Tenascious B was born in the sun of California but was raised in the city of sin just state over in Las Vegas. He started writing in ‘98 and went on to release his first album in 2004. If you’re curious as what you can expect from Tenascious B, then check out “Scream.” It’s a hard hitting single that is all about a hot piece of work. It’s about female admiration, but from a hip hop, more street perspective that comes across as kind of charming depending on what kind of girl you are. As for the music, the hook is where it’s at and will make you move – that’s a guarantee. If you want to see what else Tenascious B has to offer, check him out. (https://www.jango.com/stations/325900280/tunein?l=0)
Boule Boyz is a rap group from the Bronx in New York. They’re three men who’ve come together to make it pop and that’s just what they plan on doing. “Brand New” comes hard and sounds like a defense mechnism. It’s intimidating yet the chorus is soft. So it’s a nice balance of the two. “Big Bizness” doesn’t have those lighter moments, and is all well, business the whole time through. Almost every rapper will have a song that’s about where they’re from and Boule Boyz is no different, they have “The Bronx” and it’s nothing too out of the ordinary as far as a hometown homage. “All Black Everything” has a great back beat. The tinkling makes the heavy lyrics come across better. “Rihanna” is a hype song that has reggae feel to it, which is fitting given the Caribbean title. So if you’re into hip hop that’s clearly riddled with east coast influences and comes at you with a full force, check out Boule Boyz. (https://www.reverbnation.com/bouleboyzbiz)
Konsept The Genius is a Guyanese-American rapper born in the summer of ‘89 who has taken life by horns. “I Know the Genius” was produced fine by NateKodi. It’s a good introduction to the artist and sets the tone for what is to expect from Konsept The Genius. “Welcome to Phunkytown” is a bit faster than the last but it’s not overwhelming. It’s actually a cool song that you can get lost in – much like a new city to explore. “More Than That” starts with this techy sound like a computer is bringing you the hip hop realness. Who doesn’t want a tree house? In this case “Tree House” is about how the cool kids are only allowed in his – only he’s talking about a different kind of tree, if you know what we mean. Konsept The Genius has been at it for almost a decade and shows no signs of stopping, so check him out. (https://www.reverbnation.com/konseptsmusic)
Burna Gramz’s Survivor Mixtape is one you’d want to have on your side if there was ever a hip-hopcaplypse. The intro makes you feel the music before it even starts and by the time “Catch Up” featuring Nick Rio comes through, you’re onboard. It doesn’t try too hard and is just enough to kick things into gear. What was best about “Ghetto Dreams” was that it was more like that social conscious hip hop than thing life. It reminded us of Wu Tang Clan a bit. Burna Gramz got some help from J-Murph and Jay Atlas with a song with the same feel as the last on “Tales From The Hood (Sleepin With An AK).” J-Murph is back with Burna Gramz for “Crime Pays” and they prove they’re a force to be reckoned with, not only on those two but the chilled “Doobies.” If you’re in need of a new mixtape to spin, check out Burna Gramz’ “Survivor Mixtape” now. (https://www.datpiff.com/Burna-Gramz-Survivor-Muzik-mixtape.562596.html)
Troy Nixon AKA TNix makes the world his own with his array of beats. “How We Do It (Instrumental)” is a sick beat that would likely work with a female emcee. There’s something a little sexy about its undertones that’d make it great for someone like Nicki Minaj. “West Coastin (Instrumental)” has a very ’90s feeling to it that’s reminescnet of that era, which is probably why it sounds like something left behind from Aftermath. “Let The Music Take You (Instrumental)” is a little different than the others. Just when you think you have an artist figured out, they come out of left field with something new. This beat is more dance club than hip hop. You’d think “Sexy Ladies (Instrumental)” would be this slow and sensual song, but it’s actually not; another curve ball. You never know what to expect when Troy Nixon is at the helm. If you’re into beat makers, check out Troy Nixon. (https://www.jango.com/music/TNix+Troy+Nixon+?l=0)
MC H.L.T is a young emcee who’s trying his best to be the best in the rap game. “Bullied for a Dream” is the story of the rapper’s battle with bullying. He was continuously made fun of for being white and autistic, but he seems to be overcoming their hateful words and actions by persevering and making this song. So it goes to show that you shouldn’t let others get you down. “How We Do” has a much more different tone than the last one. It’s got a dope beat that really allows his rhymes to shine a little more. The other song pulled at your heart and this one just makes you move. MC H.L.T is a rapper who has overcome and will prevail if he keeps working at it. (https://www.youtube.com/channel/UCqz-HBvIBWWFwxcLD_1OF3w/videos)
Luker AKA THC is a lyricist from South Carolina that has his moments of weakness but prevails with a sense of self. “Know I’m Just Fine” starts with an almost pop feel, but then kicks in with a beat and his rhymes. I’d say that was one just okay and could’ve been stronger. It was unlike “Karma” featuring Gudda Deniro. That was one a meatier track that was more put together and packed more of a punch. The lead in to “Imma Regular” was great, it build up the anticipation and made you wonder if it’d explode with energy at some point. It never really had that burst, but kept on a steady path that stayed in the middle of the road. “All My Life” was a lot more energetic than the last that had this Drake feel in the delivery. The best of the whole lot was “My Purpose.” Confidence is key in anything and this one showcased Luker AKA THC’s belief in himself and it came across as genuine, making it a song that stood on its own two feet produly. If you’re into hip hop that’s DIY, check out Luker AKA THC.
