmy action. You can see yourself getting down to this one at the club without turning it up too much. It’s the right amount of fast and slow; balanced cool. If you’re a fan of Chris Brown and Big Sean, check out Son of Ice’s “Light Years,” available now. (&lt;a href="https://soundcloud.com/son-of-ice-music" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/son-of-ice-music&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Moosh Millionz – I’m Jus Sayin</title><link>https://dahiphopplace.com/moosh-millionz-im-jus-sayin/</link><pubDate>Tue, 14 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/moosh-millionz-im-jus-sayin/</guid><description>&lt;p&gt;Moosh Millionz – I’m Jus Sayin&lt;/p&gt;
&lt;p&gt;FACEBOOK: &lt;a href="https://www.facebook.com/MooshMillz" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/MooshMillz&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Score: 5/5 Stars&lt;/p&gt;
&lt;p&gt;How would I describe Moosh Millionz’s music? Moosh re-defines Soul, Dance Pop, Rap with touches of modern avant garde Hip/Hop. Moosh Millionz offers a fresh new sound capturing a unique menagerie of all the aforementioned styles with the intent of restoring roots into the modern day music scene. Who doesn’t like smooth a silk Hip/Hop Rap Soul combination. I’d bet all the hands go up in the air right away. I mean, while some might not be able to appreciate this intoxicating style of music your first choice, most people can’t deny getting into many top shelf urban-esque songs of the past and admit to really enjoying well written and performed music within all the above genres. Well, keeping all this in mind the latest release by Moosh Millionz &lt;em&gt;“I’m Jus Sayin&lt;/em&gt;” latest 16 Track release is to say the least an exceptional catalog of music that is very entertaining and soothing to the mind, body and soul. But it goes even further because I can also hear Rap, Chill/Dub and Urban Dance Pop and enough vocal soul to go around. Let me go on record by saying People - this dude can sing! Just listen to marquee tracks like “A Lil Bit Mo” and my favorite song Girlfriend and you will see my perspective. I got hooked on Moosh Millionz after the first few songs &lt;em&gt;– So Hood, A Lil’ Bit Mo and Girl Friend.&lt;/em&gt;&lt;/p&gt;</description></item><item><title>Ready or Not, Here Comes Erie Ave</title><link>https://dahiphopplace.com/ready-or-not-here-comes-erie-ave/</link><pubDate>Tue, 14 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/ready-or-not-here-comes-erie-ave/</guid><description>&lt;p&gt;Out in Maryland Erie Ave does his thing and is ready for the prime time action. “Blessing” doesn’t do a lot to really capture you, but that’s not the case with “10 Bands.” This one hits you like a train right off the bat and continues that momentum throughout. That calms down a bit with the quick “Ready or Not.” It’s a short track that leaves you wanting more. Then in walks “Hustle” and there is the “more” you wanted. It has a swag to it that makes it a party starter. Things smooth out with the chilled ways of “Alright” and keep on with the vibe as “Prime Time” takes charge. With each track, you can hear a steady rise for Erie Ave. He’s got a style that fans of artists like Faboulous would appreciate. If you’re a fan of hip hop that’s been chilled like wine, check out Erie Ave. (&lt;a href="https://soundcloud.com/ErieAve" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/ErieAve&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>SoHusky: LoneWolf</title><link>https://dahiphopplace.com/sohusky-lonewolf/</link><pubDate>Tue, 14 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/sohusky-lonewolf/</guid><description>&lt;p&gt;SoHusky’s “LoneWolf” takes the idea of being alone and gives it a hip hop twist. The title track has a slow build up and when it starts, you’re not sure what you’re in for. What you get it a chilled stack of rhymes. That relaxed vibe continues on with “Loner.” It’s clear that there’s a running theme with this emcee - he’s not one for company. “No Love” questions society while “Hooked” is titled very well as you won’t be able to get it out of your head for a long time after thanks to the well, hook. This whole time you get the sense that SoHusky doesn’t play well with others, but alas he has a guest on the album. OnlySin hops on to do his thing on “Break the Law.” Rounding out this relaxed record is the very real “Why” and “Myself,” which is fitting and caps off things nicely. If you’re a fan of hip hop that isn’t all about that crunk mentality, but more so reality - then check out SoHusky’s “LoneWolf,” out now. (&lt;a href="https://soundcloud.com/sohusky" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/sohusky&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Fresh Face of Young Rizz</title><link>https://dahiphopplace.com/the-fresh-face-of-young-rizz/</link><pubDate>Tue, 14 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-fresh-face-of-young-rizz/</guid><description>&lt;p&gt;Not even old enough to buy a beer, Young Rizz is doing big things in the MN. “Who Want It” starts off very dramatic. It’s as if a fight is about to begin. The build up softens as he gets into the song, but the delivery still has a sense of intimidation. Moving on to “Bloomin’” has that same feel as the last in the intro but I think gets more run of the mill once the lyrics are laid out. His girl Angel helps him out on “Greater Later” and gives this track a R&amp;amp;B flare. We get back to the tricked out hip hop with “Blindfolded” and continue on that path as we head into “Not Gon’ Stop Us.” One of the best of the batch is “Strive.” It doesn’t do anything like the rest. It doesn’t have that intimidating feel, nor does it have anyone on it. It’s just Young Rizz doing what he does best. It seems the most personal too. It’s always nice to be able to get a real feel for the emcee. If you like artists like Wiz Khalifa and Tyga, check out Young Rizz. (&lt;a href="https://www.facebook.com/Mryoungrizz" target="_blank" rel="noreferrer"&gt;https://www.facebook.com/Mryoungrizz&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Atman is back!</title><link>https://dahiphopplace.com/atmvn-is-back/</link><pubDate>Wed, 08 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/atmvn-is-back/</guid><description>&lt;p&gt;&lt;strong&gt;Artist:&lt;/strong&gt; Atman&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;CD:&lt;/strong&gt; Silence is Golden&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Website:&lt;/strong&gt; &lt;a href="https://www.iamatman.com/atman-silence-golden/" target="_blank" rel="noreferrer"&gt;https://www.iamatman.com/atman-silence-golden/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Genre:&lt;/strong&gt; Rap, Hip Hop&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sounds Like:&lt;/strong&gt; Too Short, E-40, Mac Dre, Twista, Pimp C, Lil Wayne, K Camp, Wiz Khalifa&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Weakness&lt;/strong&gt;: More live musical events, overly synthetic and one dimensional, more melodic vocal events, more flowing vocal melody lines.&lt;/p&gt;
&lt;p&gt;Polish experimental ethno-folk collective ATMAN was formed in 1981 by multi-instrumentalists Marek Styczynski, Marek Leszczynski and Piotr Koelcki, who remained the core of the group throughout its lengthy existence; other regular collaborators included vocalist Anna Nacher and Tomek Gulinski, as well as bassist Thomasz Radziuk. Forging an aesthetic they dubbed &amp;ldquo;forest music&amp;rdquo; — a sound created with acoustic instruments and Tibetan instruments — the members of ATMAN divided their time between performing and offering workshops in instrument building and forestry, finally releasing the cassette &amp;hellip;jak rozrzucone po ziemi kamienie&amp;hellip; on their own FLY (Freak Living Yourself) label in 1991. Cassettes including Soundreams and Gadajaca Laka followed before ATMAN made its American debut with the Drunken Fish EP Save the Earth; other efforts for the label include 1997&amp;rsquo;s Personal Forest and 1999&amp;rsquo;s Tradition.&lt;/p&gt;</description></item><item><title>Coming Together with 24Gang</title><link>https://dahiphopplace.com/coming-together-with-24gang/</link><pubDate>Wed, 08 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/coming-together-with-24gang/</guid><description>&lt;p&gt;When you get together with your boys and all can spit rhymes, you have to make something happen. That’s what the guys behind 24Gang did. “Whippin” has a very repetitive manner. It’s easy to learn, but doesn’t have a beat that makes it memorable. It might be better if the tempo was sped up just a bit. With “Reckless” we improve and have a slick beat that comes with a sick flow. This one is the shining star of the bunch thanks to it being a full package. Then you have “Gang” and here 24Gang brings it hard. This one sounds more aggressive than the previous but has a clear cut mission to entertain. You’ll want to take a big drink of “Juice.” It has an interesting flow and it’s kind of all over the place and that makes you pay attention even more. With “How I’m Livin’” that’s a great place to cap things. It’s a fresh track that really pulls everything together and showcases what 24Gang is all about. If you’re a fan 50 Cent and Eminem, check out 24Gang now. (&lt;a href="https://www.jango.com/music/24Gang?l=0" target="_blank" rel="noreferrer"&gt;https://www.jango.com/music/24Gang?l=0&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Hear the Growth of Dizzie D</title><link>https://dahiphopplace.com/hear-the-growth-of-dizzie-d/</link><pubDate>Wed, 08 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/hear-the-growth-of-dizzie-d/</guid><description>&lt;p&gt;Not every artist starts out knowing the ins and outs. In our musical journey with Dizzie D, we start with an emcee who lets the music guide and then takes the reins and powers through to be the boss man. “Hard Knock” sounds like the start of a movie when it starts. You can see a camera following a winding road and landing on a shot of a haunted house. Then when the rhymes come through, it doesn’t have that same feel. It’s a little less dramatic than the music. With “It’s Good” the rhymes come through very chill for the most part, getting some energy as it goes along but again - it’s the beat that really helps this track glide on. Overall this one is a killer track. As we head into “Bounce” it’s like Dizzie D finally found his footing and comes through strong as an emcee and the music no longer has the upperhand. He shines as the star. That streak continues on with “Fame” and we finally hear him and it’s a stunning performance. His confidence oozes from each line. If you’re a fan of artists like Kendrick Lamar, check out Dizzie D now. (&lt;a href="https://soundcloud.com/dizzie" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/dizzie&lt;/a&gt;_d)&lt;/p&gt;</description></item><item><title>A Variety Pack with Ghetto Glory Family</title><link>https://dahiphopplace.com/a-variety-pack-with-ghetto-glory-family/</link><pubDate>Tue, 07 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/a-variety-pack-with-ghetto-glory-family/</guid><description>&lt;p&gt;When it comes to making music, Ghetto Glory Family AKA GGF has a lot under their belt and they’re ready to share it with the world. So prepare. “Lovin Music” isn’t what one would expect. It’s crystal clear and has a more mainstream vibe to it with some R&amp;amp;B tossed in the mix thanks to the hook. As we move on, “Look at Us Shawty” has a more club feel than the last. It sounds like a song that would catch on like a trend. With “I Know You Do” we take a little step back into where we started. It’s a