<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>2016/10 on Da Hip Hop Place</title><link>https://dahiphopplace.com/month/2016/10/</link><description>Recent content in 2016/10 on Da Hip Hop Place</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>Copyright © 2026 Da Hip Hop Place — All Rights Reserved</copyright><lastBuildDate>Tue, 25 Oct 2016 00:00:00 +0000</lastBuildDate><atom:link href="https://dahiphopplace.com/month/2016/10/index.xml" rel="self" type="application/rss+xml"/><item><title>Sterling Witt – Satyagraha</title><link>https://dahiphopplace.com/sterling-witt-satyagraha/</link><pubDate>Tue, 25 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/sterling-witt-satyagraha/</guid><description>&lt;p&gt;Sterling Witt – Satyagraha&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.sterlingwitt.com/" target="_blank" rel="noreferrer"&gt;https://www.sterlingwitt.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Sterling Witt’s already strong reputation as one of the most engaging guitar playing songwriters working today will likely only be further burnished by his latest full length release Satyagraha. This thirteen song opus, recorded and mixed by famed producer Steve Albini, bristles with an intelligent, questioning spirit that never simply accepts reality as it is given to him, but it also rampages and struts with undeniable rock and roll grit. Witt takes the album title from a word Indian spiritual and political leader Mahatma Gandhi used to describe the transformative power of objective truth in a world that rarely places any sort of premium on honesty. As before, however, this overarching thematic conceit never bogs the album down in wordiness – much like his guitar playing and arranging, Witt never uses two words when simply one will do and the result is an intense and highly focused affair that also spills over the rim with melody upon melody.&lt;/p&gt;</description></item><item><title>Angie and the Deserters – You</title><link>https://dahiphopplace.com/angie-and-the-deserters-you/</link><pubDate>Thu, 20 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/angie-and-the-deserters-you/</guid><description>&lt;p&gt;Angie and the Deserters – You &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.angieandthedeserters.com/" target="_blank" rel="noreferrer"&gt;https://www.angieandthedeserters.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;Angie and the Deserters’ third recording, a six song EP titled You, is a slight shift in gears from her previous release Blood Like Wine. There are no real barnburners in this release comparable to Blood Like Wine’s bruiser “Country Radio” and, instead, Angie Bruyere and her fellow musicians sound like an artistic unit intent on exploring a wider emotional array than before. The same clarity defining the production on her earlier releases continues with this new studio confection and it results in a group of songs that sound cut live on the floor mere minutes after they finalized their composition. This fresh quality captures the band seemingly in a state of constant inspiration and there’s no question Bruyere is there with every word of her vocals. This is bracing and physical music delivered from a place deep within and geared for broad-based audience appeal.  &lt;/p&gt;</description></item><item><title>Kathy Muir - Second Life</title><link>https://dahiphopplace.com/kathy-muir-second-life/</link><pubDate>Thu, 20 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/kathy-muir-second-life/</guid><description>&lt;p&gt;Kathy Muir - Second Life &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.kathymuir.com/" target="_blank" rel="noreferrer"&gt;https://www.kathymuir.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;It is refreshing to hear an album so committed to presenting fully rounded material. Kathy Muir’s third album Second Life doesn’t just succeed on a musical level, but it scores big on a lyrical level as well. Muir’s lyrics are full of plain-spoken poetry and exquisite imagery in equal measure and never aspire to any sort of pseudo-poetic incomprehensibility. The musical qualities are abundant. Melodies abound and the instrumentation is beautifully tasteful without ever missing opportunities. The production gives the music a great sonic forum to reach the listener and the urgency of its sound keeps the songwriting sounding intimate from first song to the final track. This is an improvement over her two preceding albums, but the observation is no slight on those earlier efforts. Second Life is just that damn good.  &lt;/p&gt;</description></item><item><title>Juliet Huns - Behind the Scenes</title><link>https://dahiphopplace.com/juliet-huns-behind-the-scenes/</link><pubDate>Mon, 17 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/juliet-huns-behind-the-scenes/</guid><description>&lt;p&gt;Juliet Huns - Behind the Scenes &lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://www.juliethuns.com/" target="_blank" rel="noreferrer"&gt;https://www.juliethuns.com/&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;The EP Behind the Scenes, the first release from Kenyan born and now Los Angeles based singer Juliet Huns, is an impressive introduction to a artistic figure poised to garner considerable attention. The three songs included are definitely pop tracks, but they aren’t your typical offerings. There’s an evolved sensibility here that’s certainly a cut or more above what the mainstream gatekeepers prefer. Huns simply isn’t pigeonholed easily. Describing her songs and performances as pop is scarcely even half the story. Much of the time, Huns eyes song construction the way rock bands approach it – orchestrated to induce tension – and her voice carries off those moments without a hitch. She is a powerful, fluid singer who can move through a range of emotions without overexerting herself or turning the vocal in a heavy handed direction.  &lt;/p&gt;</description></item><item><title>Jokatech - Standing Still Symphony</title><link>https://dahiphopplace.com/jokatech-standing-still-symphony-2/</link><pubDate>Fri, 14 Oct 2016 00:00:00 +0000</pubDate><guid>https://dahiphopplace.com/jokatech-standing-still-symphony-2/</guid><description>&lt;p&gt;Jokatech - Standing Still Symphony&lt;/p&gt;
&lt;p&gt;URL: &lt;a href="https://jokatech.webs.com/" target="_blank" rel="noreferrer"&gt;https://jokatech.webs.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The latest two songs from indie composer and New York City native Jokatech are further entries in a successful artistic career. While Jokatech may not enjoy the same marquee notoriety experienced by more commercial performers, there’s little question after listening to his music that this is a songwriter and performer of rare distinction. His lyrical constructions are full of fire, intelligence, sarcastic humor, and the preening self-confidence while he shows the phrasing of a three decade or more veteran when delivering his songs. He is, essentially, an one man band responsible for the lyrics, melodies, and backing track and the responsibilities do not seem to have negatively affected his creativity. Instead, he sounds positively inspired. This is an artist unafraid of entertaining his listeners, but moreover, he’s unafraid to plumb into the depths of his life and return to the surface with something that might resonate or otherwise enlighten you.&lt;/p&gt;</description></item></channel></rss>