CamP LyfE is a hip hop group born from the streets of South Carolina. Bandit, LuDazh and Kayda have been together for years, making their musical relationship as strong as their personal. That shows in the music they create, as it’s in sync and never wandering. Listeners keep a sense that these three are more a musical family of emcees. Their latest single “On Top of Money” showcases that sentiment. It’s strong from the start and never lets up. It’s like a hip hop hurricane the way it forces itself on you from the beginning, easing down only when it’s ready. If you’re into acts like Cash Money, check out CamP LyfE’s “On Top of Money,” available now. (https://www.camplyfe.com/)
Jay Life calls Utah home and is heavily influenced by the hit makers and game changers Eminem and Dr. Drew. He started writing music at 12 and hasn’t stopped since. So check out what he’s working with. “My Life” is a declaration of what Jay is all about and kind of where he stands about things because it’s his life. It’s a sentiment every person has in them, but not one everyone is brave enough to put out there. “Had A Dream” has this slow almost R&B flow to it while the rhymes are laid over it in a soft spoken manner. Those two were these realistic outlooks on life while “Spaced Out” is a mid-tempo track that could be a reason to get close in the club. It’s not a hard hitting song but it has this sway to it. Ending things with Jay Life is “Above the Earth.” It’s almost a stellar rap song; we only wish the lyrics didn’t sound like they were light-years away. If you’re into hip hop that’s about life and the pursuit of realness, check out Jay Life. (https://www.facebook.com/jaylifemusic)
Sheen Capone is an emcee who does what he can to tell the tales of the streets. “Why They Hatin” featuring King Kodak isn’t what I expected. I thought it’d be a song that was full of aggression, but it wasn’t at all. It was actually a lot easier on the ears. “Streetology” is a very street smart song that isn’t over the top but gets the job done right. With King Tut and Demone on his side, it was hard “Catch A Body” to not be a hard-hitting track. Last one in the spotlight is “For Life.” All of Sheen Capone’s convey what he’s all about; streets, storytelling and well produced music. If that’s what you’re into, check him out. (https://www.youtube.com/channel/UCiNh3WZlZYmvn5rDfiTY67A/videos)
S.T.I.G AKA So Throwed N The Game is a crew that’ll remind you of one of the quintessential acts of the ’90s. “No Trustin These Haters” is a fast pace song that can be fun to get down to with your crew if you can keep up with the delivery S.T.I.G brings. “The High Life” is more a chilling song. You listen to this one when you’re at home hanging out and don’t want no drama or distractions; you just want to chill with a refreshment. The same goes with “F*** Niggaz.” “Honey U R The One” featuring Honey does things a little different. It’s a mid-tempo joint that reminds me of what Bone Thugs is known for; speedy lyrics backed by a harmonious beat. If you’re into Bones then this group might be one to check out. So remember to get in tune with S.T.I.G AKA So Throwed N The Game. (https://www.youtube.com/user/youngcleve60/videos)
Drouzy Groove is a young emcee who brings it and let’s it be known that he’s ready to be heard. “Loyalty” has this killer base that would make this one of those songs that lets people know you’re coming when you cruise through a neighborhood. It’s slow pace suggests a realness that can’t be emulated easily. “Hannah Montana” isn’t the theme song to the once upon a time Disney show starring Miley Cyrus, but more an ode to its former star’s life now. “Talk My Shit” comes at you fast but the music and beat take it slow. When push comes to shove it’s time to work, of rather as Drouzy Groove would say it’s “Grind Time.” He may’ve gone somewhere but now he’s back with “Drouzy’s Back.” This one may be the strongest, possibly because this is his personal declaration. If you’re into artists like Wiz Khalifa, check out Drouzy Groove. (https://soundcloud.com/drouzygroove)