back and forth dance between two styles and that’s great because it keeps you on your toes and you’ll never be bored with Ghetto Glory Family. Whether you’re being emotional with “All I Think About Is You” or getting wild with “We Ain’t On That Bullshit.” If you’re a fan of hip hop that can get you going both in a feel good way and set you into party mode, check out Ghetto Glory Family’s plethora of sound now. (&lt;a href="https://soundcloud.com/gemini-4" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/gemini-4&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>It's Easy, Like BiG Quezzy</title><link>https://dahiphopplace.com/its-easy-like-big-quezzy/</link><pubDate>Tue, 07 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/its-easy-like-big-quezzy/</guid><description>&lt;p&gt;If you’re in Florida and need to give some hometown love to a rapper, make sure it’s BiG Quezzy. “Picasso Plates” has a very classic sound when it starts. Classic in the sense that you could hear it at an art show. Then it’s intertwined with this street sound. It makes for an interesting listening experience. With “Quick Entrance” comes fast, but not as snappy as one would assume. It also has parts that drift off and create a sense of drama and give the song a backbone. In “Translation” is the first one where the lyrics stood out more than the beat construction. That’s also the case with “Reverse Me” thanks to the ear catching Rihanna line.” With “Let’s Go,” that’s when the reality of what BiG Quezzy has been through and what he’ll do to ensure that he makes it far from the bad. It’s the best because it shows the man behind the lyrics. If you’re a fan of well constructed beats and heartfelt rhymes, check out BiG Quezzy today. (&lt;a href="https://soundcloud.com/amicoe" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/amicoe&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Maverick: Prosperous Psyche</title><link>https://dahiphopplace.com/maverick-prosperous-psyche/</link><pubDate>Tue, 07 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/maverick-prosperous-psyche/</guid><description>&lt;p&gt;Coming straight to you from Hotlanta is Maverick with his EP “Prosperous Psyche.&amp;quot; We kick things off with “Only Tonight.” This joint has a hip hop backbone, but the skin of a R&amp;amp;B track. It’s smooth but has those rhymes laid out clean. We get that same smoothness with what sounds like a little Asian influence in the music. It’s a great east meets west fusion. Reality sets in with “Pain and Pleasure.” Those who like to keep it real will gravitate towards this one, for sure. Last up on this EP is “On The Move.” Here Maverick stays positive and offers some advice while keeping it cool. If you like hip hop that has been baked in the oven with an R&amp;amp;B glaze, make sure that Maverick’s “Prosperous Psyche” is put in your iTunes cue. (&lt;a href="https://soundcloud.com/maverickworld" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/maverickworld&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Chosen One - Obie Won</title><link>https://dahiphopplace.com/the-chosen-one-obie-won/</link><pubDate>Wed, 01 Apr 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-chosen-one-obie-won/</guid><description>&lt;p&gt;One might assume that Obie Won currently resides beachside on an island near Florida. Instead he calls Ohio home, but has that tropical feel in his heart. “Dancehall Nice Again” kicks things off and has a nice overall sound. It’s perfect for kicking back and relaxing. The same goes for “Forever.” It transports you from wherever you are to the sandy beaches of Jamaica. Then in a turn of events, “Baad Up” is unlike the rest. You can still hear that reggae style in the vocals, but it’s a clear cut hip hop track. It’s also harder sounding than the others - like the bad boy of the bunch. Overall, if you’re a fan of reggae and dabble in hip hop, Obie Won is the perfect artist for you. So check him out! (&lt;a href="https://soundcloud.com/obiewonmusic" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/obiewonmusic&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Mic. Carr: Cut The Jazz</title><link>https://dahiphopplace.com/mic-carr-cut-the-jazz/</link><pubDate>Tue, 31 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/mic-carr-cut-the-jazz/</guid><description>&lt;p&gt;Mic. Carr’s “Cut The Jazz” makes you think you’re in for one thing and then another pops off. “Give to Get” starts out smooth and then you’re welcomed by a very calm storm of hip hop that has a sense of refinement. With “Second to None” you’re introduced to more singing than rhyming right off the bat. Then vocals like Common come through and you’re taken under a musical spell with a sample of what sounds like “I Wanna Sex You Up.” A little R&amp;amp;B flare settles in nice with “Nothin’ Better” as Ronny Soprano does his thing with Mic. Carr on both “Somethin’” and “The Move.” Wrapping up this record is what appears to be the best, judging by the title, “MVP.” What’s great and what listeners should know about Mic. Carr is that his style comes across as a poet and not as some run of mill rapper like Lil’ Wayne. Mic. does his thing with a sense of class and it’s all on “Cut The Jazz,” out now. So check it if you’re into that neo-soul hip hop scene. (&lt;a href="https://micmusic9.bandcamp.com/album/cut-the-jazz" target="_blank" rel="noreferrer"&gt;https://micmusic9.bandcamp.com/album/cut-the-jazz&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Spread the Al Luv</title><link>https://dahiphopplace.com/spread-the-al-luv/</link><pubDate>Mon, 30 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/spread-the-al-luv/</guid><description>&lt;p&gt;Detroit’s known for a lot of things, but soon it’ll be known as the home of Al Luv. “Determined” gets the point across with repetition. If you want a song that’s easy to learn, this is it. Once all the determination sets in, things get more sing-song and the hip hop takes a break with the chorus. Moving on, “Get It Ready” takes the idea of the chorus of the last one and creates a whole song that’s in that style. It’s more mainstream hip hop in that it has a beat that’s more pop-like than street. We go more towards the street though with “G.M.S.” It has a harder feel than we’ve heard so far. It sounds like a song that would be a great listen on a summer day, outside on the porch. “From the Hood to the Hills” lets us continue on this path of harder sounds from Al. This one stands tall as it has a sense of reality in it lyrics. Going into “Dats Me!” we have a track that would get booties shaking on the floor with the hook alone. To close this one out, we’ll end with “Gotta Keep It Movin.’” It’s a great one to end our time with Al Luv because it’s not only a great track that sends positivity through you, but is also a reminder to keep on keeping on. With that, if you’re a fan of hip hop that can be both chill and street, check out Al Luv today. (&lt;a href="https://soundcloud.com/al-luvv" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/al-luvv&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Tame the Staticthebeast</title><link>https://dahiphopplace.com/tame-the-staticthebeast/</link><pubDate>Mon, 30 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/tame-the-staticthebeast/</guid><description>&lt;p&gt;Out in the Midwest Staticthebeast is doing his thing with hip hop and creating a style that can’t be beat. “For the Money” has a great hook and sounds more on the pop side. It has that Akon feel to it. In that it has a flow, but at the same time can be sung and is fun. That’s all in the hook though. The rhymes follow that beat but come across like a good ol’ fashioned emcee. With “Sex With Me” we hear a sensuality brought on by a guitar played slowly at the start. Then the lyrics kick in and kick things into gear. While the music continues to play sensually, the rhymes come fast. It’s a nice balance of nice and slow. It’s like imitating the lovemaking experience. If you like hip hop that intertwines with mainstream and R&amp;amp;B, check out Staticthebeast now. (&lt;a href="https://www.reverbnation.com/staticthebeast4" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/staticthebeast4&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Bigg.T: “Something That I’m Missing"</title><link>https://dahiphopplace.com/bigg-t-something-that-im-missing/</link><pubDate>Thu, 26 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/bigg-t-something-that-im-missing/</guid><description>&lt;p&gt;Bigg.T’s “Something That I’m Missing” is a stellar song that could be on your next playlist for the rest of the year, and into the next. It starts with that baby voice element that is sometimes used. It acts as the hook as Bigg.T comes through with with laidback and well constructed lyrics that showcase a sense of maturity. What’s also great about them is that they’re realistic. It’s not about the traditional hip hop lifestyle of money, girls, and whatnot - but Bigg.T really relays about his life and you feel more connected to him as more than artist, but as a person. That connection makes you want to check out more and see what else he has up his sleeve. If you’re into artists like Kendrick Lamar, check out Bigg. T now. (&lt;a href="https://janicebanks293.wix.com/upcominggeneration" target="_blank" rel="noreferrer"&gt;https://janicebanks293.wix.com/upcominggeneration&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Dig the Variety of Zobe Records</title><link>https://dahiphopplace.com/dig-the-variety-of-zobe-records/</link><pubDate>Wed, 25 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/dig-the-variety-of-zobe-records/</guid><description>&lt;p&gt;When it comes to a great label, you have to have a lot going on for people to be interested and to make a name for yourself. That’s the mission Zobe Records completes. Artists like Kenn Retro holds it down with his Chris Brown like ways in “Holding It Down” and the more hip hop “Do My Thing.” Then they also have the rapid fire Staccato who really doesn’t mess around when it comes to rhymes. He’s like a speed racer and someone who can’t be caught on the mic. Don’t be mistaken though, it’s not a boys’ club at Zobe. They have some great female artists on the roster like Kayisha and Liana who’s single “Sometimes I” is a sweet mixture of pop and R&amp;amp;B. If you’re a fan of well made music, check out what Zobe Records is putting out in the music sphere today. (&lt;a href="https://www.zoberecords.com/" target="_blank" rel="noreferrer"&gt;https://www.zoberecords.