Enough SaiD tells it like it is and gives nothing but 110% in his rhymes. Every rapper seems to have a song that really conveys what they are about and who they are and for SaiD, it’s “Going In.” Then you get into the tracks from “The Love Of Music” and hear his range. “AYE LA” is a fast and fun track, while “Polo Down” has a darker feel. In just those two songs you can see how Enough SaiD really spans the spectrum of what he’s capable of doing. I think “Incredible,” although simple with the hook, is one of the better to come from this guy. It really tells a clear tale and sounds good the whole way through. I say that and then stumble upon “Wake Up,” and that too is a great one with a good lesson at the forefront. If you like hip hop that can give you a well thought out idea and also is entertaining - has that balance - check out Enough SaiD today. (https://www.reverbnation.com/enoughsaiddp)
Got a second to check out your favorite new emcee? Alright, let me introduce you to DJ Crisis. No matter if it’s legal or not, pot is a relevant topic in hip hop forever and always and that’s the case with “Marijuana Time.” It’s a good song to get the herbal party started, if that’s what you’re into. “Birthday Song” starts off alluding to smoking one up, but then gets into this aggressive song about it being your day of birth. Hey, when the simple “Happy Birthday” won’t do…this one could. The start of “Biggest Fan” that serves as the hook pushes this one to the forefront as the best. It’s a love song done in a really cool manner. The rhymes in “Conscious Thought” are on point and this one has a more serious tone than the others. The truth about DJ Crisis is that he raps about every topic under the sun and does it in a manner that’s serious, but he can let loose when it comes to pot culture and love. Make sure to check DJ Crisis out now. (https://soundcloud.com/djcrisisz)
There’s just something about Dominique Larue that can’t be contained. She releases this energy you can’t help but take in when you hear her rhymes. “Attucks” is the first song you’ll stumble upon from this emcee and it’s a good one. It starts off kind of slow, leading you to believe it might just be a beat but then Larue comes through and kills it. She does the same with “So Vivid” and “Seems Like Heaven.” All three were produced by Maja7th and have this ’70s feel in the in all the intros. As for songs that featuring musical pals…“Freedom” with Micah Robinson on board plays like Neo Soul, and M-Dot and BoyCott Blues give a little more laid back street vibe with the “Circulate” remix. Dominique can shine on her own though in tracks like “The Boulevard,” “Dream” and “Grammy Family.” If you’re into artists like Gavlyn and Oh Blimey, check out Dominique Larue today. (https://www.reverbnation.com/dlaruemusic)
Tha Veteran has been doing his thing for years and after all his work is about to pay off. Money makes the world go round and this emcee knows that and that’s the reason behind “Gettin Money (Bling Bling)” featuring Big T. We then get a little something different, kind of, with “New Arrival.” It’s a musical argument to get marijuana legalized and it makes some good points. We take on relationships with “Hard 2 Love” and then have Hattan and G2C get real with “Lyfe Choices.” Really, it all boils down to Tha Veteran having that “White Boi Swagg,” which he proclaims proudly. If you’re into hip hip that covers money, love and swagg, check out Tha Veteran now. (https://www.reverbnation.com/thaveteran)
Sean Ca$h never overdoes it, and deserves much respect for that. Usually when a track alludes to a party, it’s hype - but Ca$h does things his way with “House Party.” It’s slow and easygoing and has a sexy vibe to it. “H.O.M. (Hate’n On Me)” may as well be the next thing to take over the internet lingo. It’s simple and to the point. All of Ca$h’s music plays like a slow motion reality but he then spits out his rhymes fast, like with “Big Dog Status” featuring his bud Young Pro. It’s all about the hook of “Lots of Dollaz,” while “Boom Boom 2014” offers up a contender for this year’s personal anthem. If you hip hop that’s like a chill day at the crib, check out Sean Ca$h today. (https://www.officialseancash.net/)
Over in New Jersey sits O.V The Caribbean King, a man who takes what he sees and puts it on a hip hop plain. “Run Away” is a song you have to play a few times to really take in everything he is tossing out, in a good way. You want to be engulfed in the tale he’s telling. With “Judge Me” there’s this good hook in that really allows for this one to get stuck in your head after one listen. The rhymes are good from O.V The Caribbean King, but he was smart to add that R&B flavor. Then things round out with “The Prophet.” If these three were competing in the Olympics, it’d be a close race but this one would go home with the bronze. If you’re looking for some East coast rap, check out O.V The Caribbean King sooner than later. (https://www.jango.com/music/O+V+The+Caribbean+King?l=0)