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Feast on So Deep Entertainment</title><link>https://dahiphopplace.com/feast-on-so-deep-entertainment/</link><pubDate>Wed, 25 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/feast-on-so-deep-entertainment/</guid><description>&lt;p&gt;So Deep Entertainment has a lot on their plate. With “One Accord” you get a great case of R&amp;amp;B. It has a sense of the sweet sounds of the ‘90s when this music went from “Soul Train” to the homes of everyone. “All I Need” also makes you feel nostalgic because the beginning sounds like the intro to a video cassette. That blaring is then hip hop comes blaring out in a way that would make you a fan in an instant. We go back to the soul with “Eyes of An Angel.” This one has a Gospel influence and beautiful harmonies everyone involved. So Deep Entertainment has a lot to offer music fans whether it be Pretti Boi Shon, Black Magic or just with the variety of genres. You can have a taste of R&amp;amp;B, rap and gospel all in one stop. So Deep if for music people who don’t like to feast on just one thing, but like a little bit of everything. (&lt;a href="https://soundcloud.com/so-deep-entertainment" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/so-deep-entertainment&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Sky's the Limit for Lanza</title><link>https://dahiphopplace.com/the-skys-the-limit-for-lanza/</link><pubDate>Wed, 25 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-skys-the-limit-for-lanza/</guid><description>&lt;p&gt;Lanza does his best with what he has, and if he keeps it up will be one of tomorrow’s must-listen artists. “Soldier” has an eccentric style. When it starts it’s more like talking than the hip hop flow most are used to, but then it goes on and gets more traditional with a hook. With “Came a Long Way” we get a sample of what appears to be either a sermon or track from way back in the day. Here you hear more flow from Lanza and it really showcases what he can do better than where we started off. With Tool by his side on “Be With You,” we get more of a neo-soul infused track here. “Aiming for the Stars” starts with a fantastic ivory trickle and then when the lyrics come through it’s all about what he’s going to do and what he’s done to get where he wants to go. Lastly we take on the best decade with “90’s.” What would’ve made this one pop off more would be if it was done more with a ‘90s beat or if the lyrics paid homage to those ten years a bit more. All in all Lanza is a young emcee who still has a ways to go, but definitely has a strong platform to spring off of. He’ll be as asset to hip hop soon. (&lt;a href="https://soundcloud.com/lancepuesey" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/lancepuesey&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>All the Sides of Tae Zu</title><link>https://dahiphopplace.com/all-the-sides-of-tae-zu/</link><pubDate>Mon, 23 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/all-the-sides-of-tae-zu/</guid><description>&lt;p&gt;Tae Zu knows his way around a beat and that’s the truth. “Two Sides of One Half” comes across as confident. He is a man who knows his way around a rhyme and this showcases that to a tee. With “Troubled Scars” we start off soft with what appears to sound like a classical musical. The piano guides you into something that comes off as serene, and then Tae Zu comes in, but not hard. The beat has a light feel to it. Then with “Who Do You” things take a turn down R&amp;amp;B avenue. We’re back on the hip hop trail with “Point’em Out.” This one really sets the tone for someone who knows the facts of the craft and can do it justice. It has the strongest delivery as well. Closing this one out is “Slicker Guy.” Here Tae Zu gives us his all with a cool beat. He spits the lyrics out in a way that’s easy to follow but dosed in swag. If you’re a fan of artists like Nas, check out Tae Zu today. (&lt;a href="https://soundcloud.com/ffep/sets/the-world-of-tae-zu" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/ffep/sets/the-world-of-tae-zu&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Erie's Own Dommy</title><link>https://dahiphopplace.com/eries-own-dommy/</link><pubDate>Fri, 20 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/eries-own-dommy/</guid><description>&lt;p&gt;Dommy has his head in the game and it’s clear that he’s going places. First one out the gate features Hubbs and together the go bold with “Bland.” It really sets the tone for what Dommy is capable as an artist. He puts himself out there and lays out what he’s all about. He continues to put on the table what he’s about and why he’s in the game with “Ambition.” It’s lyrical content is telling while its beat is sickening. With “Pro’s And Cons” we have a bit of icing for this hip hop filled cake. The hook has more edge than a lot of tracks out there and really does the trick. We get a need for speed with “Realization.” Here Dommy spits the rhymes fast and in a frenzy, but it’s still audible. We hit the street in a cool way with “Bi-Polar.” It has a more raw feel than the rest, while still maintaining a sense of cool. Being from Erie, Pennsylvania he should try and hook up with another emcee from that area - I$O Jyn. With that, we’ll sign off so you can sign on and check out Dommy. (&lt;a href="https://soundcloud.com/dommy-doo" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/dommy-doo&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Prepare for Lyrical Manslaughter with I$O Jyn</title><link>https://dahiphopplace.com/prepare-for-lyrical-manslaughter-with-io-jyn/</link><pubDate>Fri, 20 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/prepare-for-lyrical-manslaughter-with-io-jyn/</guid><description>&lt;p&gt;Coming straight at you from the big PA, I$O Jyn sounds as New York as they can be. “Lyrical Manslaughter” has this very New York, Jay Z - big sound. It sounds like the video would feature the bright lights of the Big Apple. You can envision that in an instant. Plus, the rhymes flow so naturally, you can’t help but dig in and enjoy. We really started on a high point so heading on from here we’ll see if we can hit that peak position again. “LU BU” comes stronger than the last with rapid lyrics but it’s not the grand finale like the latter. “HopOff” comes across as pure intimidation. With “Suave So Kleen” it sounds like something out of a movie at first. The setup has a lot of drama. Then when things get started it doesn’t pop off like one would expect, but stays subtle. When you boils things down where were started is where the star of I$O Jyn’s tracks sits. It’s rare to hear a song like that from a indie emcee but it’s up there with the big dogs in terms of production, lyrics and overall presentation. If you want a master of his craft, check out I$O Jyn now. (&lt;a href="https://soundcloud.com/isojyn" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/isojyn&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Face the Facts with Johnny Bones</title><link>https://dahiphopplace.com/face-the-facts-with-johnny-bones/</link><pubDate>Wed, 18 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/face-the-facts-with-johnny-bones/</guid><description>&lt;p&gt;Johnny Bones is a skilled emcee who can do his thing as well as flip the script on some remixes. “Face Down” is the North Star of this rapper’s journey. It’s the point of interest that all his listeners will head towards. It’s well-rounded in the fact that it has a great beat, a steady flow, and sick rhymes. With “Relations” things are turned down a bit but it’s a smooth, and cool song that grabs your attention with its attention to detail. Then we get hype again in the delivery department with “Turn Up.” Johnny Bones comes at you with rapid fire lyrics. When it comes to what’s radio ready, you wouldn’t hear “Get Smoked” on your local dial any time soon just because of the explicit wording, but cleaned up it could be a weekly smash on the FM waves. Today there isn’t anyone who hasn’t fallen in love with Coco, but with Bones’ remix, he’s sure to get anyone who has yet to be engulfed in this track. He also has a sweet remix of “Yayo” that’s worth checking out as well. Whether he’s doing originals or remixing, one thing’s for sure - Johnny Bones has got the skills mastered, so stop wasting anymore time and check him out now. (&lt;a href="https://www.youtube.com/user/cityboibones/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/user/cityboibones/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>A Fresh Start with Deezy Fresh</title><link>https://dahiphopplace.com/a-fresh-start-with-deezy-fresh/</link><pubDate>Mon, 16 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/a-fresh-start-with-deezy-fresh/</guid><description>&lt;p&gt;Deezy Fresh is an emcee who does things his way or no way at all. “On Shight” has a great beat but when it comes to the delivery, it could be a bit stronger. It’s a bit all over the place. With “Boo Thang” things are slowed down at the start and it’s far from a love song between people. It’s for those who aren’t ready to be tied down by love, but are all about that baller life. When it comes to “Bob Marley,” it would’ve been expected to hear a reggae beat, so it was surprising when that’s not what came out when “play” was pressed. At this point in the listening experience with Deezy Fresh, “Real Nigga” is one of the best. It’s slow paced but it seems to be the best representation of what he’s all about as an artist. With that said, “Packman” is pretty great too. It’s like a chilled version of Childish Gambino. If you’re a fan of hip hop that plays by its own rules, check out Deezy Fresh today. (&lt;a href="https://soundcloud.com/abcfresh" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/abcfresh&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>L.A. Davis Everything Changed</title><link>https://dahiphopplace.com/l-a-davis-everything-changed/</link><pubDate>Fri, 13 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/l-a-davis-everything-changed/</guid><description>&lt;p&gt;L.A. Davis Everything Changed&lt;/p&gt;
&lt;p&gt;REVERBNATION: &lt;a href="https://www.reverbnation.com/ladavis" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/ladavis&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Though the days of smoked filled cocktail bars have been ushered out at insistence of modernity, L.A Davis is a welcome and promising vocalist in the tradition of smoky vocalists like Justin Timberlake, James Morrison, Stevie Wonder and Michael Bublé. It’s easy to picture this London East Ender one a six-inch riser stage in a crowded club; small, but with a lively dance floor.&lt;/p&gt;
&lt;p&gt;Whereas modern cocktail-bar singers cut their words into clipped syllables, L.A Davis relishes and leans into his hazy vocals. At times, throwing his whole self into the music is the only choice Davis has in order to contend with the operatic stylings of his backup vocals and full-bodied sound. No toes are stepped on, and the coordination between saxophones, acoustic guitars, piano, and synth beats is a narrowly avoided disaster. Most beautiful orchestrations are a mere beat away from catastrophe, and though L.A Davis dances that razor’s edge, the band comes out on top with a flourish.&lt;/p&gt;</description></item><item><title>Marc Makes His Mark</title><link>https://dahiphopplace.com/marc-makes-his-mark/</link><pubDate>Thu, 12 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/marc-makes-his-mark/</guid><description>&lt;p&gt;Marc is all about the money and representing his home base in his slick hip hop tricks. When it comes to money, who wouldn’t want more? Well “Currency Affair” is all about that idea. While it’s a great song - it won’t magically make money appear if your pockets, but it will leave you musically satisfied because it’s got a sick hook and keeps your mind ironically off the dough. With “She Say” we get another great beat, one that really sounds video game-like. It is very light and has a tone that makes you want to move like you’re on the beaches of Miami. Which makes perfect sense because that’s where Marc calls home. Whether you’re in the market for musical money or want to hit the dance floor, this Florida artist is where it’s at. So check out Marc today. (&lt;a href="https://soundcloud.com/305" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/305&lt;/a&gt;_marc)&lt;/p&gt;</description></item><item><title>From the Ill Streets, Enoch Maddox</title><link>https://dahiphopplace.com/from-the-ill-streets-enoch-maddox/</link><pubDate>Fri, 06 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/from-the-ill-streets-enoch-maddox/</guid><description>&lt;p&gt;We’re not sure where Illstreet is in the US, but that’s where Enoch Maddox likes to say he hails from. So sit back and relax, but not too much because this young emcee knows how to take the wheel and go for it. “Life is Like a Freestyle” has a really cool beat to it. It’s not overdone to the point that you’d grow bored of it. It’s very cut and dry, to the point. But that’s what makes it great, that raw appeal of it. With “Urban Cowboy Stories” you get more of a story that captures you and holds tight. The music does nothing more than help that tale glide from his lips to your ears. He gets a little more assertive with “The Imagination of the Invisible Man.” Then he lightens up as we head into “R.I.P. 2014.” Here we don’t get low key or assertive, but a song that could be on the radio yesterday. It’s great in terms of lyrical content and beat. If you’re a fan of artists like Kendrick Lamar, check out Enoch Maddox today. (&lt;a href="https://soundcloud.com/celestial87" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/celestial87&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Hip Hop Matures with KidDr1ft</title><link>https://dahiphopplace.com/hip-hop-matures-with-kiddr1ft/</link><pubDate>Wed, 04 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/hip-hop-matures-with-kiddr1ft/</guid><description>&lt;p&gt;Who knew Minnesota had a hip hop scene? Not many, but KidDr1ft is doing what he can to change that. “All In My Head” isn’t what I expected. I thought, this looks like a young kid who’ll act a bit immature in his rhymes. Proven wrong, what came out of this track was a well composed man - not a boy at all. With “Hard to Tell” it got a little too repetitive and wasn’t the best of the bunch. The beat was good but the lyrics fell by the wayside. We come back though with “One Wish.” It’s not the most hype song and not one you’d put on to get a party going - but it has a composure that makes you want to just chill to it with your boys. KidDr1ft also hops on some tracks with his boy Ladell Parks. “Goodbye” takes you for a serious ride with a story at hand while “I Changed” has more of a dramatic feel. If you like hip hop that keeps it mature and classy, check out KidDr1ft now. (&lt;a href="https://www.reverbnation.com/kiddr1ft" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/kiddr1ft&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Gordy Walbangar Live!</title><link>https://dahiphopplace.com/gordy-walbangar-live/</link><pubDate>Mon, 02 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/gordy-walbangar-live/</guid><description>&lt;p&gt;If you want a show that’s packed full of energy, check out Gordy Walbangar. He puts on a show that could be likened to both LMFAO in that it’s all about having a good time, but also hip hoppers like Tyga who bust out those serious rhymes. His stage presence represents someone who already thinks he’s a star so the confidence is there and it very well should be. He’s a professional with the mic and knows his way around it. In just a short amount of time he’s able to make you want more and want it now. If you like hip hop that’s genuine and fun, check out Gordy Walbangar today. (&lt;a href="https://www.youtube.com/watch?v=" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=&lt;/a&gt;_sUmcUeYxOs)&lt;/p&gt;</description></item><item><title>Midwest's Best, Saj Jones</title><link>https://dahiphopplace.com/midwests-best-saj-jones/</link><pubDate>Mon, 02 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/midwests-best-saj-jones/</guid><description>&lt;p&gt;Hip hop isn’t all about the fast paced lifestyle and Saj Jones is here to prove just that. “Live It Up” starts off with a futuristic tone and overall could be likened to what Drake’s putting out - that smooth rap. That continues as we head down that path with “The Road.” It’s very low key and doesn’t overdo it with the delivery or the beat. It’s all laid out very calmly. Kid Da Great pops up to help out with “Think of You.” With this one we don’t overdo it but Kid does bring more of a Lil Wayne vibe to the table. It’s clear that nothing is ever going to pop off with this guy, but stay a chilled listening session, even when out and about with “Tour Life.” I spoke too soon…”Some how’ somehow managed to surprise me. It was what Saj and listeners needed. It was hyper than the rest and showed a much needed side of this emcee. While the ride with this Zion based rapper is relaxed for the most part - he proves he can play ball fast every once in awhile if you stay tuned. Check Saj Jones, one of the best from the midwest, now. (&lt;a href="https://www.reverbnation.com/SAJJONES" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/SAJJONES&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The One, The Don</title><link>https://dahiphopplace.com/the-one-the-don/</link><pubDate>Mon, 02 Mar 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-one-the-don/</guid><description>&lt;p&gt;The Don knows his way around the rhymes. “Why We Trap” starts and comes off as a surprise. The face doesn’t match what we hear. I was expecting a youthful sound, instead came a man. After knowing we were not dealing with some young buck, at least vocally, it was easier to concentrate and that’s great because “3 Heat.” It sounds a little like what you’d hear from Gorillaz. Which was another unexpected thing, but only at certain parts. Moving on to “Music Made Me,” this is the song that almost every rapper has to do - that one about where they came from or how they came to be. It’s a hip hop necessity. As far as beats go and delivery, “Cradle to Grave” was one of the best. It had a beat that made you want to learn and sing along as soon as possible. Not so much in a pop way, but in a challenge yourself way - like when you want to learn an Outkast song, only The Don doesn’t come at you with those fast as heck Andre 3000 rhymes. Final one up is “World of Change.” Here you have a strong finish. This and “Cradle to Grave” are the money shots of The Don’s game. If you are ready, check him out fast. (&lt;a href="https://www.youtube.com/channel/UCtDEsjo78KGC5jqkLuADtOQ/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/channel/UCtDEsjo78KGC5jqkLuADtOQ/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Louie Bang Blasts Onto the Airwaves</title><link>https://dahiphopplace.com/louie-bang-blasts-onto-the-airwaves/</link><pubDate>Tue, 24 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/louie-bang-blasts-onto-the-airwaves/</guid><description>&lt;p&gt;One thing people don’t know about radio is that you have to capture listeners within 2-3 seconds or they’ll change the station. That’s what makes Louie Bang a strong contender for airwave domination. What’s great about introducing yourself to the music world with a song like “Partition” is that you guarantee yourself a spot in the back of their head. It’s not catchy in the way a pop song is, but the beat allows you to at least hum along. “My Lady” though has a more old school, ‘90s hip hop feel like something you’d head on the west coast then. By now I can tell the best thing about Louie Bang is that he doesn’t waste your time with long intros that lead nowhere. He jumps right into things like with “Hip Hop (I Don’t Love You)” and the freestyle from “Elevators.” We get a little intimidation from “Let Me Fly.” Up until now it’s been more lighthearted but here he brings some aggression to shake things up. If you’re a fan of emcees who won’t waste your time, check out Louie Bang today. (&lt;a href="https://soundcloud.com/jacob-vinson-jr" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/jacob-vinson-jr&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Wise Up with Nick Wise</title><link>https://dahiphopplace.com/wise-up-with-nick-wise/</link><pubDate>Tue, 24 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/wise-up-with-nick-wise/</guid><description>&lt;p&gt;A lot of artists intertwine hip hop and pop - Chris Brown is one and Nick Wise is another. We kick things off with a remix of “All She Wrote.” It starts off like a pop song and them the rhymes are laid down and it transforms the song as a whole. “Believe In Me” starts like last and grabs you with a great vocal and then the rhymes come in once again. This time they carry a sense of positivity in their spirit. Lastly, “For the First Time” begins unlike the previous ones. This time things begin with a monologue but is like the last in that it speaks volumes about this guys character as an artist. Nick Wise creates an uplifting atmosphere with his music that’s a grand mix of mature pop and hip hop. Check him out today and take him all in. (&lt;a href="https://www.youtube.com/channel/UCdNy0ZBsH9IUxqzKf7Ps7UA/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/channel/UCdNy0ZBsH9IUxqzKf7Ps7UA/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Black Out: Throughell4wealth</title><link>https://dahiphopplace.com/black-out-throughell4wealth/</link><pubDate>Mon, 23 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/black-out-throughell4wealth/</guid><description>&lt;p&gt;Black Out’s “Throughell4wealth” is a healthy dose of rap, rap and more rap. “Sanctuary” starts out in an eerie way with a childlike intro but as soon as Black Out comes in, all that is pushed aside and his audacity takes over. It takes a second for “You Playing” to get underway but it’s worth the wait. It doesn’t go hard, but it has this very easygoing pace that has a chilled feel to it but it keeps the swag high. Smacks hops on for a double dose of hits on “All This Hell” and “Never Stop.” Things take an aggressive turn with “My Future” but it’s welcomed. It showcases that this is an artist who doesn’t mess around and won’t be pushed around. We close out with a great start on “The End.” That feminine touch at the start is way better than where this mixtape started with that horror movie like children chorus. “The End” is the perfect well, end to the record. If you like artists like Kendrick Lamar, check out Black Out’s “Throughell4wealth,” out now. (&lt;a href="https://www.datpiff.com/-blackout-Throughell4wealth-mixtape.659132.html" target="_blank" rel="noreferrer"&gt;https://www.datpiff.com/-blackout-Throughell4wealth-mixtape.659132.