Still a young guy, Dabron Kain sounds like a vet in the hip hop scene and it’s only a matter of time before the world knows his name. Remember Lupe Fiasco? Well I’m not sure where he’s been but at least we have Kain around with “Feel Me” to feel that void. K.E.N. The Rapper hops on “Cypher of a Don (Real Hip Hop)” to bring a force field of fast paced rhymes that don’t quit. Capping things off with “The Message (Wakeup Call), it’s clear that Dabron Kain isn’t messing around with what he’s ready to do with his life. He’s not some kid with a delusional dream, but an artist with killer lines and the oomph to back them up. If you’re into passionate hip hop that has that mainstream feel, check out Dabron Kain today. (https://www.reverbnation.com/dabronkain)
TRU-G’s “Crown Me” is a record that belongs on the frontline of Atlanta’s scene. From the start “Suppose To Be Real” brings the controlled chaos to the forfront. It’s a bit aggressive but at the same time has catchiness to it. Lucky for you, there’s bonus tracks a plenty throughout “Crown Me.” The heavy “I’m A Savage,” and a couple that offer up some serious swag - “Let My Hairr Swang” and “Swaggtastic” featuring B.Jayy. Along with B, you have other guests like J. Frank on “Liquor In My System” and Lil Boxx helping out on “Dirty Ass Dude.” The record plays like one from the dirty south because it has that grit to it and ironically makes it shine. If you like that style when it comes to your hip hop, check out TRU-G ASAP. (https://bjayyandtrug.bandcamp.com/)
Stranga The Great comes straight to you from Fayetteville, North Carolina and brings along a lot of skills. “Bonkers” comes out of the gate with a wild force and then it settles into its groove just right. Ford Tough came through for his boy by doing his thing producing and putting a good spin on “Crime Scene Ugly.” One of the best to roll out of Stranga The Great is “Mayback Massacre.” It is like a mixture of the intellectuality of Common and the streets of gangsta’ rap. That best of mentality continues as “Time Is Money” comes through with a fresh vibe, and as you’re getting comfortable with that…You can hop on and enjoy “The Highway” well. If you’re into music that’s like Redman and Pharoah Monche, check out Stranga The Great. (https://www.reverbnation.com/strangathegreat)
Blue-Shakespeare is a power player when it comes to mainstream radio with his hip hop flavor. “Ecstasy” is a hit from the start. This guy knows what do to to make a song pop and with a style that’d garner the attention of Jason Derulo fans, he’s on the right track. It’s a nonstop party as “Aroma” takes over the room and gives it a feeling of good times. Blue-Shakespeare then lifts your energy levels and takes them through the roof with “Millions,” then he really showcases his flow skills a bit with a hip hop influenced R&B track called “Feel My Pain.” Indie artists can be questionable but the only question you should have about Blue-Shakespeare is, why isn’t he dominating radio yet? Check him out now! (https://blue-shakespeare.com/)
Who knew Canadians could sound this some straight up West Coast swag? Poppy Seed, that’s who. “Westcoast Hustler” follows a real cool flow, with an intro that almost sounds like the intro to a daytime court show and a pace that’s reminiscent of Nate Dogg. “Send Me To My Grave” is vastly different in that it incorporates old soul as he lays out a playing field that’s all about shouting out other artists. It actually gives off this almost country feel - which is interesting for hip hop. Speaking of country, “Johnny Cash” isn’t what I expected at all. I thought it be this rebellious ditty, instead it was almost sensual with just the mention of being in all black like Cash. Do you remember Everlast? Well that’s what the vocals in “Micky vs Mallory” sound like, as Kristen Biegel helps out on “Castle In The Sand” and gives a superb performance. Things finally pick up with the Flo Rida like “One Night.” The one thing to take away from Poppy Seed is that he’s precise and well done. He doesn’t make music that makes you question why he does what he does, for it’s done so well - you know exactly why he’s in the rap game. Check Poppy Seed out for yourself and agree or agree even more. (https://therealpoppyseed.com/)
Young Gunnah his thing, his way all the way from his home state of Illinois to your stereo. “#100 (Jay Z ‘I Got It’ Remix)” comes at you like a shark attack. The lyrics aren’t for the prudes of the world. While it comes fast first, it doesn’t necessarily calm down but Gunnah does take it down a notch. All the while it’s still intimidating. Things are a bit slow with “#Drillin Freestyle, Keep Hatin.” The way he puts out the lyrics are a little awkward in comparison to the beat on this one…Then things get sensitive with “#B Don’t Kill Me High.” It’s not as sensitive as one would think since the “B” stands for you know what, but it’s still a nice, different side of Gunnah. If you’re into artists who are self-motivated and determined to make it with their own style and way, then check out Young Gunnah today. (https://www.reverbnation.com/WAMACWRECKORDZ)