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Bow Down for Prince Canon</title><link>https://dahiphopplace.com/bow-down-for-prince-canon/</link><pubDate>Mon, 23 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/bow-down-for-prince-canon/</guid><description>&lt;p&gt;When you want to know where the next big thing in hip hop is, head to Richmond, Virginia and ask for Prince Canon. We kick off our trip with Canon’s music with “Inception.” It has this very ‘70s heading into “Sesame Street” feel to it. It sounds distant but then that classic, smooth hip hop beat drops in and that intro takes a tiny backseat. Smooth, it’s clear that’s what this emcee is all about as we trek on into “Benjamin.” We head a little more towards the beat with “Plot Twist.” That was ironic but moving on, “Into the Mind of Will” sounds like a music box opened at the start of a scary movie to build suspense. Then Canon comes in and takes over but not enough to ignore the spine tingling feel of the music in the background. Ending on a high note, “Versace” flows hard and comes out of the gate strong. It’s the icing on the cake and you should take a bite and check out Prince Canon today. (&lt;a href="https://soundcloud.com/princecanon" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/princecanon&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Dillin Ickes Proves Himself</title><link>https://dahiphopplace.com/dillin-ickes-proves-himself/</link><pubDate>Mon, 23 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/dillin-ickes-proves-himself/</guid><description>&lt;p&gt;We got a rough start with Dillin Ickes, but he was able to turn it around and make us fans. With the help of J-Real, “The Risk” does very little at the start to get you interested with the tinkle of some keys and an inviting monologue. It has a very slow beat and could be picked up just a bit. He steps it up for “I Can’t Rap” and proves the title wrong. He spits it fast and this is what you want to hear from a young emcee. You want that fire under them in a blaze. That continues on with “East to West.” It’s great that he really stepped it up from where we began and showcased a drive to make it. What’s sick about Ickes and should also be highlighted are his beats as well. Like the ones found on “I Got Swag” and “My Way” featuring Young Frost.” If you’re in the mood for new music in your possession, check out Altoona’s Dillin Ickes. (&lt;a href="https://soundcloud.com/icko187" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/icko187&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>I AM's D.Holder</title><link>https://dahiphopplace.com/i-ams-d-holder/</link><pubDate>Mon, 23 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/i-ams-d-holder/</guid><description>&lt;p&gt;D.Holder is one part of I AM. Together they’re a force to be reckoned with, but they’re also highlights on their own. We kick this off with his “Hyyer.” It comes across vocally like Lil Wayne taking a R&amp;amp;B pill and giving us a dose of singing and losing the rap ways. With “My Soul” he has that singing thing going on a bit but it really has more of a hip hop feel thanks to the hook and beat. After his soul, we get into his tale with “My Story.” It was like a slow and steady race to get to this point, but here - this is the song where D.Holder goes full on hip hop and it was worth the wait. He’s on point from start to finish and truly embraces himself as an artist. Lastly, we end with “She Say She Love Me.” In this one we go back to the finish line a bit with that Lil Wayne like vibe. If you like that Cash Money flow check out D.Holder’s jams today. (&lt;a href="https://soundcloud.com/independentartistmovement" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/independentartistmovement&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Wisdom's Passionate Reality</title><link>https://dahiphopplace.com/wisdoms-passionate-reality/</link><pubDate>Mon, 23 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/wisdoms-passionate-reality/</guid><description>&lt;p&gt;It’s not every day that you hear the types of subjects Wisdom puts to song but he takes them and brings a courageous take on music and spoken word. “Molestation” is pretty to the point and doesn’t sugarcoat anything for one second. It’s a tough one to get through as there’s no symbolism - just the basic, clear cut facts of what happened to a young boy. That was more a song, while “Single Mother” has more of that spoken word vibe that Wisdom does from time to time and just as well. A wonderful drum intro welcomes us to the powerful world of “Post Traumatic Stress Disorder.” Lastly, “Son” really pulls at anyone and everyone’s heart strings with its honesty. Losing a loved one is never easy but to hear a father speak about it - that’s rough. If you’re a fan of passion and reality, then please - by all means, do yourself a favor and check out Wisdom’s music and spoken word today. (&lt;a href="https://www.reverbnation.com/mauricewisdombishop" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/mauricewisdombishop&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Movie's Big Screen Debut</title><link>https://dahiphopplace.com/movies-big-screen-debut/</link><pubDate>Fri, 20 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/movies-big-screen-debut/</guid><description>&lt;p&gt;It’s always something different from your main man Movie. “I Would Neva” has a dark feel to it. The music has a hood vibe and the delivery bursts with intimidation. A movie scene, very appropriate for this artists name, starts out “Mad Huh.” This one has more of a mainstream feel of the last thanks to the hook like part after the monologue. The energy is high with “Medicated,” ironic when you think about it but it works. This one really showcases a different side of Movie. We started out with a very intimidating artist but this one has his guards down and makes you want to get to know him more. Every track takes on a new persona and that continues on with “Rules.” With Smuve on deck we head more towards R&amp;amp;B with “Motion Picture.” This one goes into the pop realm a bit. If you want variety from an emcee, check out Movie now. (&lt;a href="https://makeemmad.com/movie/" target="_blank" rel="noreferrer"&gt;https://makeemmad.com/movie/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>HotLanta Gets Hotter with KooZie the #SWEP_R</title><link>https://dahiphopplace.com/hotlanta-gets-hotter-with-koozie-the-swep_r/</link><pubDate>Thu, 19 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/hotlanta-gets-hotter-with-koozie-the-swep_r/</guid><description>&lt;p&gt;In the sea of hopefuls KooZie the #SWEP_R rises above with well made R&amp;amp;B and hip hop fusions. “Killin’ Spree” has a very aggressive name but when it starts, that’s not the case at all. It’s more sensual and about a girl and not a street game. LND joins KooZie for “So Sincere” and this one isn’t as sweet at the last and has a more hip hop base but really has a chilled beat. With “Replay” you finally get the sense that KooZie is an artist bred on artists like Usher but with an edge. He can surely sing but can incorporate some street wise to it. That’s more apparent in the fun ways of “Hang Time.” This one shows off the energy that comes with a KooZie track. Then we slow it back down a bit with “Shadow.” Like Usher and Ne-Yo, KooZie the #SWEP_R has managed to find the balance between doing R&amp;amp;B and hip hop and doing them both well. If that’s what you like, that mix, check out Atlanta’s boy now. (&lt;a href="https://www.reverbnation.com/koozietheswepr?profile" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/koozietheswepr?profile&lt;/a&gt;_view_source=header_icon_nav)&lt;/p&gt;</description></item><item><title>Doing it Up with Big</title><link>https://dahiphopplace.com/doing-it-up-with-big/</link><pubDate>Tue, 17 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/doing-it-up-with-big/</guid><description>&lt;p&gt;Big does things big time. “Gift” is about the present and has this very old school, almost ODB feel to it. With “Wanna Get To Know Ya” the vocals have a very audible Biz Markie vibe. It’s like he took speech classes. I’m not entirely sure what “Slab” is about but it’s a great catchy treat. Then we roll onto “Ain’t No H*** in My Blood.” This one really changes things up and lightens things with the vocal sounds in the hook. Last up, “Lot of Pain” is where it’s at. This one has a really great feminine touch to its hook that makes it stand out against the other tracks that came before it. If you’re a fan of artists like Ice Cube and Dre, check out Big today. (&lt;a href="https://www.soundclick.com/bands/default.cfm?bandID=1371499" target="_blank" rel="noreferrer"&gt;https://www.soundclick.com/bands/default.cfm?bandID=1371499&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Spent with Money Making Prince</title><link>https://dahiphopplace.com/get-spent-with-money-making-prince/</link><pubDate>Tue, 17 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-spent-with-money-making-prince/</guid><description>&lt;p&gt;You don’t hear much about the hip hop scene up in Seattle. It’s a place known mostly for it’s grunge ways in the ‘90s and coffee soon after. That is until Money Making Prince. With IVtheGreatest on the helm, Money Making Prince goes to work on “Born to Die.” Sampling Lana Del Rey’s song of the same name, this remix is both invigorating, haunting and hype as hell. The energy the rap brings to it makes it a whole new experience. Stepping away from the dark pop, we head straight towards the hip hop with “On My Grizzle.” This may be the hardest he has up his sleeve. He keeps the hits coming with “My House of Pain.” What fans will love about this artist is that there’s never a dull moment. Another sample that really makes you smile is up next with “Poison.” Really though, what he does with the original is sick. Lastly, we finish strong with “Kiss My Sass.” If you’re in the need for hip hop that don’t stop - make sure you put checking out Money Making Prince on the top of your to do list. (&lt;a href="https://www.reverbnation.com/princerespectroyalty" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/princerespectroyalty&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Heatho the Pharaoh: #YGSU</title><link>https://dahiphopplace.com/heatho-the-pharaoh-ygsu/</link><pubDate>Tue, 17 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/heatho-the-pharaoh-ygsu/</guid><description>&lt;p&gt;Heatho the Pharaoh’s “#YGSU” is a throwback to some classic hip hop. We waste no time and jump right into things at the start of the record with “O.S.N.S.” It has this low key attitude to the delivery but one cannot deny that it’s fly as heck. For a song called “Dat Loud,” it’s not as wild as one would initially assume. It’s rapid at times, but not this overtly hype track that would turn it out. We step back into the late ‘90s with “Candy Alligators.” It sounds like something from those days of Cash Money. As the record plays on, “Get It, Got It, Good” is where that wild track comes in and makes you stand up and take notice of what Heatho the Pharaoh can really do as an artist to get the party started with a reality based jam. Closing out the album is one with a futuristic feel, “Gorilla Ballz.” The beat has a spacey vibe and it’s a good way to cap things off. If you like early Cash Money, check out Heatho the Pharaoh’s “#YGSU,” out now. (&lt;a href="https://heathothepharaoh.bandcamp.com/album/ygsu" target="_blank" rel="noreferrer"&gt;https://heathothepharaoh.bandcamp.com/album/ygsu&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Bright Lights of HOLLYWOOD J BLACC</title><link>https://dahiphopplace.com/the-bright-lights-of-hollywood-j-blacc/</link><pubDate>Tue, 17 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-bright-lights-of-hollywood-j-blacc/</guid><description>&lt;p&gt;HOLLYWOOD J BLACC can do it up and do it down, the main thing to know is that he’s got all the bases covered. “Living in a Battlefield” starts off strong. It goes in with the hook and captures you in an instant. Then the beat and pace really keeps you going throughout. It has this understated energy to it. With “That’s My Shawty” BLACC does it again but with a R&amp;amp;B flare that really makes you want to get sensual. He can get turnt up and he can slow it down. HOLLYWOOD J BLACC is playing on both sides of the fence and winning. If you’re in the need of a winner in the hip hop realm, check out HOLLYWOOD J BLACC now. (&lt;a href="https://www.youtube.com/channel/UCc5MK47HGHt9rVslRAczsQQ/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/channel/UCc5MK47HGHt9rVslRAczsQQ/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The City of Brotherly Love's Jmotto</title><link>https://dahiphopplace.com/the-city-of-brotherly-loves-jmotto/</link><pubDate>Tue, 17 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-city-of-brotherly-loves-jmotto/</guid><description>&lt;p&gt;The city of Brotherly Love just got a bit better with Jmotto. “Thoughts of the Innocence at Philadelphia, PA” is an odd one. It’s more of a weird conversation between two people instead of a song. Thankfully “No Limits” really makes up for the last one. This one showcases more of an artist instead of someone messing around with their Macbook. There is something intoxicating about “Voices.” Maybe it’s the intimidation, maybe it’s the spooktacular vocals or maybe it’s the fact that if you let it play long enough, it’ll work its way into the core of your brain stem. Speaking of spooked, “Scared” kind of does what “Voices” does but in a less menacing way. After listening to them all, “They Don’t Know” is for sure the best representation of what Jmotto can do as an emcee. He’s more laid back than a rapid spitfire, but can make beats that make you bounce in a chilled manner. If you’re into artists who are about that, check out Philly’s Jmotto today. (&lt;a href="https://soundcloud.com/Stuntworld" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/Stuntworld&lt;/a&gt;_347)&lt;/p&gt;</description></item><item><title>The Many Sides of Skintay</title><link>https://dahiphopplace.com/the-many-sides-of-skintay/</link><pubDate>Wed, 11 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-many-sides-of-skintay/</guid><description>&lt;p&gt;It’s like Skintay couldn’t figure out where to go with his sound. The good news is that it works. He’s able to give listeners an array of styles that fall under one grand umbrella. “Yall Gotta Go” was a surprise and proved you can’t judge a book by its cover. I was expecting some gangster rap. Instead it had this funky ‘70s inspired beat teamed with rhymes that really come across like a good time. It reminded me a little of a Will Smith song. Jre Riley joins Skintay on “Hard to Get.” Here we have R&amp;amp;B tossed into the mix. With “Do Dat” things pick up and it sounds more like a run of the mill rap song that lives in the club. That smoothness comes back with “Boyfriend” featuring Rodney Poe. What comes to the surface here is the fact that Skintay doesn’t have one style. He went from funky to Jiggy to very Common-like here with a poetic feel. If you like artists who can really change lanes swiftly when it comes to making music you want to listen to, check out Milwaukee’s Skintay today. (&lt;a href="https://soundcloud.com/skintay" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/skintay&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Introducing Gray Smoke Productions</title><link>https://dahiphopplace.com/introducing-gray-smoke-productions/</link><pubDate>Tue, 10 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/introducing-gray-smoke-productions/</guid><description>&lt;p&gt;Gray Smoke Productions has a lot up their sleeve and it’s not tricks, but a plethora of treats. First up is “Take Them Clothes Off” by Dj TB featuring Ross Kelly. The beat of this one is okay, but it’s really the rhymes that stand out. Ross steps into the driver’s seat on “Goin In” with DJ Kellz by his side. It’s not as hype as the last, and has more of a chill factor to it. The people behind Gray Smoke bring us “Party Problems” next and it has a good bounce to it. I’m not sure who is behind it, but they have a good technical skill when it comes to delivery. We get a feminine touch with Maegen’s “Ease My Pain,” which is also the first time we hear some R&amp;amp;B from this camp as well. It’s clear that Gray Smoke know the ins and outs of making a great hip hop track. The proof is in the tracks they churn out like clockwork. Skills and precision are what these folks focus on and if that’s what you like in your hip hop, make sure to keep tabs on Gray Smoke Productions. (&lt;a href="https://www.youtube.com/user/GraySmokeProductions/videos" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/user/GraySmokeProductions/videos&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Street Meets the Night with P-Wonda Ooh Wee</title><link>https://dahiphopplace.com/street-meets-the-night-with-p-wonda-ooh-wee/</link><pubDate>Mon, 09 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/street-meets-the-night-with-p-wonda-ooh-wee/</guid><description>&lt;p&gt;P-Wonda Ooh Wee is an emcee who blends the hardness of the pavement with the beats of a night out. Odd intros can make or break a track. When it comes to “Just Sent It at The Juggathon,” it makes it. The obscure start really makes you want to stick around to see what’s next. It sounds like something you’d hear the youngest brother on Fox’s hit series “Empire,” spit out. With “Think She a Stripper” you get this very dark delivery that tells a story. One would think a subject would rely on a catchy club beat. Instead it has more of a story to it with a great hook. P-Wonda Ooh Wee is all about setting you up with the intros and that goes with “Hood Certified” too. This one comes at you like an attack. With “Dat Aintcho Girl” has a very Southern feel to it. It smells like it came from the streets of Hot-Lanta. If you like hip hop that has a very club meets street vibe, check out P-Wonda Ooh Wee today. (&lt;a href="https://m.soundcloud.com/p-wonda-ooh-wee" target="_blank" rel="noreferrer"&gt;https://m.soundcloud.com/p-wonda-ooh-wee&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>7 Solo: The Grand Incredible Mixtape</title><link>https://dahiphopplace.com/7-solo-the-grand-incredible-mixtape/</link><pubDate>Sun, 08 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/7-solo-the-grand-incredible-mixtape/</guid><description>&lt;p&gt;7 Solo has an abundance of things going on when it comes to “The Grand Incredible Mixtape.” &amp;ldquo;Relocator&amp;rdquo; opens us up to an emcee who has a light beat but a fierce bite. As we head onto &amp;ldquo;We Gone Make It Jump,&amp;rdquo; the intro sounds a bit like Jay Z welcoming us in, then things stray away from that and it turns into something that sounds like a song LL Cool J may have released around the same time he did that track for &amp;ldquo;Deep Blue Sea.&amp;rdquo; We pick things up and head to the dance floor with &amp;ldquo;Write One&amp;rdquo; and then strap up for “Boot Camp.” What’s great about that one is that it sounds like something you’d hear at an actual boot camp, one that Major Payne ran. When it came to “Wild With Cheese,” it was hard to say you knew exactly what to expect. It was a little street, but a little funky - in a good way. If you were to ask the direction this mixtape had, you’d be spinning in circles. It’s all over the place but in a way that makes you want to try and navigate it. If you like rappers who never cease to come up with something interesting, check out 7 Solo’s “The Grand Incredible Mixtape.” (&lt;a href="https://www.datpiff.com/7-SOLO-The-Grand-Incredible-Mixtape.600441.html" target="_blank" rel="noreferrer"&gt;https://www.datpiff.com/7-SOLO-The-Grand-Incredible-Mixtape.600441.html&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Locked and Loaded with Leathal Weapon</title><link>https://dahiphopplace.com/locked-and-loaded-with-leathal-weapon/</link><pubDate>Sun, 08 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/locked-and-loaded-with-leathal-weapon/</guid><description>&lt;p&gt;Leathal Weapon raps like he’s from the street and sings like a radio star. It’s all about the sick rhymes and disses with &amp;ldquo;I&amp;rsquo;m The Hottest.” It’s pretty easy for this artist to point out what someone isn’t and to declare you’re the best. At least it is for Leathal Weapon. Things don’t come across as menacing as the last on “They Just Salty.” One would expect this one to be a little more sassy just because of the title. It’s just so-so. GB and JC of the Finest hop on to help out with “In These Streetz.” It’s a departure from where we started. This one is based more on storytelling and has a great R&amp;amp;B hook. It’s not best for this time of year, but wait a few more months and you’ll have your hip hop Christmas classic is “All I Want.” It’s niche but not corny and actually fun with a great beat. We stick with that R&amp;amp;B feel with “Fantasy Man.” If one had to choose which side of Leathal Weapon was best, it’d definitely be this Chris Brown like thing he has going on when he slows it down and goes more mainstream with it. If you’re a fan of urban music that is fine tuned, check out Leathal Weapon today. (&lt;a href="https://soundcloud.com/leathalweapon918" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/leathalweapon918&lt;/a&gt; )&lt;/p&gt;</description></item><item><title>The East Coast Gets Brighter with DC Da Champ</title><link>https://dahiphopplace.com/the-east-coast-gets-brighter-with-dc-da-champ/</link><pubDate>Sat, 07 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-east-coast-gets-brighter-with-dc-da-champ/</guid><description>&lt;p&gt;Want a rising star? Look up and check out DC Da Champ. “Dreams” has a very east coast feel. You can always tell when you have a song from the Big Apple. Here it’s a little obvious thanks to name dropping the city, but also because of the well constructed, less thug-like appearance of the beat. With “Nuyorican” you get a new term that I’m sure 99% of the population isn’t that familiar with. This one picks it up but stays grounded and doesn’t go overboard too much. The attitude starts to rear its head with “Ready or Not” thanks to the aggression coming through at a fast pace. We slow it back down and things get really interesting with DC and “This Ain’t No Sing Along.” The intro throws you a curveball but things smooth out beautifully in a Nas-like way. Hi boy Nate Vokalz jumps on a track that has a popular term in the hip hop realm, “Ride or Die.” All in all this emcee has his cards stacked up right and can strike at any moment because it’d be right. If you like what makes the east coast hip hop scene pop, check out DC Da Champ today. (&lt;a href="https://www.dcdachamp.com/" target="_blank" rel="noreferrer"&gt;https://www.dcdachamp.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Fox Isn't the Only Empire in Town, Check out AG's Empire</title><link>https://dahiphopplace.com/fox-isnt-the-only-empire-in-town-check-out-ags-empire/</link><pubDate>Thu, 05 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/fox-isnt-the-only-empire-in-town-check-out-ags-empire/</guid><description>&lt;p&gt;AG&amp;rsquo;s Empire is a place where hip hop talent shines. They have a tight knit group of skilled rappers and producers looking to make their Empire reign supreme. Mani feat. R.O.B. &amp;ldquo;Big Bang&amp;rdquo; has a sweet beat that people are going to attach themselves to instantly. It has this Snoop Dogg in the &amp;rsquo;00s feel to it. With &amp;ldquo;You Already Know What It I$&amp;rdquo; starts with this beautiful lounge like piano. When the rhymes drop in, they come hard but the music stays elegant. It&amp;rsquo;s a nice contrast between the two that works out great. We circle back to Mani but stick on the elegant path as far as music in concerned. This time though the lyrics are reality based and have a great story behind them. We hear one produced by R.O.B. now with “Murder in the First.” We step away from the mentality of the previous two and head straight to the street wise ways of hip hop with this one. This guy proves to be a key asset to AG’s Empire as we hear his skills in the construction of “Time Alone” and “Let Me Get It.” If you’re looking for the next crop of artists to get into, check out who’s coming out of AG’s Empire. (&lt;a href="https://www.hulkshare.com/AGsEmpire" target="_blank" rel="noreferrer"&gt;https://www.hulkshare.com/AGsEmpire&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>REMODY: "SWAGG"</title><link>https://dahiphopplace.com/remody-swagg/</link><pubDate>Mon, 02 Feb 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/remody-swagg/</guid><description>&lt;p&gt;Appearing like T.I.’s Tiny intertwined with the skills of Da Brat, REMODY comes through as one of the up and coming female emcees in the hip hop game. Leading her game is her newest track “SWAGG” featuring Fred The Godson. The two together are flawless and seamless. They play off one another well and it comes through in the end result - which is a hot track that oozes charisma and well, swag. REMODY comes through like a clear cut rhymer but what was great was towards the end when she sang some notes and really showcased that she could do more than spit rhymes. She’s a well-rounded artist who will definitely be a must-know in 2015. If you like artists like Da Brat and Missy Elliot, check out REMODY and her “SWAGG” featuring Fred The Godson today. (&lt;a href="https://www.youtube.com/watch?v=B8t7tMra3Lo" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=B8t7tMra3Lo&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Invest in Ceo Mikey</title><link>https://dahiphopplace.com/invest-in-ceo-mikey/</link><pubDate>Fri, 30 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/invest-in-ceo-mikey/</guid><description>&lt;p&gt;The Windy City is known for a lot of things, and today we’re adding emcee Ceo Mikey to that long list. “Fathers Keeper” starts with a sample done in a falsetto, but then Ceo comes through with reality driven words. It’s an interesting sample too. It takes a minute to realize, because it’s been even longer since Kings of Leon were relevant. There’s quite the build up to “You Can’t Party with Us.” It’s quite the diss put to song, it’s also very hype and fun - even though it’s a dig at someone you don’t like. We go from keeping it real, to not playing around to a hard hitting joint with “No Love.” This one has a more aggressive take on the delivery end. That feel continues on with “I Did It (Outro).” That’s not where this ends though with Ceo Mikey. We’re going to wrap this up with a very interesting one, “Rigamortis.” It has this lowkey Mardi Gras feel in the beat, while the lyrics come across in a chilled manner. When it all boils down, Ceo Mikey is the full package. He can spit out rhymes about his life, tear you down or build the party. If you like well-rounded hip hop artists, check out Ceo Mikey sooner than later. (&lt;a href="https://soundcloud.com/mikeybnice" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/mikeybnice&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Take It Easy with Ezy money</title><link>https://dahiphopplace.com/take-it-easy-with-ezy-money/</link><pubDate>Tue, 27 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/take-it-easy-with-ezy-money/</guid><description>&lt;p&gt;Ezy money keeps his cool as one of the latest emerging emcees. &amp;ldquo;And I&amp;rdquo; has a swagger feel to it that makes it a stand out right out the gate. We head to the streets, ironically with &amp;ldquo;Streets Ain&amp;rsquo;t Safe.&amp;rdquo; This one has a chilled vibe but still holds a strong intimidation. With &amp;ldquo;Set Up&amp;rdquo; it comes across like the others, but has a more whisper tone. We go from keeping things low key to getting a little energetic with &amp;ldquo;Talk that Talk.&amp;rdquo; This is the most oomph we&amp;rsquo;ve had from Ezy money the whole time and it&amp;rsquo;s refreshing. It seems like that’s where we’re at now because “$tag on it$” has an upbeat. It’s not overdone or anything, it’s not getting crazy but compared to where we started with Ezy money, this is up. Rounding out things with this rapper is “On My Momma.” This is a great one to end with because it has a good beat, a fantastic lyrical flow and makes you want more. If that’s what happens to you - check out Ezy money and keep an eye out for what he does next. (&lt;a href="https://www.reverbnation.com/ezymoney" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/ezymoney&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Chill Out with Young Z</title><link>https://dahiphopplace.com/chill-out-with-young-z/</link><pubDate>Sun, 25 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/chill-out-with-young-z/</guid><description>&lt;p&gt;You don&amp;rsquo;t hear much about the hip hop scene in Colorado, but Young Z is about to change that. &amp;ldquo;Life&amp;rsquo;s Good&amp;rdquo; featuring David Frederick has a sick beat that goes throughout and sounds like something from The Ying Yang Twins camp back in the day. He&amp;rsquo;s all about creating a captivating beat that gets you hooked, and the proof is in the butter and the tunes. That sentiment doesn&amp;rsquo;t stop as we go from &amp;ldquo;Good&amp;rdquo; to &amp;ldquo;Bandwagon.&amp;rdquo; Then we roll on to &amp;ldquo;We On&amp;rdquo; with Eric The Almighty helping out to give this one an extra ounce of oomph. It&amp;rsquo;s time for a remix as we hit &amp;ldquo;Believe Me.&amp;rdquo; This one is easy to follow along to. Young Z isn&amp;rsquo;t one to spit fire when he rhymes. He takes his time and fans will appreciate his laid back approach to hip hop. Then he proves me wrong and picks it up with “Bitch You Would.” This sounds like a song that would be popular with high school kids, but would never get played at the school dance for obvious reasons; maybe a house party instead. We’ll close this out with “Closet Thing.” What is great about going from “Bitch” to this one is the energy shift.” Young Z can really change lanes swiftly and can showcase a all sides in a definitive manner that’s to be respected. If you like well rounded artists, check out Young Z sooner than later. (&lt;a href="https://soundcloud.com/youngz605" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/youngz605&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Travis M.: The MisUnderstood</title><link>https://dahiphopplace.com/travis-m-the-misunderstood/</link><pubDate>Thu, 22 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/travis-m-the-misunderstood/</guid><description>&lt;p&gt;Travis M.&amp;rsquo;s &amp;ldquo;The MisUnderstood&amp;rdquo; is a blast from the past with a note in the present. After we get through the introduction we head into &amp;ldquo;Process.&amp;rdquo; It is a really laid back track. I thought from the intro that this one was going to be a ratchet record, instead this song came on and was well composed and straight laced. With the title track we get a fresh beat that has an old school, &amp;rsquo;80s feel. With &amp;ldquo;BEAST&amp;rdquo; I thought we&amp;rsquo;d step up the energy a bit, and I was kind of right. The rhymes come a bit faster than we&amp;rsquo;ve gotten so far and it was a nice shake up. Travis M.&amp;rsquo;s pal Gina Smith hops on to help out on the anthem-like gem &amp;ldquo;Faith&amp;rdquo; while Serene gets in on the fun with &amp;ldquo;Gennesis.&amp;rdquo; As the record rolls on you can hear his influences that sound a bit New York in &amp;ldquo;Dream Land Gone Wrong.&amp;rdquo; He ends things with &amp;ldquo;Monsta with Xan.&amp;rdquo; This one really picks it up and comes across like a different artist. Travis M. gives us an old school feel in 2015 and it&amp;rsquo;s a reminder that some young emcees are still picking things up from the past and making them new again. If you like chill hip hop that can get hype when it&amp;rsquo;s necessary, check out Travis M. (&lt;a href="https://soundcloud.com/TravisMjustM" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/TravisMjustM&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Making Hits with HMK</title><link>https://dahiphopplace.com/making-hits-with-hmk/</link><pubDate>Tue, 20 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/making-hits-with-hmk/</guid><description>&lt;p&gt;HMK offers up something different at every turn. &amp;ldquo;Ship It&amp;rdquo; has a great line about being a cell phone and roaming, but with today&amp;rsquo;s internet culture - this may be the most unexpected hit among fandoms thanks to the idea of shipping fictional couples. It&amp;rsquo;d be funny to hear this looped on a fan made video of the stars of say &amp;ldquo;Supernatural.&amp;rdquo; All that aside, HMK is creating fine tuned hip hop that fans of that style of music will love. The former was more serious a bit, but &amp;ldquo;Mr. Inappropriate&amp;rdquo; lightens up things with its beat, the lyrics - not so much. It&amp;rsquo;s a little threatening but it&amp;rsquo;s fun to listen to bounce to the chorus. We step into the club for &amp;ldquo;Make It Hot.&amp;rdquo; It&amp;rsquo;s more a dance track than a hip hop jam with its electronic base. We head back to the basics with &amp;ldquo;I Waz Gon&amp;rsquo; Bol&amp;rdquo; and then close things out with the old school feel of &amp;ldquo;Sittin&amp;rsquo; In Tha Park.&amp;rdquo; What&amp;rsquo;s great about what comes from HMK is that no two songs sound the same. Each press of play is unique. If you like a healthy mix, check out HMK right now. (&lt;a href="https://www.jango.com/stations/337271688/tunein?l=0" target="_blank" rel="noreferrer"&gt;https://www.jango.com/stations/337271688/tunein?l=0&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Check Into DLK ENTERPRISE</title><link>https://dahiphopplace.com/check-into-dlk-enterprise/</link><pubDate>Sat, 17 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/check-into-dlk-enterprise/</guid><description>&lt;p&gt;When it comes to hip hop, DLK ENTERPRISE knows what they are doing as a label. &amp;ldquo;I&amp;rsquo;m On&amp;rdquo; keeps things steady and never really pops off. You continue to wait for that one moment, but it never comes. With &amp;ldquo;Last Time I Checked&amp;rdquo; listeners get a very dramatic, theatrical intro. It sounds like it could be used for the hip hop version of &amp;ldquo;Phantom of the Opera.&amp;rdquo; Rolling into &amp;ldquo;So Real G Mix,&amp;rdquo; you get tossed back to the &amp;rsquo;70s for a second and then blasted into the here and now thanks to the exuberant delivery that comes through loud and clear. DLK ENTERPRISE is a label built on fine tuning and that&amp;rsquo;s heard throughout and we continue to experience that with &amp;ldquo;Dirty Lil Kidz.&amp;rdquo; Finally &amp;ldquo;A Mob Tale&amp;rdquo; takes us back to the drama. If you&amp;rsquo;re one for falling for labels as a whole, make sure to check out what DLK ENTERPRISE is cranking out. (&lt;a href="https://www.dlkenterprise.com/" target="_blank" rel="noreferrer"&gt;https://www.dlkenterprise.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Get Variety with T.M.E</title><link>https://dahiphopplace.com/get-variety-with-t-m-e/</link><pubDate>Sat, 17 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/get-variety-with-t-m-e/</guid><description>&lt;p&gt;T.M.E is a hip hop trio from Houston, Texas made up of H.B., Kano Sano and Easy-International. Together they&amp;rsquo;ve got a handful of tracks on deck that offer up a variety. &amp;ldquo;Stone Cold Stunna&amp;rdquo; has a chorus that exists on being repetitive, and it&amp;rsquo;s really the verses that drive this song. The hook captures you but the meat of the track lays within every other part. The music of &amp;ldquo;Another Bitch&amp;rdquo; stands out here. It reminds me of something Timberland would&amp;rsquo;ve done back in the day, or something you would&amp;rsquo;ve heard in a Dru Hill hit. With a title like &amp;ldquo;Freakin to R Kelly,&amp;rdquo; you have to expect magic. We ditch street hip hop and go more for a mainstream feel with it as this one borrows from an R&amp;amp;B standpoint. Capping things off with T.M.E is &amp;ldquo;Texas Slow.&amp;rdquo; It&amp;rsquo;s a club jam that will have girls moving nice and slow, but never fear - booties will still be able to pop to it. If you&amp;rsquo;re into hip hop that offers up a wide range, check out T.M.E today. (&lt;a href="https://www.reverbnation.com/hustlinb4" target="_blank" rel="noreferrer"&gt;https://www.reverbnation.com/hustlinb4&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Many Tricks of One Six</title><link>https://dahiphopplace.com/the-many-tricks-of-one-six/</link><pubDate>Sat, 17 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-many-tricks-of-one-six/</guid><description>&lt;p&gt;One Six has a lot of ammo up his sleeve and he isn&amp;rsquo;t afraid to use it in the rap game to come out on top. &amp;ldquo;Southern Cali Bullshit&amp;rdquo; starts with an omnipresent monologue that sends chills down the spine but then makes the mind wander to a futuristic movie. It&amp;rsquo;s less of a song and more of just an intro track to set the tone for what&amp;rsquo;s to come. We get some humor with &amp;ldquo;Dessert&amp;rdquo; as the idea of what a salad fork causes some laughter. Then the rhymes kick in and we&amp;rsquo;re given low key fun with a cool beat thanks to Six and &amp;ldquo;JMusiQ. Prote J On The Beat produced &amp;ldquo;The Blueprint&amp;rdquo; and with him on board we get a really chill gem. It plays more like a really cool speech rather than a song. Young Ceno hops on to help out with &amp;ldquo;Open&amp;rdquo; as we pick things up with a track that&amp;rsquo;ll make booties clap. Finally we end where the day begins with &amp;ldquo;Early Mornin.&amp;rsquo;&amp;rdquo; We hear his daily routine and get a little green with envy that&amp;rsquo;s how One Six starts his days. If you&amp;rsquo;re into hip hop that has a very youthful demeanor like Wiz and Hoodie Allen, then check out One Six now. (&lt;a href="https://www.hotnewhiphop.com/blaq-kennedy-southern-cali-bullshit-mixtape.110652.html?song-1861928" target="_blank" rel="noreferrer"&gt;https://www.hotnewhiphop.com/blaq-kennedy-southern-cali-bullshit-mixtape.110652.html?song-1861928&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Wordsmith Chayne Spitta</title><link>https://dahiphopplace.com/the-wordsmith-chayne-spitta/</link><pubDate>Sat, 17 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-wordsmith-chayne-spitta/</guid><description>&lt;p&gt;A lot of rappers rely on the beat, not Chayne Spitta. All of his magic is in his words. &amp;ldquo;Hail Mary&amp;rdquo; comes across like young guns like Tyga and Wiz Khalifa. When it starts, it&amp;rsquo;s your typical hip hop track but as you unravel the layers, things get fast and furious. As soon those words were typed, &amp;ldquo;Standing Still,&amp;rdquo; and slows it down. &amp;ldquo;Killer&amp;rdquo; continues to keep the vibe going slow and steady but a bit more constructed. Spitta gets a little naughty with &amp;ldquo;Twerk Some.&amp;rdquo; Produced by Freshwaterbeats, this one has a lot of rated-r language and definitely wouldn&amp;rsquo;t make it onto radio, but would definitely be a playlist favorite at parties. I feel &amp;ldquo;It&amp;rsquo;s All Good&amp;rdquo; sounds more or less the same as the last one we shined a light on. With a title like that, it would&amp;rsquo;ve been nice to hear a lighter beat to this one and a less serious tone. While I would&amp;rsquo;ve liked that one hyped up, &amp;ldquo;Say What U Mean&amp;rsquo;s&amp;rdquo; slow pace is perfection. When it comes to hip hop, Chayne Spitta doesn&amp;rsquo;t rush it out and lays it down nice and slow, but isn&amp;rsquo;t afraid to pack a punch lyrically. Keep tabs on him because he has new joints coming April 2015. (&lt;a href="https://soundcloud.com/chaynespitta" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/chaynespitta&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Too Deep is Too Good</title><link>https://dahiphopplace.com/too-deep-is-too-good/</link><pubDate>Mon, 12 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/too-deep-is-too-good/</guid><description>&lt;p&gt;He has the heart of a lion and the audacity of a mainstream rapper. Too Deep is a force and is ready to take on whatever comes his way. &amp;ldquo;Flicker&amp;rdquo; starts like a scene out of a horror movie with a scream and music that makes the skin crawl. Then things take a turn and it doesn&amp;rsquo;t even sound like the same song when the rhymes kick in. Too Deep turns it up with &amp;ldquo;Man Up&amp;rdquo; with a very fast pace delivery, which relies on his words and not the beat. He takes control of the action with his natural gift like a boss. With every push of play a new side of Too Deep comes through. &amp;ldquo;Ballen Ant Easy&amp;rdquo; sounds like something that&amp;rsquo;d come from The Ying Yang Twins back in the day. Comm comes hard when he hops on &amp;ldquo;New Club.&amp;rdquo; Then things calm down a bit with the sly and fly ways of &amp;ldquo;Finally Made It!&amp;rdquo; In between all the hard rhymes, this one stands tall. We turn it back up and round this out with &amp;ldquo;All About The Money.&amp;rdquo; Materialistic, but realistic is the key here. If you like emcees who can do it up and turn it down in one move, check out Too Deep now. (&lt;a href="https://www.imtoodeep.com/" target="_blank" rel="noreferrer"&gt;https://www.imtoodeep.com/&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>Rydha: "One More Try"</title><link>https://dahiphopplace.com/rydha-one-more-try/</link><pubDate>Sun, 11 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/rydha-one-more-try/</guid><description>&lt;p&gt;Rydha has a very east coast vibe in his rhymes. That makes sense since he comes from the streets and avenues of Brooklyn, New York. His single &amp;ldquo;One More Try&amp;rdquo; has a nice base as you can hear that feminine touch in the background but it doesn&amp;rsquo;t for one second overshadow his flow. Musically everything is there, lyrically he&amp;rsquo;s saying a lot of important things that you rarely hear from the younger emcees. If you&amp;rsquo;re in the market for a Big Apple rapper with something to say, check out Rydha&amp;rsquo;s &amp;ldquo;One More Try.&amp;rdquo; (&lt;a href="https://soundcloud.com/rydha" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/rydha&lt;/a&gt;_ptp)&lt;/p&gt;</description></item><item><title>The Windy City's Jon De Pledge</title><link>https://dahiphopplace.com/the-windy-citys-jon-de-pledge/</link><pubDate>Thu, 08 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-windy-citys-jon-de-pledge/</guid><description>&lt;p&gt;Out in Chicago there is Jon De Pledge, a man who can do it on his own but likes his pals around. &amp;ldquo;Wine &amp;amp; Spirits&amp;rdquo; has him side by side with Cii La Cole &amp;amp; IV. He doesn&amp;rsquo;t do much in this track but keep it going with his random occurrences saying the title. It&amp;rsquo;s mostly the females doing the work. While that song sat more in the R&amp;amp;B realm, this one hops on the hip hop track while maintaining a laid back vibe. It&amp;rsquo;s served very chill. Pledge stands center stage with &amp;ldquo;The Fame.&amp;rdquo; It&amp;rsquo;s good to have your friends on board but this song is proof that it&amp;rsquo;s also good to step out on your own as well and shine. Then he&amp;rsquo;s back with his boy with Add-2 on &amp;ldquo;No Sense.&amp;rdquo; This one really sticks out but I definitely leaned more towards &amp;ldquo;The Fame&amp;rdquo; in the end. It&amp;rsquo;s always nice to hear what someone can do on their own. If you&amp;rsquo;re into young emcees who flow like a pro, check out Jon De Pledge today. (&lt;a href="https://soundcloud.com/jdpjski" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/jdpjski&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>The Fusion of Omari Jahi</title><link>https://dahiphopplace.com/the-fusion-of-omari-jahi/</link><pubDate>Wed, 07 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/the-fusion-of-omari-jahi/</guid><description>&lt;p&gt;Omari Jahi is an emcee who has a finesse for what works well together. &amp;ldquo;Want To&amp;rdquo; intertwines the feel of &amp;rsquo;90s pop while he really lays down the rhymes. Then with &amp;ldquo;OE at 3rd Rock&amp;rdquo; you really hear his rap game come to the forefront. It&amp;rsquo;s here that it&amp;rsquo;s clear that he knows his stuff and isn&amp;rsquo;t just messing around. &amp;ldquo;Good Book&amp;rdquo; comes in with an intricate beat but it doesn&amp;rsquo;t hold a candle to &amp;ldquo;3rd Rock&amp;rdquo; which is like the centerpiece for what Omari is capable of as an artist. Then rounding things up is &amp;ldquo;Girl Can I&amp;rdquo; with a little R&amp;amp;B flare. Whether he&amp;rsquo;s popping off, getting a little soulful or just laying out the rhymes straight - one thing is for sure - Omari knows his way around the music realm and if you&amp;rsquo;re in the market for an artist that isn&amp;rsquo;t afraid to tack on other genres and still make it work - then Omari Jahi is the man you need to check out sooner than later. (&lt;a href="https://soundcloud.com/omari-jahi" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/omari-jahi&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>DeMarkus: "Low Key"</title><link>https://dahiphopplace.com/demarkus-low-key/</link><pubDate>Sun, 04 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/demarkus-low-key/</guid><description>&lt;p&gt;DeMarkus teamed up with Prenice Whitman for &amp;ldquo;Low Key.&amp;rdquo; It has a turned down beat. It starts out and continues on with a dark feel but it really plays well throughout. The two mens parts play well off one another as well. One has a very big presence when it comes to the intimidation game, while the other lightens things up a bit. The chorus is where it&amp;rsquo;s at though when it comes to this track. That&amp;rsquo;s where you get the most personality and the it does its job. If you&amp;rsquo;re looking for a new joint to add to your latest hype hip hop mix, check out DeMarkus featuring Prenice Whitman and their gem &amp;ldquo;Low Key&amp;rdquo; today. (&lt;a href="https://www.youtube.com/watch?v=yavu2mbusqo" target="_blank" rel="noreferrer"&gt;https://www.youtube.com/watch?v=yavu2mbusqo&lt;/a&gt;)&lt;/p&gt;</description></item><item><title>DreBanks Blends The Years of Hip Hop</title><link>https://dahiphopplace.com/drebanks-blends-the-years-of-hip-hop/</link><pubDate>Sun, 04 Jan 2015 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/drebanks-blends-the-years-of-hip-hop/</guid><description>&lt;p&gt;DreBanks gives you today and yesterday with his hip hop. &amp;ldquo;Dam It Fills Good&amp;rdquo; with Fied on board gives you a somewhat intimidating feel. The music comes across very Metropolitan. One would guess New York for DreBanks comes from Grand Rapids. Green Eye&amp;rsquo;s helps out on &amp;ldquo;Loud Pack.&amp;rdquo; Here it&amp;rsquo;s more about a song you can sing along with your boys. It&amp;rsquo;s not a club track or super hype, but just something for you and your friends to put on when chilling at the crib. One of the best comes when he teams up with TBanks for what can only be described as a throwback to &amp;rsquo;90s R&amp;amp;B with &amp;ldquo;Pushin Me Away.&amp;rdquo; TBanks comes back for &amp;ldquo;Girl In Da Club.&amp;rdquo; It&amp;rsquo;s not the same as before, which was sort of a let down personally because that R&amp;amp;B flare was on point but it&amp;rsquo;s nice to see that they can switch it up. After all the friends and homies are out, DreBanks steps out on his own with &amp;ldquo;I&amp;rsquo;m Back.&amp;rdquo; This one has a very upbeat feel that&amp;rsquo;s like a bit of a throwback to the &amp;rsquo;70s and &amp;rsquo;80s with the vibe of the music and pace. It&amp;rsquo;s nice to hear that classic feel in the music. If you&amp;rsquo;re a fan of hip hop that&amp;rsquo;s reminiscent of what the past had going on but with a flare that screams 2015, check out DreBanks. (&lt;a href="https://soundcloud.com/drebanks" target="_blank" rel="noreferrer"&gt;https://soundcloud.com/drebanks&lt;/a&gt;)&lt;/p&gt;</description></item></channel></rss>